Rig Rundown - Death From Above 1979's Jesse Keeler 

three's a crowd

Yeah, a crowd, like Rush is a crowd...

vintage Dan Armstrong basses and Acoustic amps aren’t especially cheap tho

Steve Dixon yeah and Juno 60s have become the go to “cool” synth now for a lot of collectors making it out of reach price wise for practical musicians

He's a rich kid so he could buy whatever

pretty expensive rig if you ask me

Now it’s expensive stuff but also look at jack white using cheap gear super expensive now too but, yeah always makes interesting sounds

i've got a peavey festival series f800b. that's how i found this video

+NerdsOuttaControl troll hiding behind the amp

Thats the original member that just push the button on his instrument

This is still true

+Cole Emmerson Hallman once again

and here I am again

@@coleemmersonhallman5329 bro

hey i’m back

Thought he meant the amps and cabs. He mentioned he bought the Juno for $275 or something at the time.

In the case of synths, I think it has to do with the rise of EDM and electronic music in general. Internet communities are also probably creating a greater marketplace for vintage items in general.

+Mark Taylor It's something called Inflation and Indexation. $100 back in the day was probably same value as $300 today based in how much money people used to make at that time. You make more you spend more.

I see these types of amps all the time with punk bands and none of them paid over 500

@@tysonrinker5958 Even in Germany, where those amps not have been used so often, you can have those old Peavey Mk III and IV for between € 200,-- and 300,--. Even the great sounding Peavey 215" cabs are on the market for a steal. This comes because big and heavy gear is abandoned from stages, everybody is having lightweight cabs and amps. Except me. I love the sound of big iron solid state and tube amps, and I love 215" or 810" cabs. Just bought a Peavey Tmax. Great sound with the preamp tube driven into saturation. Even the lightweight Tecamp L 810 (80 lbs) or the L 215 (60 lbs) are cheap. I just have one Class D amp, a Genzler Magellan 800, l use for gigs with rented backline. You never know what crappy amp you'll find on stage. Only one of two channels work, and mostly the wrong one, knobs are missing, DI out does not work, you name it.

yeah...like 590€ for a Acoustic 126 wtf

C A R L O V O N S E X R O N

I have a standard pa head and can't find the same midrange in any other amp without a pedal of some sort.

Love them Kim deal’s sound

He's checking the lights on the giant artwork in the background

Did you listen

Dude… They released a new album. Well, it came out a couple years ago but all their songs are straight up bangers. Even their new sound

I cringe when they try to be all funny and cool in front of the artists.

I totally know what you mean, it always annoys me

HB.lmmm .m. nnn vf CVS m MB h CX uh d if hjbjb mmcjmvmbnmnm c try yuhjhhjjjjnnnnnbbssssffgj

HB.lmmm .m. nnn vf CVS m MB h CX uh d if hjbjb mmcjmvmbnmnm c try yuhjhhjjjjnnnnnbbsscossffgj

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HelloShitty08 Funny! i just thought about the same thing!

He meant short scale. There are barely any 24-fret short scale basses. The only one I know of is the Kramer Duke bass. There are probably a few DanElectro models as well, but those are cheap and unreliable.

The Jealousy. It burns. It buuuuurns....

I'll pay you any amount of money you want for that ahhahaha

Lucky dog, they're basically nonexistent.

+ScotchRobbins had to drive all the way from Montreal to Baltimore, still worth it

jackhead4 Finally got one. You were right, this thing peels paint.

Yeah and he knows EXACTLY what everything is as well, cool.

What did you think when you listened? :D

Really cool, and surprisingly 'fat' sounding. I didn't expect that kind of sound from just two people.

sirspikey try lightning bolt now

+sirspikey Royal Blood is a similar setup.

+TheDeftZeppelin no it's a completely different setup

its not an auto wah, it's a fixed wah, big difference like jerry garcia vs frank zappa

Are you trying to suggest sound engineers don't boost frequencies? Sound engineers boost frequencies all the time, I'm one of them!

guitar's , god's & gun's That's so misinformed. Skilled engineers boost also? There is absolutely nothing wrong with boosting or cutting. Yes generally it's better to take away something than adding something that isn't there but that doesn't mean it doesn't happen. Very misinformed.

To a skilled sound engineer boosting and cutting are not the same thing. They are used differently to achieve different things. One is not better than the other.

Anything made in the usa by peavey during the 70's and 80 ' s kicks ass. I own alot of it. You can buy it dirt cheap and it's top of the line stuff.

Hey DFA’s bass wouldn’t be DFA’s sound without Sebastian’s drums 👍

I think it works even if it's off because I have a boss te-2 with stereo output and it works even if it's off

Is it quite? Because I also have the ABY splitter that he uses for guitar/synth. And if you use that to run into two amps it makes noise. So I am looking for a better way to do it.

well the te-2 is an echo pedal I really dig it, when you are not using it yo can still use the stereo out put it doesn't make any noise but like any long pedalboard you will get some signal loss even if your pedals are true bypass , there are a lot of pedals with stereo output so maybe if you are looking for example for a echo pedal and you want to split your signal you can get a pedal with stereo output and you'll have killed two birds with one shot, you can also use a signal splitter thats more expensive if you are looking for a professional one like the lehle p-split II but for me a stereo pedal its perfect since I don't do any switching between the amps the two of them are always on, but if you want to switch between amps an AB is better for that

Awesome. Thank you. What I might go for is buy a stereo pedal and in the line to one amp I don't always want on. I will put in a pedal backwards or with the volume down or something to make a kill switch of sorts.

or if you have a tuner you can do this, put the stereo pedal, one output goes to your amp and then the next one goes to your tuner, a lot of tuners kill the signal path so it won't go to the other side the when you want it on you turn your tuner off .... or you could buy a kill switch pedal XD JHS has a very good one but there are probably better or cheeper ones out there

Absolutely worth seeing live. I'm normally a death metal guy, but DFA was the heaviest, loudest, most intense and energetic show I've ever seen, bar none. Recordings don't come close to doing them justice... See them! there's nothing else like it.

I've seen them twice and by far just the loudest most raw sound I've ever experienced.

i just saw them live last night. they have a fun and dancey/funky kind of punk it was so fun

No offense but that's a stupid question. Yes, if not for you, for me. Godspeed.

GeoAl09 I hated them until I saw them live a couple years ago, been a fan ever since.

At this point I’ve heard it all when it comes to stoner bass, and no disrespect that style is great, but Jesse’s approach to bass playing is actually refreshing

+delnuggets Saw them at Voodoo Fest 2014, end of October. Little girls who came to ogle Jared Leto and Alex Turner were up front at the stage for DFA1979. They were holding their ears and whining. It made it even more enjoyable for me, in addition to rattling my bones for days afterwards. FANTASTIC. My favorite band from that day on.

0.73mm Dunlop picks

Lol no it so isn't I'm afraid. That would be a stage tech/guitar tech/drum tech/etc.

+Tracy Panavia I don't know man it's gotta be. I know he's got a laptop and the thing next to it is a tool he uses to play some extra stuff like piano on train wreck and the extra stuff on white is red. And you know what they say about two piece bands. They're always together even in interviews!

Kaiti Stewart lol