Again, amazing video. Learning so much from you. I always thought that I had to colour grade my footage before creating a fusion clip, and once the fusion clip was created, I did not know that I could still change the length of the clip etc. Thank you so much. Going to look into your fusion course when the time is right, as I love your videos and would love to help support you.
Has questions about this for some time, excellent. One important note is that if you have raw footage and do compositing with a fusion clip. You will have to open the fusion clip as a timeline and than color it to get access to the raw controls.
Awesome, one of the best videos I saw lately. Keep making such awesome tutorials. Could you kindly make some intermediate tutorials on how to use nodes more efficiently
I linked a lot of people this video. I wonder if anything changes with v17. but I hope it stays up to date . Also if there will ever be a better interface or a way to "to Fusion clip" allows you to put the comp/grade in the source clips instead the compounded result. Would save time when I didn't do the Fusion clip before but need it later. Copying over nodes is doable tho. And opening all the Fusion clips as a timeline to grade the source clips adds a few work steps. There is also no keybind (apart from shift+4) to 'open in Fusion'. Also the thumbnails on the Color page(clips and nodes). Don't seem to apply the mask inputs. That's odd and confusing.
Regarding v17 I already released a Fusion in v17 tutorial. Pipeline doesn't change much but you have additional options to do Fusion effects from edit. Don't understand your second point. Doing color before Fusion is possible but not the typical workflow. I might do it in rare cases for some preprocessing or perhaps normalization or so, but that's something done once. Not sure why I would need to go back later. The real grade comes typically after Fusion.
Hey Bernd, First comment here but I've been watching some other clips of yours cos' I've been into Fusion for years too actually ;) Now, aside from the fact i still prefer Fusion 9 Studio (standalone) for some reasons that are offtopic here, I sometimes go to the ReFusion tab for some projects too, depending on the overall complexity. And what you show around the end is quite interesting : adding savers (or media out here) can allow to creating source inputs in the color page, and grade loaders by loaders inside the color tab, which is a workflow which could be handy to me... Do you do that sometimes ? By adding as many source as there are clips in the Fu tab and then add a layer mixer in the end ? Anyway thx, good job ,)
Can't say I do that a lot. Normally I do the whole comp entirely in Fusion and I'm not doing much color work. I think it's a good option when during final grade you decide you need detailed roto or a colorist wants to adjust something that was already masked I Fusion. But I would always build the full composite in Fusion first.
Ok thx for your answer... I was asking because I'M COLORIST too actually :-). Grading special masks on their own in Resolve may be powerful... I'll try a final layer node anyway. Anyway thank you from France, keep going your very good job ;)
Could I ask you a question about workflow? I'd really like to know that best way I can roundtrip from resolve to after fx and back. Fusion is great for compositing, but I would still like to use after fx sometimes for motion graphics and titles. I feel like the fusion workflow is not ideal for that kind of work. But then again, roundtripping is not really ideal either. I haven't been able to find a really good way to do it. What would you suggest?
I think roundtripping is the only option in that case if you want to keep using AE. There are quite a lot of possibilities to do motion graphics in Fusion as well and I see more and more people do it. But you are probably right that for some MoGraph tasks AE could be a bit more efficient or better optimized or more templates available. But in principle I think almost all tasks could be achieved in Fusion.
Hi - is it possile to get Resove to update changed Photoshop layers / files? It seem crazy that there is no way to scan - refresh changed content, which having to relinkl media. Can the I/O noides be used for .,psds?
I'm not 100% sure when they are loaded again. But at least after opening a project again, I suppose the files would be loaded again from disk. In Fusion you could try to clean cache (right click on the right bottom corner - % sign) - not sure if it works in Resolve for this particular scenario
Очень важный урок, жаль только у тебя нет русских субтитров. Если бы ты дублировал свои уроки для русскоговорящих, то у тебя была бы куча подписчиков из России )))
