Schubert - Paul Badura-Skoda (1971) Piano Sonata in F-Sharp Minor, D. 571 

Badura Skoda top!.❤

Exactly . Sonatas has a very determinated structure , so if You follow the structure You could imagine what was the intention of the composer in the incompleted sections

@Alan Leonel David The modulation at 7:10, where it goes to minor key and then suddenly back to major key, breaks my listening expectation but actually fully makes sense even though the exposition of this movement doesn’t do this.

@@squirrel4727 reexposition always have different tonality than exposition . Theme 1 is the same. But theme 2 in the exposition of sonatas on mayor tonalities is on dominant key and in reexposition is in the tonic. Theme 2 in the exposition of sonatas on minor tonalities is on the relative mayor and in the reexposition is on the tonic. So maybe the interpreter followed that scheme

@@alanleoneldavid1787 Even if the interpreter followed that scheme, he could’ve used a minor key in theme 2 of recapitulation. For example, in most of Mozart’s minor key sonatas theme 2 of recapitulation is in the tonic minor key. Schubert liked using the parallel major key instead, which is the case in this interpretation.

@@squirrel4727 Interesting! On romantic period style you could take liberties on that scheme. Like Beethoven Sonatas.

E bello, no?

I agree

Nobody plays this like Andras Schiff. It is sublime, like water.

This is still very beautiful

Sadness is not always slow sometimes has some angst inside and make it faster but still sad

I totally agree. Rushed, no soul.