Rubato and shifting tempi is just what this magical piece demands of its performers! the swirling fourths/fifths/sixths are so evocative (the objective of all "tableaux") and depending what image is evoked in the performer's mind, needs to be played with (pun intended). Bravo Maestro Shishkin for understanding this and making this etude come alive! I'm striving to get to this level of interpretation
Dmitry, you're such a fantastic player and I love your interpretations. My teacher was Dmitry Rachmanov, a Scriabin enthusiast. I work in opera as a repetiteur but am always inspired by your beautiful interpretations. Take care and I hope you had a good holiday season.
В неправильные времена приоритета техники исполнения над душевной, эмоциональной и чувственной подачей музыки Дмитрий Шишкин несомненно превосходит техничных исполнителей! Великолепный музыкант так глубоко погружается в музыку, что не только мастерски преподносит произведение, но и вызывает своей филигранной игрой сильные чувства у слушателей. Это высший пилотаж! 👏👏👏👏👏👏❤️❤️❤️
How can every piece by Rachmaninoff be so beautiful? I sometimes wonder if he also wrote a bunch of terrible pieces that he threw in the garbage or if they all just happened to be perfect right off the bat. I would love to hear Dmitry play the ET Op 39 Nr 4, which is my favorite of the series.
Rachmaninoff was known to edit like a madman and still throw away a lot of what he wrote because he felt it wasn't good enough. But what he did allow the world to see was (in my humble opinion) nothing short of perfect.
Its a strange experience. it is so very easy to be carried away in the moment and lose your focus. when playing very difficult music this must not happen. this is how memory lapses happen.
Дмитрий, Вы, конечно, отважный. Это же запись с конкурса Чайковского и редко кто решается исполнить именно эту этюд-картину на втором туре. Спасибо, что нашли время и выложили на своем канале отдельно именно это произведение.
It must be so satisfying to have a level of technique that just allows you to play anything you want. I truly envy those who grew up with parents that were cerebral enough to put them in piano lessons as a child. Despite me showing clear interest in music as a child sadly my family never took it seriously.
Наверное, он, без малого, лучший академический пианист современности. Безупречная стилистика, туше́, техника, естественно, скорее даже органичность техники. В общем, однозначный лайк и признание. В то же время я очень люблю этот великолепный этюд Величайшего Композитора Всех Времён и Народов - С. Рахманинова. Володось тоже очень хорошо играет это произведение
