Schumann Symphonic Etudes op.13 

Brilliant performance. Have listened to other pianists, do not want to compare, as they are individuals in their interpretation. I always go back to Ivo's performance. it is magical. He played this in 1981, one year after Chopin competition. The jurors did him a favour, he became famous instantly. Thank you Martha Argerich!!! Yes he is unique, thank goodness for that. Ivo, do not experment to much, you dont have to. You are a sentational pianist and an artist!! Wishing you many years of success!!!!

I discovered Ivo when he just started, in Paris. He gave a Unesco benefit concert, and that was also the last public appearance of Yehudi Menuhin. It was a very moving event. I had chills going down my spine hearing Ivo play... and have been a fan ever since!

Да, потрясающий музыкант!Спасибо, Иво!!!

An enormously gifted pianist who became a target of the nastiest witch hunt of the 20th century piano politics.

Nobody has ever played it better.

Schumann is finally pleased with a truly definitive rendering of this glorious work. I will follow this genius, this gift to all, and buy every single work this artist has to offer. No offense to the leagues of artists who have done this work it’s due, but I must say that I am believing in heaven once again. ♥️🎶♥️

Schumann frees shackles with this piece

what a musician. what a musician. a real, true musician.

There is always a bit bizarre side to Pogorelich's interpretations, but this is, with all it's strange interpretational choices, stunningly beautiful.

Probablemente la mas bella interpretacion de esta inmensa obra schumaniana. Increible perfomance de un siempre increible Pogorelich

Лучшее исполнение!!! Брависсимо!!!спасибо!!!❤

muchas gracias!!!!! ivo me encanta!

Expressif et impressionnant!

Outstanding.

Pas mieux que Pogorelich dans cette œuvre, depuis Cortot (pour la lisibilité, les couleurs sonores et l’articulation si subtile). Mais Pogo la rend tragique, et donc, vraiment schumanienne. Le jury du concours Chopin, avec sa confiture de tradition figée, s’est fourvoyé. Il n’a pas admis la personnalité et la créativité qui font la différence entre un interprète et un artiste. On ne demandait pas seulement de jouer du Chopin, mais de jouer enfin du piano. Argerich nous a donné Ivo, en démontrant par ailleurs que « les concours, c’est pour les chevaux » (comme disait Leonard Bernstein). J’ai ce disque depuis ma jeunesse. DGG a fait un bon coup.

Для меня это лучшее исполнение!

Well, when he was young he was good looking.

Hervorragend!!!

Wunderbar!!!

Grüsse aus Ulm, von Schumanns, Bartholdys und Chopin Fan. Olga Daniel Johann Henry

Such a great piece. I just love what Geza Anda does with this. Some good one studio and live performances here on YT

brilliante uitvoering

Etude 2:01

what ever happened to Ivo? last time i saw him a few years ago he went completely bald and gained so much weight as to be totally unrecognizable. his playing also was very mannered and shall we say 'weird'.

26:42 number 9

Schumanns Tempoangabe ist für das Viertel =52 Pogorelic spielt um die =40 es steht Andaante und er spielt Grave

bravo

I assumed from the running time that this included the 5 bonus variations. It doesn't...

18:04 🎉❤

Can any one name a better looking pianist?

12:48

10:44

Immense pianiste, très belle version de Pogorelich, mais dans cette œuvre je préfère le souffle et l'allant de Pollini chez DG en studio de 1984

Warum das affektierte langsame Tempo im Thema? Der Bruder Lovro machts nach. Es fehlt total am Verständnis für die Lauterkeit von Schumanns Seele! Gerada fehlte Schumann was hier exerziert wird. Da hilft superbe Pianistik nichts.

The first two numbers were quite good, but he lost me on the third... instead of a passionate Romantic take-off we had elephants plodding through the Alps. Sofronitsky wins here.