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Psychoacoustics: Critical Bands and Auditory Filters | Consonance | Dissonance | Susan Rogers

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In this video, Berklee Online Professor Susan Rogers explains critical bands and their relevance in understanding musical consonance and dissonance. With a graph of auditory filters across the frequency spectrum perceivable by humans, she demonstrates how the space between frequencies and how the bands they belong to will dictate how they will interact or interfere with each other.
About Susan Rogers:
Susan Rogers is a professor at Berklee College of Music in the departments of Music Production & Engineering and Liberal Arts, and is the director of the Berklee Music Perception and Cognition Laboratory. Susan holds a Doctorate in Psychology from McGill University; her research focuses on auditory memory, the perception of musical signals, and the influence of musical training on auditory development. For two decades prior to her science career, Susan was one of the world's few women known for her work as a record producer, engineer, mixer, and audio electronics technician. Career highlights include five years (1983-1987) as staff engineer for Prince, producing hit singles for diverse artists such as Barenaked Ladies, David Byrne, Robben Ford, Jeff Black, and Rusted Root, mixing hit singles for an equally eclectic list including Tricky, Michael Penn, Toad the Wet Sprocket, and Tevin Campbell, and engineering for a host more.
About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu
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Psychoacoustics | Critical Bands | Auditory Filters | Frequency | Amplitude | Sound Waves | Consonance | Dissonance | Susan Rogers | Prince | Barenaked Ladies | David Byrne

Опубликовано:

27 авг 2024

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Комментарии : 13

@DragisaBoca 5 лет назад

I am so happy this exists. Thank you.

@johnw5734 5 лет назад

Yeah, you just did a fly by. I need to get up to speed here. Thank you.

@garyswift135 Месяц назад

fascinating!

@koolyman 5 лет назад

Thank you ma'am

@bazzab44 4 года назад

Key point here is the fact that 2 tones in the same filter will interfere with one another. Good work. Thanks

@oldmanscrooge1904 5 лет назад

Thank you!!

@pitchpolemusic3555 4 года назад

So... correct me if I'm wrong but she's explaining how two notes just a single step apart will create that wobbly dissonant sound if they exist in the same "cochlea" band in your ear? I sometimes will play two notes a semitone apart specifically to get this effect although overall it's a bit uncommon to hear this in music because it can also be unpleasant. She's just explaining the acoustic phenomena so to speak. Right? It's not like she's suggesting it's something you "fix in the mix?"

@bijanzelli 2 года назад

Could someone help me with something that I do not get an answer for here. The question is why the fifth and octave interval are sounding consonant. What in cochlear structure makes these intervals consonat. Some people say the origin of octave is mathematics and arithmetics but I am sure the structure of the cochlea is important here. I’d appreciate any help to understand this. Thanks

@musicalexcursions 4 года назад

Great! Now how do we handle these close tones if they share the same filter?

@cromatik2364 5 лет назад

Major tip! Thank you

@streamofconsciousness5826 2 года назад

Good stuff, a new way to visualize what I hear. I can image her being like Lenard's (BBT) mum. especially the scene where she breaks down Raj and Howards relationship.... still among the funniest things I have ever seen and her dead pan delivery is not even the best part.