Wunderbar klare, elegante und doch kraftvolle Aufführung, Orchester und Solist bilden eine großartige Einheit. Endlich einmal klingt Schumann nicht nach Dvorak.
Schuman era melancolico esto no tiene tristeza no es cuestion de perfeccion sino de sentimiento , el toca muy bien pero parece que ha tenido una vida perfecta , el no sufre ,hay que sufrir en el corazon profundamente para tocar schuman es lo mas bello brahms podia ser un genio pero schuman era el corazon en carne viva latiendo intentando lidiar con el sufrimiento diario de una vida , apasionado traicionado dolido , con un sufrimiento interno constantemente quejoso de la desgracia que vivia pero con el corazon abierto creo que schuman debio ser un ser humano increible bueno noble y humilde su musica es de alguien que tiene el corazon limpio y sufre por los detalles de la vida por el amor incomprendido y tambien por el amor al projimo .
Well I don't think so. If one doesn't make as much rubato or doesn't vibrate like you would want, you think it's not a deep interpretation... he takes another approach, one can see it after first few bars. For me, and I've heard many interpretations, this one is very refreshing and offers some different view on the music.
Read EVERY 19th century source on the use of vibrato (which they called "tremolo" INCLUDING Schumann, Brahms, Jockisch, Joachim, and Leopold Auer). Your cup of tea was not theirs.
Interesting performance of baroque style on Schumann Concerto. Overall nice and clean. The rhythm break of the ascending septuplets, the accent on the A, swelling of long notes, and lack of vibrato are all unfortunate musical choices.
Schumann actually wrote an accent on the A :) I found the whole interpretation great, and I think it matches the particular sound of this baroque orchestra very beautifully.
This is NOT Baroque style. They're all playing on 19th-century instruments. Read EVERY 19th century source on the use of vibrato (which they called "tremolo" INCLUDING Schumann, Brahms, Jockisch, Joachim, and Leopold Auer) I will grant you that the soloist is very wayward about those septuplets, and the tempi of the first two movements are way too slow.
Actually, that accent mark on the A in the second bar of the solo was suggested by Bockmuehl, the first soloist. It doesn't appear in any of the manuscript materials which were used to prepare the first edition.@@pierrelandy9755
I recently discovered this absolute master. (Sorry for my ignorance. His playing is a lot less dramatic than most other great cellists but i find his playing more sublime and maybe closer to composer's intend. Though i think his playing is quite "baroque" mainly articulations without much sustain. But his bach suite is one of the best if not the best!
