This episode explains the differences between Proxies and Optimized Media file types in DaVinci Resolve. I go over what each is and the workflows associated with using them. This episode is intended as a stepping stone for beginners using DaVinci Resolve. This episode can also serve as a refresher for intermediate and advanced users. This episode is part of a series of videos dedicated to smoother playback and workflow efficiency. The concepts and information in this episode are foundations to build upon. Thank you for your time invested in watching this episode. I truly hope this brings some clarification and ideas to your workflow.
00:00 - Intro
00:29 - Optimized Media and Render Cache Settings
01:16 - Why proxies and optimized media exist
01:30 - What type of files your camera creates
01:50 - INTERframe encoding
02:03 - IPB frame structure
02:49 - INTRAframe Encoding
03:07 - Proxies - What they are and why
04:03 - What a Proxy file structure looks like
05:05 - h.264 support Intraframe also...but it depends
05:45 - Proxies - Where are they located
06:05 - Proxies for Smoother Workflow
06:32 - Proxies for Remote Production
07:19 - Proxies - Workflows that utilize them
08:21 - Proxies - When NOT to use them
08:57 - Proxies - How to create them
09:15 - Proxies - How to activate and switch between originals
09:35 - Proxies - Important limitation
10:03 - Optimized Media - What is it exactly
10:29 - Optimized Media - What it can do for you
11:10 - Optimized Media - Where are they located
11:28 - Optimized Media - Storage suggestion
11:43 - Optimized Media - Advantages
12:15 - Optimized Media - A Misconception
12:49 - Optimized Media - Workflows
13:55 - Optimized Media - How to generate it
14:09 - Optimized Media - How to activate and switch between originals
14:29 - Using both Proxies and Optimized Media
14:55 - How to convert Proxy to Opt Med
15:36 - Note about switching between Proxies and Originals
15:58 - Are Proxies and Optimized Media the same
17:26 - Summary
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13 июл 2024