SALOME Strauss - Irish National Opera

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A king who desires his wild and wilful step-daughter. Her erotic fascination with a condemned prophet. Salome is a study in obsessions, with lust and death at every turn.
Based on Oscar Wilde’s play, Strauss’s landmark opera was greeted with shock, horror, excitement, awe, respect, censorship, scandal, condemnation - just the kind of responses that fill theatres and cinemas to this day. The music, sweet, sour, erotic, often dizzily thrilling, has not been blunted by time. This is no overture. A rising arpeggio on the clarinet launches Narraboth into his rapturous vision of Salome and, from there to the end, there is let-up in the intensity and tension of the score. Composed in 1905, Salome is still one of the wildest and most rewarding rides - at times of overwhelming intensity - to experience, and one of the most challenging in the repertoire for the lead soprano. Sinéad Campbell Wallace singing the title role, complete with its 20-minute final aria that moves from animal frenzy to demented erotic yearning. Irish National Opera’s acclaimed new production is directed by Bruno Ravella and conducted by Fergus Sheil.
Full performance streamed on OperaVision from 19 April 2024 at 19:00 CET to 19 October 2024 at 12:00 CET: operavision.eu...
CAST
Salome
Sinéad Campbell Wallace
Herodes
Vincent Wolfsteiner
Herodias
Imelda Drumm
Jochanaan
Tómas Tómasson
Narraboth
Alex McKissick
The Page of Herodias
Doreen Curran
Soldiers
Julian Close
Lukas Jakobski
Jews
Christopher Bowen
Andrew Masterson
William Pearson
Aaron O'Hare
Eoghan Desmond
Nazarenes
Wyn Pencarreg
Eoin Foran
Cappadocian
Kevin Neville
Slave
Leanne Fitzgerald
Orchestra
Irish National Opera Orchestra
Music
Richard Strauss
Text
Hedwig Lachmann
Conductor
Fergus Sheil
Director
Bruno Ravella
Sets & Costumes
Leslie Travers
Light
Ciarán Bagnall
Choreography
Liz Roche
Assistant Director
Chris Kelly
Répétiteur & Language Coach
Mark Lawson
Assistant Conductor
Elaine Kelly
OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme. Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.
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Опубликовано:

16 окт 2024

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Комментарии : 84

@LNSCAdmin 5 месяцев назад

Thrilling performance, thank you for posting. For a performer it must be so wonderful to receive the acclaim of an audience who clearly appreciate one's efforts.

@indemidova 5 месяцев назад

The performance is absolutely stunning! Thank you OperaVision.🌹🥀🌺🌷🌼

@genesis631 6 месяцев назад

I love that these performances are live streamed.

@erictao8396 6 месяцев назад

Absolutely beautifully played and sung! Thank you so much for the upload: this is one of my favorite operas!

@Kundry1983 6 месяцев назад

Strauss is always fantastic

@kiwi_tenor 4 месяца назад

Strauss really knows how to build tension. This is glorious.

@StephenSmith-ge1qf 5 месяцев назад

Outstanding performance, outstanding orchestra, wonderful production. Thoroughly engrossing, and the finale was spellbinding.

@PeterSorensen-z6t 5 месяцев назад

So amazingly good. Sinead Campbell Wallace really went there. She delineates every moment of Salome's journey.

@Kundry1983 6 месяцев назад

What for a grandiose performance. Thanks a lot

@sixeses 5 месяцев назад

I was hesitant at first but I ended up loving it. This Salome and Herod were good together.

@michaelwhitney9055 5 месяцев назад

Outstanding Performance thank you for sharing- loved it

@francoisdepekour 6 месяцев назад

Magistrale interprétation pour une mise en scène sans intérêt mis à part le final. Strauss demeure le plus grand ! Grands mercis de Marseille pour le partage.❤❤

@wzdavi 5 месяцев назад

Amazing! Thank you, @OperaVision

@woodencoyote4372 4 месяца назад

An incredible and captivating performance by Sinéad Campbell Wallace.

@pianolover3711 4 месяца назад

0:46 - beginning 43:46 - the beating of giant wings 1:00:30 - dance of the seven veils 1:24:08 - the head of Jokanaan! 1:37:08 - the kiss 1:40:40 - ending

@rossklatte7073 6 дней назад

The Dance of the Seven Veils was about as erotic as a female weight-lifting competition.

@OrfeoLille 5 месяцев назад

Sinéad Campbell Wallace is one of the most interesting singer in the german repertoire. She was a fabulous Elsa at the Opera Bastille last fall!

