His voice is beautiful, great mix of registers; something very difficult to achieve but so perfect for Mozart. It makes any lack of legato seem meaningless. Great artistry!
EXCELLENT. I love it how he is one of the few tenors who actually sings Dolcissimo on the high A of "Un dolce ristoro". So many tenors BLAST through that particular moment just to show off their high As, destroying the line.
@w8lz: One might argue that what constitutes legato singing in Classical Opera is something rather different than the much more fluid legato that developed in later bel canto opera. Still I agree that this is not his best performance of this aria.
