So good! A little remark, she uses the fingering 2/3 for h/g and 3/2 for c/f sharp instead of 3/4 // 4/3 in the finishing bars of the prelude - that’s what I’ve been doing for three decades (because I just don’t manage to feel at ease with the intonation issues that arise from the change between 3/4 and 4/3 - yes, I know it’s a matter of practice 😶). Colleagues have frowned upon this but now I feel exonerated from the accusation of dilettantism 😊
