00:00 - No. 1 in C minor, Allegro molto moderato 11:05 - No. 2 in E-flat major, Allegro 15:50 - No. 3 in G-flat major, Andante 21:40 - No. 4 in A-flat major, Allegretto Maria João Pires, 1996
나이가 불혹을 훌쩍 넘기면서 마음 깊이 빠져든 곡입니다. 여러 연주자들의 연주를 찾아듣고 있었는데 이 곡의 숭고하고 아름답고 아련한 인생의 기억들처럼 음 하나하나 정중하고 소중하게 연주하는 연주자는 많지 않았습니다. 단연 최고의 연주는 마리아 조앙 피레스입니다. 제 귀를 흠뻑 적셔주셔서 감사합니다.
Pires no es sólo una brillante pianista, sino que es una de las mejores intérpretes de alguien tan complejo y sensible como lo fue Franz Schubert. Un verdadero regalo para el espíritu
Opowieść duszy! Mario Mario! Twoja gra jest balsamem dla duszy! Jest w niej zawarte Boskie Stworzenie-cud życia,piękno natury,świata! Interpretacja wywołująca najszlachetniejsze uczucia człowieka.Dżwięk jak źródełko najczystszej uzdrawiającej wody.Mieni się jak brylant!Wielkie podziękowania dla Pani Pianistki!💐
Madame Pires joue avec tellement de naturel et de grâce qu'on a vraiment l'impression que cet enregistrement est "impromptu": Tout ce qui se fait sur-le-champ et sans préparation. Emile Littré. Un miracle musical.
3:50-4:20 wow... I can now rest in peace! Maria's playing is so inspirational. The sound, the touch, the phrasing. This recording is just phenomenal!!!
There is something profoundly human and also divine in every sound emanating from this pianist playing this song. I'm not sure how to explain it. But she always moves me.
I'm not a connoisseur of classical music, or a huge fan...but even I can tell she has 'something' different because I find myself enjoying more the same tracks when they are played by her.
At last I realise I have been playing No.1 too quickly. This slower speed brings everything into much clearer focus. I've listened to this rendition over and over!
Nella sua mente - anima questa grande pianista ha SCHUBERT più di CHOPIN. Mais, mon amis, vous savez de DINU LIPATTI. ALFRED BRENDEL. CLIFFORD CURZON? Nobody like LIPATTI, believe me. MARIA PIRES vive nella loro stessa dimora, è grandissima ma LIPATTI...
То, что Вы сказали, выражено с хорошим и добрым намерением, но, к сожалению, это был абсолютный нонсенс... Во-первых: «виртуозно и чисто» на том музыкальном уровне, о каком здесь вообще идёт речь, чисто и виртуозно играют сотни и тысячи пианистов, так что ничего в этом великого нет. И во-вторых: душу прекрасную выразила она не столько свою (хотя, конечно же, побочно и свою), сколько Шуберта. И это благодаря своим знаниям, таланту и вкусу. Автор - это создатель смыслов, а пианист - их «передатчик». Об этом нельзя забывать, когда пишут рецензию на ИНТЕРПРЕТАЦИЮ музыкального произведения.
Su amor por la vida lo trasmite con humildad pero con una dulzura y una ternura que derrite el corazón mas amargo. Queda uno como si levitara. Bravo Maria, eres grande.
These exquisite Impromptus have the soul of lieder throughout. I can’t help but think of Winterrrise and other Schubert lieders. And of course, Maria Joao Pires brings out the best in these deeply moving and contemplative pieces!
I think this can be achievable only if you’re in peaceful state of mind and relaxed. She is completely with the music.. so convincing and elegant and moving. Absolutely a miracle .
