I'm a big fan of Mr. Aaron's teachings, especially his scale routines and the concept of always thinking outside of the box. Thank you for sharing this!
Valuable lesson, but IMHO it is one path to the sound, and only in addition to other factors, e.g. pressure, sounding point, etc. - to create and craft the sound for how one might interpret the innate experience and narrative of the music.
@@nainposteur55 SHOULD be implied. But often the music is adjusted to the tools and the aesthetic and expressive soul of the music is non-existent. Also, if we are talking about tools- don't forget the left hand, and I don't just mean facility and articulation but also vibrato, e.g/, how it can affect the bow sympathetically, and how it can and should be used to create intensity and transparency, expressively like a great vocalist might. These are a palette or tools, but there is also a narrative and world in which it exists.