@UnexpectedExpressive 4 месяца назад

I enjoyed it through and through. The gory finale was impressive and really managed to capture Salome's descent into the abyss

@michaelcomerable 4 месяца назад

Absolutely fantastic performance. Engrossing production. Congratulations to all involved!

@MaestroWenarto 6 месяцев назад

wow, thank you, this is great

@barbaranorthwood 5 месяцев назад

Very impressive in all departments, Thank you very much

@petebondurant58 5 месяцев назад

With the exception of the costume and set design, of course.

@barbaranorthwood 5 месяцев назад

@@petebondurant58 I don't have an issue with those and I loved the shadow dance.

@webbcummings8064 5 месяцев назад

Can someone tell me about the concept of this production? I'm having a hard time grasping why the tree is there/why there is water/why Salome gets in the water with Jochanaan.

@rossklatte7073 6 дней назад

John the Baptist baptized by immersion in the Jordan River. The tree is ground level; when the tree rises, that sort of puts us underground. John is kept down in a dark damp dungeon. Perhaps this stage did not have a trapdoor or an elevator from the basement level.

@richardshagam8608 5 месяцев назад

Amazing, bloody performance. I do hope the water was warmed up. I'd hate having to sing with cold feet! I am trying to figure out what the suspended tree was all about, though.

@joaoalbertofernandes7901 6 месяцев назад

Maravilhosa Apresentação, estou assistindo no Brasil - São Bernardo do Campo, meus aplausos...

@ludmillacristovao3484 5 месяцев назад

Uma produção impecável !!!!! Interpretação e música fenomenal !!!!!

@gslazar 5 месяцев назад

Simply spectacular!!!!

@pauloreis4908 5 месяцев назад

Outstanding!

@Augustiniaster 6 месяцев назад

Brava!

@coinneachrussell1116 12 часов назад

Actually saw this live. While I’m not too big on these overly modernistic productions, it was a great performance nonetheless.

@AvatarYoda 5 месяцев назад

I'd love to see a Dance of the Seven Veils where Salome actually dances with seven veils. But versions always seem to put everyone in 20th/21st century garb and have her do a minor striptease that doesn't even end with her briefly nude. This is a mature story; we can handle a little nudity. (And I love veil dancing, so I miss it in stagings like this.)

@papagen00 5 месяцев назад

ireland is catholic i don't think they like nudity.

@Yaaassssssssss 5 месяцев назад

I could image that now “veil dancing” with a white soprano leads reads to a modern audience as a Middle East parody/characature/appropriation, and, yes the audience can handle nudity, but the leading soprano is at work, taking whatever gigs are available, and I don’t think any opera singer, myself included, trained to sing classical music so that “have to” get naked on stage. I think of the nudity in Salome as simply exploitation of women’s bodies, through the male gaze, and every aspect of it makes me feel very gross and sickened (and I know that that feelings is what is being communicated through opera) and it is a practice I do not want to continue in our modern world (even the first singer of Salome was shocked and refused to do the strip tease). I am actually a fan of burlesque, striptease, and pro-sex work, but when it is a demand of an opera role, in a market where getting work is difficult, I think it is an unlevel ground to put a woman on. I’ve wanted to express these thoughts somewhere, so here they are. All respect to you and your opinions.

@NicholasReckert 3 месяца назад

@@Yaaassssssssss All credit to you for your comment. As a man, I generally find the approaching ‘striptease’ scene uncomfortable. However, I once saw Karita Mattila in the role at the Met Opera, and she played herself so thoroughly into the role that the removal of the seven veils was unremarkable, and in keeping with Salome’s growing derangement. Does it maybe depend on how comfortable the singer is with dancing? In this Irish production, Salome was a fine singer, but I felt she was an uneasy dancer.

@francescabrzezicki1293 5 месяцев назад

Wonderful! One of my favourite operas

@cathyandthebirds6443 6 месяцев назад

Superb!

@viniciusventino9664 5 месяцев назад

A cabeça é assustadora! Parabéns!

@kiimmaritz2827 3 месяца назад

Brilliant control...

@andreabenedetti137 6 месяцев назад

Super!!!

@義弘中井 25 дней назад

素晴らしいの一言🎉🎉

@pianolover3711 4 месяца назад

I'm extremely new to opera (like two days new 😭) and all of these mixed reactions to the set and singing are making me confused as to what is good or bad about the production. I personally am loving so far and I'm about halfway through, but, these comments are muddling with figuring out what parts could be better or are already good and what I should see as bad.

