Awesome video, Jeff. As usual! It's amazing how well those sounds have held up over time, and even the more "dated" effects that are in there are still full of nostalgia and "member berries"! 😄 Thanks for all the work you put into this. It was well worth it! 👍🏼
Hey hey, thank you so much! I member!! This one was an absolute slog of a video to do, I don't even want to think about the hours and disk space that went into it, but there was so much to cover. Really interesting piece of technology, and I hope the burning smell I got from it wasn't a sign of it heading to an imminent death.
That was excellent! I bought mine new, and fully expanded it. I'm an animator and musician. I used this to create music for Cartoon Network bumpers I animated. After many years of overworking in animation studios, I'm going back to being an artist. I just got this back out, dusted it off, and will be my orchestra for my personal films. This was a great refresher for it's return.
That’s awesome!! I remember seeing someone using a midi guitar (or bass?) to do foley for early Simpsons episodes. It’s a neat piece of gear, especially with being able to link it into a modern DAW and all of the software synths and samplers. Thanks for the comment, that’s so cool to hear.
I vividly remember there being a demo guitar/synth setup at a music store, and it clicking that I could get all of those sounds without having to learn piano. I've also seen a few bands use them to automate pads and fills and stuff that seemed pretty slick (especially if you''re a rock band and don't need a keyboard player to just stand there 95% of the time)
We gotta discuss that Digitech Chorus behind you. Hardwire is my favorite series next to the Digitech GSP1101 and similar. Also, the flute sound you used in this video was perfect to describe the reverb and effects!
Oh yeah, I've looked at a bunch of the Hardwire pedals. The Chorus is such a great selection of different chorus styles. Also turned me on to one of my favorite chorus pedals, the TC Electronic SCF.
In the '80s, our lead guitarists had a Roland GR-300 /G505. It didn't make it to the stage much, but it was novel and fun. The trick is working with the latency, and if you're trying to emulate an instrument, think like the musician who's plays that instrument. Thanks again for another blast from the past!
The first "modern", 13 pin Roland guitar synth was the GR-50, and I wanna say it came out in 1988? It was rackmounted and had the linear arithmetic synth engine like the D-50. I used to have one, it was pretty cool. It had much faster tracking than the GR-1, for whatever reason, and better sounds IMO. I have a GR-33 now, that uses the same engine as the JV-1080 which I like even better. One awesome hex pickup friendly toy is the GR-D pedal that does the hex fuzz thing. Distortion that's one voice per string sounds amazing. You can play the most complex, knuckle-buster chords you know and it keeps all its definition and sounds like Queen. There are a few guitar synths that do hex fuzz as well, but the GR-D is the cheapest way in, usually.
Interesting, I didn't know about the GR-D pedal, that sounds really interesting. And yeah, I should have clarified that I was talking specifically about guitar synth pedals, I didn't go down the rack path... but now that I have a pickup....
@@StompboxBreakdown Ah, OK. Yeah, the GR-50 is something of an outlier since Roland really just makes floor units. I know Yamaha made a number of rackmount guitar synths, too, and they use the same 13 pin standard.
The pitch drift function on the GR1 will make the midi tracking slower or faster because its. Determining every variation of pitch. Bends etc. You can turn it down. And improve the tracking
10:13: BRTH HRN is "breath(y) horn". Thanks for this great vid. Had a GR/GK2 since they first came out. There's so little info online for the GR-1, I was surprised to find this--I think the "Sound on Sound" web site pointed me to your video.
Ah, that makes sense. It really is an amazing piece of gear. I remember seeing all of the (then) cutting edge synth tech that was coming out and wanting to get my hands on it, but it not really being possible due to 1) it being expensive 2) me playing guitar. Being able to snap one of these up today and dive right into the sounds... I wish I could go back in time and tell my teenage self "Don't worry, one day we'll be able to get all of this"
Coolest thing I've seen you demo and theres a lot ! This takes the cake. I also own and play a few synths, love the keys, but all that magic on a guitar. Hate my EHX mono synth now haha. BRTH HRNNN!!!!
Bought a well loved Aria Cardinal CS400 that came with the GK hex pickup on it - I've bought a few boxes to plug it into but haven't played with it yet, thanks for going through this and posting it up for us.
