In this video: 01:00 - The greatness of Dorothy DeLay 05:40 - Sugar plum, what is your concept of G# 06:17 - Teaching at the Juilliard School 08:19 - What is so special about The Perlman Music Program 11:04 - On the importance of Chamber Music 12:36 - I want to be moved, make me cry 16:16 - I know who is playing 17:17 - On the challenges and how to find your own path 18:40 - On Kreisler, Heifetz, Oistrakh, Francescatti, Casals, Piatigorsky, Stern 20:52 - Importance of bowings and fingerings 22:47 - Galamian imitation 26:37 - Preparation for a concert 29:26 - On the favorite subject 30:10 - You don’t know how to practice 31:09 - On focus 32:25 - Small segments 34:44 - Practice without an instrument 36:28 - To find something inner in the music to make it alive 39:01 - The great artist is compelled to play a certain way 39:48 - Mental preparation 43:09 - On competition and if competitions are necessary 47:54 - On Sol Hurok, the manager in the grand tradition 50:37 - Having a vast repertoire to be ready for a concert career 52:32 - Passion for cooking, an analogy with playing 55:51 - Looking forward to the live summer session at PMP 58:21 - Reflecting on isolation 59:49 - On Dorothy DeLay MasterClass Series 01:00:53 - Thank you for your support and the interest. Subscribe and stay tuned for the future Dorothy DeLay MasterClass Series uploads
