Roopa Panesar ft. Pirashanna Thevarajah & Nitin Mitta - Raag Jog | Sofar Chicago 

indeed

Very nice and very good

very nice and very good

What a way to describe this lovely performance ! Like the composition b very soothing !

"And, she does not murder the raga." - who does? Just curious.

Who does ? Lol and murder in a good way ?

@@anakein Oh, I do not wish to be impolite and take names. Let me say, a good many young artists are rushing to the concert stage today who are nothing more than amateur night performers, relative to the masters of the golden age.

@@IsaiahSellassie clearly a man of culture. You understand the buildup is not to be rushed. It is not a Steeve Vai solo until your tea runs out later in the performance....

@@IsaiahSellassie well ... this is actually a super debatable point that will never reach conclusion. But the truth here is every artist has his/her own manifestation styles and associated challenges; and that's where the individual artistry lies. As an audience you might choose to like one and dislike the other, but that does not mean one was "golden" and the other was not. An example would probably help .. In 1971 when Ustad Vilayat Khan played Puriya Dhaneshree, he had the luxury of having dedicated audience who was willing to sit all thru the night and listen to all that he wanted to play. He was known to be a super "moody" guy who did not respect any time limits sets by the concert organizers. As long as he was in the "mood" he did his music his way and the raga manifested his way. Compare this with Purbayan Chatterjee today. You will see the difference right there. The organizers put him on the concert stage, putting a time limit on him that he has only an hour to perform, cause there is a "next" artist after him. No matter what his mastery (or artistry) could have been, the guy did not even get a chance to display his skills on stage. He is obviously rushed, and has to finish off his gig within the hour.

U said it So beautifully

Beautiful description. Best wishes from USA.

Do true Dear.

Sir i saw your comments from sabri brothers clip to sitar clip of classical music to many great darbar Festival Videos you are hard core music lover 😍

Raag Jog. Uses both gandhaars and both nishaads. Rishabh and dhaivat are varjya. If you liked this the go an listen to Pandit Jasraj's Hanuman Lala pyaare pyaare lala. It's based on the same raaga and will send you into a trance!

@@ramdastiwari3762 Thank u very much

It's a south Indian instrument called Mridangam , not Dholak.

Yes.

Pt Ravishankar had his style of playing and Roopa has her style of playing.. You need to know a bit more of music to appreciate it.. Her speed of playing is unique and probably only pt Budhaditya Mukherjee can compare. Please listen to the others too pt Nikhil Banerjee., Ustad Shahid Parvez Khan, Ustad Vilayat Khan Saheb, you will understand better, the different styles of sitar.. Wish you all the best..

You can't really compare. It doesn't work like that in the music. The styles of playing are completely different.

Music is not pure mathematics. Each artist puts their own Mark on the instrument and raga. This is one of soothing composition I have ever heard. Every musician has own flavour.

Hi Joe Cool it man

You're entitled to post an opinion; that's what comments are for. However, it's clear you're ignorant of what makes this music "great" or "terrible" so the comment appears foolish.