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REACTION TO “Piano Concerto No 4 1st mov’t” by L v Beethoven PC Sequel Series Part 1 of 5 

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THE WOLF HUNTERZ Reaction To
“Piano Concerto No.4 (1st mov’t)” by L.v Beethoven (PC Sequel Series Part 1 of 5)
• Hélène Grimaud: Beetho...
Hi Travis and Suzi! Welcome to part one of my second series featuring the piano concerto! To kick things off, we begin with my other favorite Beethoven piano concerto, the Fourth. While his Fifth “The Emperor” is extroverted and majestic, this concerto is intimate and introspective. The pianist in this performance became my favorite living pianist after the tragic death of Lars Vogt in 2022. Helene Grimaud is also hands-down my favorite interpreter of the German Romantic repertoire including Beethoven and, especially, Brahms. Watching her face is fascinating as her eyes have a certain intensity that I cannot describe. This concerto has a couple of features that stand out to me: First, the piece opens with a piano solo, which is rare within the piano concerto repertoire. I remember a performance I saw in college where the pianist forgot that she started the piece, but, after the conductor and pianist nodded back and forth several times to one another, the pianist finally remembered and began playing. Second is the intensity of the cadence that ushers in the recap (right around the 12 minute mark). The horns seem to scream “Now… WE’RE in G!” to bring us back to the tonic key. Of course all they really say is “WHaaaaahhh…. WHAH WAwah!” You’ll know when this moment happens because the camera will cut to an extreme closeup of one of the horns. I hope you all appreciate this second series of piano concertos that are among those of the highest order. None of these works are flashy, trashy, or schmaltzy as is often the case with so many works in this medium. And while everyone needs a little schmaltz from time to time, I have carefully and lovingly skimmed off all of the schmaltz with these performance selections. As promised in the Poulenc preview, here is a haiku I’ve written to accompany the work: “The old woman’s shoe; worn by so many children; was repaired like new.” (Please start at 0:45 and end at 20:44.)
piano concerto, no.5,1st mov’t, l.v beethoven reactions, l.v beethoven, beethoven reactions, beethoven,pc series: part 5,pc series: part 4, pc series: part 3, pc series: part 2, pc series: part 1, hr-sinfonie orchester, frankfurt radio symphony, andris poga, yulianna avdeeva, prokofjew, 2. klavier konzert, alte oper frankfurt, hessischer rundfunk, hr,4k, in a minor, 2nd and 3rd mov’ts, robert schumann, no.2, sergei prokofiev, eclogue for piano and strings, gerald finzi, No. 4

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26 авг 2024

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Комментарии : 18   
@lancevance60
@lancevance60 2 месяца назад
One of the greatest piano concertos ever written. So pleasantly surprised to see people reacting to it!
@cliffordwaterton3543
@cliffordwaterton3543 3 месяца назад
Sometimes I am just stunned by the capabilities of humankind - the writing, the playing - ASTOUNDING. ❤
@karenmiles7380
@karenmiles7380 3 месяца назад
Love your reaction to this. Thank you for showcasing different genres of music and I absolutely love your appreciation for it all. You will hopefully awaken more people to all the beautiful music that is out there. Lots of love to you both.❤
@1953jazzman
@1953jazzman 3 месяца назад
Don't worry about the views or comment numbers on this! It's clear you both got a lot out of it..... and it just might awaken someone's soul who has never heard Beethoven!
@steelers6titles
@steelers6titles 3 месяца назад
Composed in 1805-1806. It premiered privately in March 1807 at the residence of Prince Franz Joseph von Lobkowitz. The first public performance was December 22, 1808 at Vienna's Theater An Der Wien. Beethoven himself was the soloist; it was his last public performance as a soloist with orchestra. The piece was dedicated to Archduke Rudolph.
@AcornDomainsCancelled
@AcornDomainsCancelled 3 месяца назад
Waaaaa waaaa Waaaaaaaaaa! 😂 Omg, I thought the conductor was Dr. Evil for a minute! 😂 Piano sounded like someone tippy toeing thru the house! Then the monster came out! 😅 ❤ yeap I'd lose in texting to her on the piano for sure! 🤣 Amazing performance! 🤩
@mossfitz
@mossfitz 24 дня назад
Concertos are often seen as a dialogue between the individual: piano - and society or the world: the orchestra.
@MichaelYoder1961
@MichaelYoder1961 2 месяца назад
This was the first piano concerto that opens with the piano and not the orchestra first - love it
@rodleger7132
@rodleger7132 3 дня назад
Love both of you. Concerto is pronounced Concherto. Beethoven is pronounce Bay tove en.
@rodleger7132
@rodleger7132 3 дня назад
Concerto think con chair toe
@steelers6titles
@steelers6titles 3 месяца назад
The composer is battling against the increasing silence; the piano is his weapon. He refuses to give in. Stab, stab, stab.
@coot1925
@coot1925 3 месяца назад
Did you notice the pianists didn't have sheet music? Or as I call it "the instruction manual". I'm a former prog-rock musician but let me tell you, if you ever get the chance to see a live orchestra, something like the royal philharmonic or Berlin or Hungarian orchestras you should definitely take it. The live sound is astonishing and it's like watching an overly complex machine working. I saw the Royal philharmonic at the Royal Albert hall in London and I cried.
@haydenwittig8877
@haydenwittig8877 3 месяца назад
The Ascent Theme From the Australian film Picnic At Hanging Rock 1975 composed by Bruce Smeaton Directed by Peter Weir who went on to make films like DEAD POETS SOCIETY, WITNESS, play this Haunting piece of music.
@tonyhunt9980
@tonyhunt9980 3 месяца назад
Great reaction. You should check out Yuja Wang. Greetings from the UK
@rbmelk7083
@rbmelk7083 3 месяца назад
Got her playing Brahms in Part 3.
@bearserker1373
@bearserker1373 3 месяца назад
Highly Caffeinated Spider Hands...
@246zxc12
@246zxc12 3 месяца назад
Try the "Waldstein" sonata if you want to get blown away. Maybe Vlad Horowitz or any of the greats.
@steelers6titles
@steelers6titles 3 месяца назад
“That malicious demon, however, bad health, has been a stumbling-block in my path; my hearing during the last three years has become gradually worse […]. My ears are buzzing and ringing perpetually, day and night. I can with truth say that my life is very wretched; for nearly 2 years past I have avoided all society, because I find it impossible to say to people, I am deaf! In any other profession this might be more tolerable, but in mine such a condition is truly frightful […]. I hear none of the high notes of instruments or singers.[…] I often can scarcely hear a person if speaking low; I can distinguish the tones, but not the words, and yet I feel it intolerable if anyone shouts to me […]” “The ringing and buzzing in my ears have certainly rather decreased, particularly in the left ear, in which the malady first commenced, but my hearing is not at all improved; in fact I fear that it is become rather worse […]” --the composer to his friend F. G. Wegeler, 1801
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