Que Du bonheur, à l'écoute de votre virtualité ; Par delà les temps ... à votre talent en résonance au plus profond de l' être, comme Schubert le vivait. Avec ce coeur que rien ne peut détruire.... . Bernard Mazzinghi
I'he heard these pieses so many times that I know every tone. But Maria's interpretation opened me a new depth of feeling and new vision. As if I listen to this music for the first time! Huge thanks and deepest bow !
una mano leggera ed espressiva, sensibile.. l'anima di Shubert si delizierà... morto a 31 anni senza aver conosciuto la fama che assolutamente gli spetta, egli l'ascolta sorridendo tra le lacrime... she has a light, expressive, sensitive hand .. Schubert's soul will delight herself ... he died at 31 years, without knowing the fame that absolutely belongs to him... he is listening to her smiling through his tears ...
Si si Schubert est derrière tout ça ! N'en déplaise aux grincheux et pisse-vinaigre ! Et pour répondre à la question précédente : il est de notoriété publique que Schubert était un piètre pianiste
This is giving me chills. I haven't been this moved by a piece of music in years. How have I gone so long without knowing about the genius that is Maria Pires? In tears.
There is no limit to how the "interpretation' can evolve. At a certain point there is not better or worse, just different kind of beauty. Like different planets that have their own beauty not to be compared
Such a beautiful and sensitive interpretation of Op.90, all four impromptus; subtle, nuanced, passionate. Joao Pires is a consummate artist with the piano as her canvas. Stellar performances!!
Perfect songs to read the subjective forms of the clouds and to follow with a tender eye the grooves of the stems of the trees; appreciate the complex writing of the nested branches, taste the colors of the decomposition of light into water droplets in a garden, and strongly feel the wet soil of ancestral forest to perceive the traces of animals from deep past 🦕
In a mucked- up world, this performance is a kind of redemption. Pires plays# 4 so well, you don’t want her to end. Thrilling, moving, subtle, and profound. All you can do is murmur thanks,
Schubert doit sourire de reconnaissance! L'impromptu en Mib, mon préféré, est envahi d'un tel esprit, d'une bravoure sans dureté, de dynamiques servant la musique, etc.. Et quelle agogique...
I've been looking for my favourite performance of the forth one, since I'm going to play it for my music exam in a couple of weeks. And I absolutely _love_ this one, out of the 12 versions I found here on youtube. Thank you.
247 dislikes and not a single insightful comment from the naysayers. . . And yet -- the changes of temperament she brings to each section of no. 4 and then the shifts of mood within sections, her rubato suited to the harmonic and rhythmic turbulence, the affecting calm before foreboding climax, and the welcome return of the opening which I greedily want to go on and on . . .
What an interesting piece (the C minor) for my teacher to give me. I thought, what is this little ditty? I'm far beyond this! Well, no...I wasn't. Such precision and detail necessary to learn and perform, immense beauty tucked away to be discovered, a great way to begin to really get to know Schubert. No "just plowing through" allowed. My, how I love Franz Schubert! And thank you, dear teacher, Robert Smith, may you rest in peace.
Quelle délicatesse d'exécution ! La pianiste juxtapose des touches très appuyées et d'autres très légères, ce qui nous donne l'impression que sa main survole le clavier à la manière d'un mouchoir en soie ou accomplit des piqués fermes et déterminés. Il existe de l'élégance et du raffinement mais aussi une opiniâtre hardiesse dans la scansion plus ou moins rapide des phrasés. Un grand bonheur d'écoute qui vous permet de tutoyer le génie sublime du compositeur.
the first impromptu in C minor is sooo tragically beautiful, it can give us an insight of the psychological hell shubert was living in, it gives me a lot of empathy for him
Thank you for Introducing me to this mesmerizing interpretation of Schubert by Maria Joao Pires... It shows that Schubert is about Schubert foremost and then about the Performer...
Maria holds a very special place in the music world. She wisely plays the literature which is best suited to her talents. Her Chopin, Grieg, and Schubert are enormously expressive and entirely convincing. You think Chopin nocturnes are fluff, eh? Listen again- to her. Rare, indeed.
