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Raga Miyan Ki Malhar | Arnab Chakrabarty | Sarod Music of Lucknow-Shahjahanpur 

Arnab Chakrabarty
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Alap 0:03-2:18
Medium Fast Gat in Teental 2:19-7:50
This is the sixth of a selection of about thirty gat compositions out of several hundred preserved and taught by Ustad Irfan Khan, the hereditary 'khalifa' or head, of one of the founding schools of sarod music, the Lucknow-Shahjahanpur Gharana. Even though Khansahib has credited this particular composition to Basat Khan, the Senia teacher of his ancestor Niamatullah Khan, it bears the signature of the Lucknow and Rampur sarod masters of the 19th century, so one would not be surprised if it is actually a creation of the great Niamatullah Khan himself.
The objective of this presentation is to take this timeless treasure from the past -- dating from around 1820 to the late 20th century -- and to give it a contemporary voice. Arnab Chakrabarty, one of the most renowned sarod artists of the present times, started learning this material from Ustad Irfan Khan in 2017. Himself a disciple of the late Dr. Kalyan Mukherjea and Pandit Buddhadev Dasgupta, Chakrabarty comes from a lineage that employs a set of techniques and voicing roughly analogous to those used by Irfan Khan and his family. This ensures the compatibility necessary to retain the innate aesthetics of the music while still presenting it in the artist's own way.
The artist gratefully acknowledges funding from the Canada Council for the Arts, as well as strong support from the Small World Music Centre and Aga Khan Museum, Toronto, throughout this recording project. Without this support, it would not have been possible to present this music with such production values.
#malhar #raag #miyanmalhar #sarod #shahjahanpur #gharana #indianclassicalmusic #hindustanimusic #sarodiya #tabla #canadianmusician #fretless #banjo #maestro #arnabchakrabarty #sarod #raga
Personnel:
Sarod: Arnab Chakrabarty (web: sarod.ca)
Tabla: Jasmeet Chana
Videography: Golan Sahraei
Audio: Reza Moghaddas
Editing and graphics: Edgar Maldonado

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13 июн 2024

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Комментарии : 14   
@parthasarathichakraborty2284
@parthasarathichakraborty2284 Месяц назад
These are so important for us students, a brief sketch of the alaap, and a brilliant presentation of the gat. So much to learn and so much to enjoy. 🙏
@NoorKhan-786
@NoorKhan-786 Месяц назад
Thank you so much. That was wonderful. I came to you through Ustad Irfan Mohammad Khan Sahib, and I'm a big fan. Love your renditions.
@sarode
@sarode Месяц назад
Thank you so much Noor bhaijaan. Ustadji’s generosity with his music is truly remarkable.
@healthcreativity-7391
@healthcreativity-7391 Месяц назад
Excellent 🔔🔔👍👍👍👍 like 43 done
@nanditdesai3384
@nanditdesai3384 Месяц назад
❤️🌟✨✨✨
@MatyasWolter
@MatyasWolter Месяц назад
Herrlich, Meisterji!
@sarode
@sarode Месяц назад
Veilen Dank, Matyas Khansahib!
@dansarod
@dansarod Месяц назад
Excellent
@sarode
@sarode Месяц назад
Thank you Danny ji. Glad you liked it.
@shrutisarod
@shrutisarod Месяц назад
Wah Dada❤️🙏
@sarode
@sarode Месяц назад
Thank you, Shruti! 😊❤️
@TheTerraceConcert
@TheTerraceConcert Месяц назад
Duto bhalobashar hridoy, jader bhalobasha hoyto konodin shikriti pabena, ontoto ei ekta din sohorer brishti-snato rastay haatey haat dhore haNtbe.. Schooler bag ta chhuRe phele dosshi chhelta kada makha mathey football'e marbe shojore ek lathi.. Frock poRa chhotto meyeta, Maa ke lukiye baRir chhadey giye pran khule bhijbe... Rastar lampost'er taare boshe choRai ta dana jhaptabe.. Aar naam na jana kono oronye, Moyur pekhom mele tar shongi ke dakbe, shobar olokkhye. Eshob shotti hobe, jokhon tomar Miya Malhar bajbe.
@sarode
@sarode Месяц назад
Thank you so much for your words of appreciation! 🙏🏽
@TheTerraceConcert
@TheTerraceConcert Месяц назад
@@sarode 💙🙏
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