@phnification 3 месяца назад

Trust yur gut! The opera world is full of strong opinions :) People are passionate, it comes with the territory. Trust what you like!

@zdenekpazourek1086 6 месяцев назад

Very, very underwheliming “the most sickening chord in all of opera”. Dont understand why the conductors cant milk it a bit more. Otherwise great singing, especially Salome!

@petebondurant58 5 месяцев назад

Pourquoi les décors et les costumes de théâtre sont-ils si négligeables?

@altx111 18 дней назад

The recording sound quality is so terrible like it was recorded from a submarine.

@mimikrya8794 10 дней назад

Only in the beginning, until you get used to it or until the ceiling of the scenery rises?🤔

@altx111 10 дней назад

@@mimikrya8794 there is another version which is more beautiful on dvd from 2003 with Malfitano, and much more beautiful and less explicit too and has better sound quality. I watched that instead.

@mimikrya8794 10 дней назад

@@altx111 I watched that version too, although ten years ago. I hope to refresh my memory since this is one of my favorite operas. So I try to look at every version available. In this one I was most impressed by Sinéad Campbell Wallace with her vocal range that didn't shake even the dancer's effort. Of the modern directions, I like the one by Christof Loy, in which there is not even a drop of blood, but it has a happy ending. I guess a lot of people don't like that.😂

@altx111 10 дней назад

@@mimikrya8794 Altering the great masterpieces is not a good idea, never was. Especially today when they try to uglify everything. I don't like modern reinterpretations and stage designs at all! Here I was curious about Sinead Campbell too, her voice and look is great unlike a lot of choices today, but the sound quality is not so great. Like many operas today, not just this one.

@danielreiss-cy4zr 2 месяца назад

What happened to family values in Ireland?

@isaiahtricemusic 6 месяцев назад

1:00:30 Salome Dance, Tanz

@Elnaras 4 месяца назад

Only the problem is that Salome sounds like the grandmother of Salome. Such an old voice.

@OlgatheGreat 6 месяцев назад

Great singing, mixed feelings about the production. Salome is so dark and brooding. The bare set does not really fit the mood, especially with the artificial lights and clean looking formal costumes.

@papagen00 5 месяцев назад

can someone tell me if this salome changes into her birthday suit in the dance so i know if it's worth watching or not.

@petebondurant58 5 месяцев назад

Non.

@donner8381 6 месяцев назад

Some fine singing (Narraboth, Salome, Herodes),uninspired set and costumes,very boring acting but the most impressive and disgusting Jokanaan severed head I' ve ever seen, congrats to its creators. Thanks for sharing OV.

@rayoflightshines 3 месяца назад

The set is not so bad. You exagerz Ate Wo What would you have done. The best salome i saw was lydier s steier s one ine bastille! The worst was the one if Castelucci!

@FCOLAXCDG 6 месяцев назад

❤️🇱🇨!!!

@blackmonsterhu 5 месяцев назад

Thank you from Budapest. Sorry for my idiot prime minister.

@papagen00 5 месяцев назад

sorry for my idiot trump

@dominiquetamer5138 4 месяца назад

According to the opera's libretto, she is supposed to finish the Dance of the 7 Veils naked.

@borisbrinkmann 4 месяца назад

At least one person who knows the piece...! 😉

@heatherowens1313 Месяц назад

You get this amazing opera and stellar voices that are overshadowed and muddled by mediocre acting, a middle school set and goodwill costumes for a bad Halloween party. One of the beauties of this opera is the set and costumes. Quit trying to modernize what is already perfect and teach some dancing skills for the seven veils. Good grief 🤦‍♀️

@sonate10 5 месяцев назад

За такой танец Саломею надо бы в школу танцев послать, а не голову пророка в награду подносить. Я все думала: какие такие покрывала она будет с себя снимать, чтобы остаться - в чем? С большим интересом наблюдала - и где? Танцующее бревно.

@FergusJohnston 2 дня назад

Chonaic mé an tuismeadh seo ar an 14ú Márta. Tá áthas orm go raibh mé in ann é a fheiceáil arís. Go raibh míle maith agaibh! go h-iontach ar fad!

@mikaelb7735 4 месяца назад

She has a lovely, powerful voice. Sadly to much of vibrato.

@florinnutas8986 23 дня назад

Horrible this representation. Too bloody

@jurgenschaarwachter1287 2 месяца назад

What a poor production. Poor staging (no moon, no convincing stage direction of the characters, no convincing development of characters but standard types, poor singing and acting. 😝