Quinn Sullivan // Midnight Highway 

Ha!! Yes!!

The kid has been jamming onstage with Buddy Guy since he was 7 or so. He's a polished musician and a badass guitar player in his own right...🤟😎

triple ????

You read my mind....though the amp could hardly be closer miced. It's a very odd, un-springy sound

@@PaulMcCaffreyfmac I must say, I kinda like the sound. But no one ever Seems to talk about room reverb settings on pedals. I have that option on my Creamer reverb. But who uses it? And for what? In what scenario is it appropriate?

@@hammill444 I've only ever used room reverb mixing down demos to stereo and then simply and specifically to make everything sound like it was happening.....well, in a room. It seems to me that all reverbs are production things and spring is a playing thing. That has pretty much become the truth and is hard to break away from successfully

@@PaulMcCaffreyfmac interesting. So you figure the room setting on pedals is by and large a feature for perhaps studio use? I do like the sound---- but I guess no one uses it to play in live situations.

@@hammill444 To be honest I don't know. I've never owned a reverb pedal and recorded using an Alesis Midiverb II. I speak from the point of view of someone who likes the very minimum of reverb from the amp when I play. Just enough to take the edge off so to speak. There are lots of players who adore reverb and want to explore the possibilities and I guess that once you have manufactured a reverb pedal it is relatively easy to put in variations for folk to try. It caught my ear here because the reverb from the amp sounded so weird and un-spring like and not very 'Fendery' I suppose. I would never dream of telling anyone not to use a reverb that they like the sound of and that makes them want to play. Go for it say I :-)