Have been using Roland 1 for over twenty yrs purchased from impatient coworker has been a real head turner when using with my acoustic Takamine, vocalizer, drum machine leading mens worship venues especially with piano! Your road device recommendation Boss,Roland,zoom need piano voicing for sure? recommendation using uke baritone
I've gone down this rabbit hole before. You should check out the Ghost pickup/saddle system and (I can't find it online right now...or remember the name of the manufacturer) this weird box that outputs an analog signal of each string, to apply effects to each string separately. In college, a friend had borrowed his brother's GR-300. Those are insane and definitely something to keep an eye out for. ps:: I keep wondering if I'll run into you at Tubby's.
Amazed that it sounds so good and usable. I did try a Roland guitar synth back in about 2009, not sure of the model though. It did sound fantastic but could justify the expense when in reality it would only be used for some pads and strings, so got a Casio keyboard instead. Excellent video once again. Great touch too. TWSS
Thank you so much! I've been learning a lot about the unit and the technology within since this went up, from comments in here and PMs. When guitar tech crosses synth stuff, it's like two waves hitting.
The best demonstration of this model I’ve seen. Question: can you turn off the pitch bend? EDIT: I saw the “Chromatic” section. The Gr1 was very clean and accurate partly because it tracked slower, and Roland made it a priority of clean MIDI notes over speed. One way I’ve found to get around that while sequencing my playing, is to listen to the sound of the actual guitar strings and have them much louder than the triggered synth sounds. SUBSCRIBED 😊
Thank you for this video. It may prove to be just the encouragement I needed, to persuade me to retrieve my GR-1 from storage in the loft and see if it has a place in my current recording set up. Lots that I did not like about the performance of the device, when I purchased it Christmas 1992. And the external PSU; whereas the VG-8 released 3 years later connected direct to the mains supply. But I remember there being some interesting sounds among the two hundred “Original Tone”s. And how I did like there being knobs to adjust the ADSR and VCF characteristics and the array of control buttons, to avoid a layer of menus. And now I have more experience of (Guitar) Synthesiser programming I hope to find those 224 pages of Owner’s Manual to be stimulating rather than intimidating.
i remember when it came out. it was in the "General Midi" era , (compatible with generic synth patch list for PC Games) i did like the "Ocean Pad" special FX patch; but it was otherwise just a guitar-to-midi converter with bland Synth.
Love guitar synth. I'm rocking a Casio MG510 and a ZOIA as my synth these days. What you're missing is a pedal chain at the output, as that's when you turn those cheeseball 80's Beverly Hills Cop sounds into distorted, fuzz filled, face melting dali-esque soundscapes.
Great video! I’m a huge nerd for early guitar synths. I have the Roland GR-100, 300 and 700 (with G-505 and G-707 guitar controllers), ARP Avatar and Korg X-911. If I knew that you lived within a few hours of me, I’d let you demo any of those!
Wasn't "pegging" what kids did to their jeans back in the 80s? Anyway, a most excellent video! So much fun. For its age, the GR-1's tones still sound relevant and quite usable. I know it took some time for you to dig through 224 pages in order to understand and use the unit, so thanks for investing that time and research for our benefit. I really enjoyed this one (with its technical nerdiness and semi-sophomoric humor). Cheers!
Pegged jeans I think was the 50's because I was in school in the 80's and we were all about getting our wide leg Britannia's chewed up in our Mongoose BMX chain
I’m no fashion/culture expert, but I think you’re right about it being a thing in the 50s. But it was also definitely a thing in the 80s. I never did it to my jeans, but I had friends that did. Could’ve been a regional thing, too.
There was a guy selling a Roland ready strat with one of the Roland modules I was trying to buy for 300$ for months but I never got a response so my search for one is delayed for now
Try changing the attack time on just the strings on the guitar and strings patch if you turn the attack time down the strings will start sounding the same time as the guitar
Time to cover blinded by the light with only 'this synth. I use the subdecay m3 for some wild synth sounds. It doesn't have the range and tweakability of the boss but for me this kind of thing I prefer quality over quantity and it has plenty of range without being overwhelming. Subdecay man... some freaking amazing pedals and overly engineered at times.. the quasar v4 is an insane extension of analog phasers. Anyway I loved the video not about Subdecay.
That Vibes sound at 5:56 has blown me away, I'm listening on headphones now and its panning between both, is that the usual effect on there or is there a stereo pan effect being added, I gotta know! 😅
The funky smell is the capacitors leaking. I just got one and it also is being funky. Opening up and cleaning the board should solve the smell. However. The leaking caps is probably not good for long term...
