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In this video, Berklee Online professor Susan Rogers explains musical consonance and dissonance with tonotopicity, the area of psychoacoustics that maps frequency-specific sweet spots in the cochlea. She discusses how simultaneous frequencies can interact with each other, how the interactions are perceived, and how the ratios of these frequencies can be defined and studied.
About Susan Rogers:
Susan Rogers is a professor at Berklee College of Music in the departments of Music Production & Engineering and Liberal Arts, and is the director of the Berklee Music Perception and Cognition Laboratory. Susan holds a Doctorate in Psychology from McGill University; her research focuses on auditory memory, the perception of musical signals, and the influence of musical training on auditory development. For two decades prior to her science career, Susan was one of the world's few women known for her work as a record producer, engineer, mixer, and audio electronics technician. Career highlights include five years (1983-1987) as staff engineer for Prince, producing hit singles for diverse artists such as Barenaked Ladies, David Byrne, Robben Ford, Jeff Black, and Rusted Root, mixing hit singles for an equally eclectic list including Tricky, Michael Penn, Toad the Wet Sprocket, and Tevin Campbell, and engineering for a host more.
About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu
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Psychoacoustics | Tonotopicity | Sound Waves | Cochlea | Basilar Membrane | Consonance | Dissonance | Tonal Theory | Susan Rogers | Prince | Barenaked Ladies | David Byrne
30 янв 2019
