Performer: Evgeny Kissin Orchestra: London Symphony Orchestra Conductor: Colin Davis recorded in 2007 I. Allegro affettuoso[0:00-15:57] II. Intermezzo: andantino grazioso [15:57-21:38] III. Allegro vivace [21:38-32:11]
your truly are my favorite piano player off all time I never get tired of listening and watching you playing piano May God always keep you safe under His wing and Bless you abundantly I love you Evgeny
NOT TRUE! The Truth Evgeny Kissin The ice cold piano sound player Ever! The Best Schumann piano concerto players Are really 1:Radu Lupu ( The most colorful piano sound Ever! Lupu The Best first movement coda ever! Lupu The most relax player Ever Better than The stiff Claudio Arrau! The Mechanical Boring dull stiff machine player Ever Krystian Zimerman) 2: Emil Gilels ( The King of The All pianists ever! Gilels The golden tone for Schumann 3: Wilhelm Kempff ( The most beautiful piano sound Ever) 4: Sviatoslav Richter ( The Genius Richter) 5:Van Cliburn ( Why Van Cliburn because Van Cliburn better than The stiff Claudio Arrau and The Mechanical Boring dull stiff machine player Ever Krystian Zimerman) The Bad Schumann piano concerto players Are really ABM THE CYBORG HUMAN MACHINE KING ROBOT PIANIST EVER! Rudolf Serkin The cold RAW rough piano sound Ever! Marta Argerich ( The cool raw piano sound) Krystian Zimerman (The Mechanical Boring dull stiff machine player Ever)
It's like the pearl in the oyster. Think of E.A.Poe, tormented like no other, but also genius like no other. The list goes on with Van Gogh, Baudelaire, Percy Shelley ...
Yes, I admire all the pianists mentioned below, each good in his own way, but Kissin's interpretation is incomparable. He has the pure spirit of Schumannn's lyricism in his finger tips.He makes the piano figurations in the last movement bubble over in a way I have always wanted to hear them. The work is not tragic, but despite its varying moods one Of Schumamnn's happiest and most fulfilled compositions. A glorious interpretation.
colin crothers I have to agree with Felix on this...an amazing performance by an amazing pianist...and so young...the world is his oyster, that's for sure.
I really like Robert Schumann’s use of both PIANO & STRINGS almost equally in the same compositions. I think it adds a bit of flare to his work that a lot of other mid-romantic composers simply didn’t pull off in a lot of their work. Marvellous!
Evegeny Kissin is the top best pianist in the world in dhese days. It is passionate and brilliant performance. Orchestra is also lyrical and gorgeous..
Romanticismo allo stato puro.Kissin ne dà una interpretazione memorabile ,così come Davis e la LSO. Eccellente la qualità del suono per questo ottimo post.
Pianista exquisito. Mucho más que un simple pianista engreido. Por algo Karajan lo invitó con catorce años a tocar el primer concierto de Tchaikovsky con la Filarmónica de Berlín. Por cierto, hay una interpretación magistral de la Fantasía Coral de Beethoven en el concierto de San Silvestre de 1991 junto a Claudio Abbado y la Filarmónica de Berlín. Lo encuentran en RU-vid como Beethoven Choral Fantasy Abbado Kissin. Tenía veinte años y ahí toca Beethoven como el mismo Brendel o Perahia
Sin dudas Kissin es un pianista perfecto, pero si quieren emocionarse al escuchar este obra maestra, todavía hay que remitirse a Sviatoslav Richter, especialmente una grabación de la década del 50 con Deusche Gramophon
ESTE CONCERTO DE SCHUMANN FOI COMPOSTO NO PERÍODO DE (1841/45). OS TRÊS MOVIMENTOS : 1o. allegro affetuoso, 2o. intermezzo:andantino grazioso e 3o. finale: allegro vivace, SÃO PLENOS DE MELODIAS ROMÂNTICAS E MELANCÓLICAS COM PERFEITO DESENVOLVIMENTO, MAS COM POUCA PARTICIPAÇÃO DA ORQUESTRA. POR ESSE MOTIVO, LISZT O CLASSIFICOU IRONICAMENTE, DE" CONCERTO DE CÂMARA". OS VIRTUOSES ENCONTRAM DIFICULDADES DE MOSTRAR SUA PROFICIÊNCIA, PORQUE SUA PARTE PIANÍSTICA, JÁ FOI CONCEBIDA CENTENAS DE VEZES. MAS O CONCERTO FAZ JUS DE ESTAR NO REPERTÓRIO.
every truly great artist proclaims his credentials in the same way...rachmaninoff,horowitz,hoffmann,kissin,to name a few.i think the 'personal' approach is more exciting and breathes new life into well worn works...otherwise they might as well be played by a computer.
Si quieres otros ejemplos, se me viene a la cabeza el primer minuto de: Handel Organ Concerto in F Major 2 mov, esuchalo, veras que se parece aunque sean periodos distintos. Casi los primeros segundos de: Schubert - Drei Klavierstücke, D 946 Pasando los primeros segundos de: MISA BREVIS a 5 - Hernando Franco Son pasajes muy cortos, entre 8-12 seg. que presentan esa progresión
Kissin has enormous technical skill. He has the most unfortunate habit of "pulsing up" what ever phrases within the piece he feels need affectation or attention. Often playing along gracefully, within a measure OR even a few notes, he'll ramp up the output of his grand piano, or provide exquisite extra fingering attention to phrases. This provides for an interpretation that says "I'm Evegeny Kissin" this is how I choose to play Schumann. The performance goes all over the place.
Por eso cada gran interprete es diferente y cada uno nos muestra nuevas facetas de una misma obra. Si todos se ciñeran a un estílo o modo único de interpretar sería fatal. Que nos guste o no es asunto personal...
Peter Von Berg There is not such a thing as "the best" interpreter of anything. There are different tastes, different approaches, different sensibilities. The most you can say is that those versions are the ones you like best. That is all. There will be millions of people who will not agree with you on this.
I’m a huge fan of Kissin. I felt that he played this Concerto beautifully. But, for my taste, the first and second movements dragged too much. They were quite slow and I kept hoping the tempos would pick up, but they didn’t. The third movement was spot on and I only wish the first two were the same way.
