We are ambitious. We will hide the things we are afraid of. Directing our interest to that of which we are not afraid, in light of the music all peoples, we have noticed how international sounds are present in the music that we make. Music has to do with people. People listening (as FRB. Rapho says, "Music is delicious!) is, after all, part of the musical process. Quite simply, we hope that you will enjoy our music... 𝙏𝙃𝙀 𝙍𝙀𝘿 𝙆𝙍𝘼𝙔𝙊𝙇𝘼 𝗦𝗶𝗱𝗲 𝟭 01-Say Hello to Jamie Jones (0:00) 02-Music (2:34) 03-The Shirt (3:31) 04-Listen to This (6:17) 05-Save the House (6:21) 06-Victory Garden (7:47) 07-Coconut Hotel (9:35) 08-Sheriff Jack (10:58) 09-Free Piece (13:12) 10-Ravi Shankar: Parachutist (15:37) 11-Piece for Piano and Electric Bass Guitar (17:46) 12-Dairymaid's Lament (18:34) 𝗦𝗶𝗱𝗲 𝟮 13-Big (21:06) 14-Leejol (22:41) 15-Sherlock Holmes (25:23) 16-Dirth of Tilth (28:20) 17-Tina's Gone to Have a Baby (29:49) 18-The Jewels of the Madonna (31:39) 19-Green of My Pants (33:06) 20-Night Song (36:09)
Those are some albums that will 100% always fully understand the appeal behind and will cherish their status and amazing impact on music itself forever. …. God Bless The Red Krayola and All Who Sail With It is not one of those albums.
This isn’t post-punk I will say though. One of the most significant albums of the last century in my opinion, but that description diminishes the presentation of its significance. In its time and place there was no such thing as punk, especially a post modern interpretation of its artistic purpose. This album thoroughly pushes through the limitations of genre, redefines what music represents, and even what can be considered music. It expresses well that genre was only ever a limitation and society imitated, labeling themselves in doing so; missing the beauty of Mayo Thompson’s artistic blessings.
It's hard to say, "Leejol" and "Dairymaid's Lament" if I didn't tell post-punk fans it was from the '60s would assume was from the post-punk era. Thompson's influence on the scene is also monumental, ofcourse labelling an album that came out 10 years before it, will have people arguing if it could or could not be considered post-punk. I believe Brian Eno's "Third Uncle" is undoubtedly post-punk and that was from 1974. In my philosophy, if something sounds like something, regardless of when it came out, then it was a forerunner.
@@leather-feather77I totally get that. I loved your description on this as well. Personally I’m an artist in the process of recording another album, but I’ll swear this right now; even if it gets me sued I’ll remaster this and put it on vinyl again. Sonic boom is incredible and if he learned something from that then I wanna know what he does. God bless you for sailing with the red krayola!
![Red Krayola - God Bless the Red Krayola and All Who Sail With It (1968) [Full Album]](/img/logo.svg){kind=logo}
