Quick Kronos Secret: Hidden Oscillator Data! 

Yeah, very interesting indeed! I'd be curious to see if the same 'feature' still rings true back as far as the triton days too. I'm willing to bet the Oasys was identical in that aspect since MANY of the sounds in the Kronos were old Oasys sounds. Do you have access to an M50 or M3 to check it out and see if this still works?

I'll let you know and check when I get my hands on one. The M50 won't have this but the M3 would probably have similarly named presets with both OSCs active.

@@AudoraAudio Definitely this is an expected feature in Triton. You can take any single program and change it to double oscillator in Triton. And you can either take whatever the default is or you can configure your own RAM, ROM or EX1 location for each oscillator, and then edit its envelopes etc.

I'm not one to judge ;-)

It seems like some of the orchestra instruments on it make me shake my head just a little too. For instance, If you hit the higher notes on, lets say a bassoon, it may sound just like a clarinet, or vice versa. Some instruments sound better than others with their own sound depending on if one might play the higher notes, rather than mid or lower. Some flugel horn programs(sounds), sound more like french or horns, and vice versa. Either way. I've learned to know which works best to sound natural, regardless of the name of the program or picture associated with it. I still think, overall, that most of the programs on the Kronos sound natural for the most part. sometimes tweaking the preferences makes them better if the sound itself without editing is played.

Hi there, A swell typically means the volume starts lower and gets louder. This can happen for a few reasons including filtering as well as volume/amp EG and more. Are you able to be more specific or give an example somehow?