Now there's nothing to stop you from composing the spiritual successor to Michael Jackson's opus, the Sonic the Hedgehog 3 End Credits aka "Stranger in Moscow"
Having to mutilate a guitar is why I avoided guitar synths in the early days. Thankfully, they've come out with polysynths that don't require any attachments. I currently have a Boss SY-200, EHX Synth 9 and EHX Micro Synth. Certainly not as versatile as what you demoed but I've never had a guitar that I'm willing to sacrifice at the Synth Altar.
Those are really great pedals. I'm amazed at what the EHX 9 pedals are capable of, and I've sung praises of the SY-200 before. I don't really see installing the pickup as sacrificing the guitar, though. It was two little holes in the (already non-stock) pickguard, and then I routed out a little bit under it for clearance. I could have used double-sided tape for the whole thing, and then cleaned it off with citrus cleaner when I was done, or used brackets which are cheaply available online. Lots of options, I haven't permanently married this Strat to a synth pickup.
From what the internet says, it *should* work, but it's also recommended you spend some time adjusting the individual string sensitivity, and maybe spend more time aligning the pickup with the strings (physically) than I did. But it should work, it's a 13-pin pickup sending the same data in the same format.
Tank you Jeef tengo el GR 1 desde hace 30 años también el GR 50 que es un truño de aparato, el GR 20 que es el más versátil y efectivo y el GR55 TIENE 15 O 20 Presets Buenos el resto no me convencen,,, el Sinte de Guitarra bien usado es muy útil, un abrazo Amigo y Gracias ❤❤❤❤🎸☕✨✨✨✨
Thanks for this nice bit of time traveling - I‘ve still got mine in excellent working condition!If you want to see where guitar synths are at today, take a look at my series about the BOSS GM-800: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-gx_mA5C-Lak.htmlsi=23PXM0pwiEQZDjgv
Out of curiosity, could you have just cut the dual lock into strips and affixed the pickup to the guitar instead of drilling? I like the idea, but loathe the idea of putting new holes into my instruments.
Its breath horn bro lol. Nice video. The gr1 was the last true roland guitar floor unit with actual tweakable knobs. One of my personal favs. If ya wanna see total oveekill guitar synth stuff, check my youtube to see how insane it can get. Based on venerable gr300 and 700 analogs.. its sick. The gtr synth from hell..
I'm not personally aware of one. There's gotta be something close to it in the SY-1000 or GM-800, but unless I needed it live, I'd probably just try and find it in a VST plugin, like FM8.
Dexed is a pretty neat free VST that sounds almost identical to the DX7. You can use Roland GR to trigger it, but the MIDI output of the GR line has a bit of latency. The Fishman Triple Play is said to be the fastest guitar to MIDI solution. The Axon AX units should be good as well.
Guitar synth never seem to deliver what a dedicated synth can. Even synths cheaper than cheap guitar synth. That being said I love your vids lol this comment coming from someone with MIDI jacks tattooed on his neck lol I may be biased lol
That's because most of 'em are designed as preset boxes full of bread and butter preset sounds for cruise ship one man bands rather than tools for making new sounds. Some of them break that mold, though. The GR-50, GR-33, and GR-700 are all full-featured synths under the hood. I think the VG-99 is, too. Not sure about the GR-55. Roland's basically kept them crippled for the most part, and it's too bad.
Bon pour les musiciens peu exigeant moi personnellement je ne supporte pas les latences et portamento incontrolés, ca m'arrache mrs tympans de musiciens
nice, dx7ie vibes. always wanted one. but wtf roland. 2024, i was promised flying cars and you? bring out the innovative gk-5 at namm. how dare you. and to acess your amazing mono audio to polyphonic pitchmidi tech i have to buy that blue monster with 1000 flashy roland presets for almost 2grd. please just give us the sy-2 pedal with 3,5mm polyphonic midi out. willya? i wanna play my digitone. and that moog. maybe nuclear fusion and ufo disclosure will happen first. gk-6 in 2030?
Yeah, it really sucks that there's no simple GK->MIDI bridge, an updated version of the GI-10/GI-20. Even if it were a plugin for the GK-5 that could then be easily routed to a software instrument.