I don't see the NOFX version being any better. I just find the composition itself grating. I feel so bad for top players who will be grinding out PUCs listening to... this.
Why are people already claiming the song is horrible when the version without the sdvx effects hasn’t even been released yet? Like sure, it sounds bad here, but that’s probably because it has absurd amounts of horrible whooshing noises added on top of it, not because Camellia is “falling off” or whatever.
From experience, when camellia release a boss song that isn't a banger like Dyscontrolled Galaxy or that it is a track that goes way too fast like the Blastix series, they always complain. Idk why they almost always do that for Camellia, I never see that for like any other artist in others rhythm games from what I saw (at least to the degree of Camellia).
Man I'm so hyped for a clean version of this to drop! Also as a Camellia fan, you just have to accept that people who don't put in the listening time aren't going to enjoy his music. It's like complicated strategy games, you need to take time learning the rules before it becomes one of your favorite games (or artist in this case).
People just complain because the artist is camellia, the famous artist whose loved by everyone As a camellia fan while I agree it’s not his best work, but people say he’s falling off is coping hard Hou on DDR is super good and I doubt they listen to his other works outside of sdvx
Yo how can I learn how to play 18s I have a grade average or AA/AA+ on most 17s and want to move to 18s but there pretty difficult in terms of patterns like cross hands
The jump is pretty big and really you just need to grind against it. Play songs you like and just learn them and it will come in time. In saying that you probably want to still be focusing on 16/17s as a general rule is you're truly ready to move on to the next level when you're AAAing the previous one otherwise you just end up mashing and having poor technique.
@@HwanyPlayz_ yeah it feels like he tried to cram every possible variation of weird rhythm to adds up the challenge in this short song. Interesting but the vibe is not fitting for final boss song. but it's absolutely not a reason for people being so rude and disrespectful (not you or og commenter but other ppl all over the place)
@@한길-q9u초반-중반-후반 세 파트간의 연결성이 꽤 떨어져서 좀 어색하게 느껴질 수 있다고는 생각하는데 그건 상업 리겜 특성상 곡 시간 제한 맞추려다가 어거지로 길이를 줄여서 그런것 같음여,,, 이 부분도 어케보면 작곡가 역량이라고도 볼 수 있으니깐 말 나올것 같긴 하네욥 전 감안하고 듣긴했음😿
@@mlwy1891 님 말도 어느정도 일리가 있습니다 하지만 이게 코나미가 옛날 시대에 갇혀서 그런지 몇곡 제외하곤 퀄리티가 영 아니더라고요 요즘 시대가 바꼈고 디맥이나 모바일리겜 곡들 은근 퀄리티가 좋거든요 TAG씨 보세요 TAG씨 코나미 퇴사하고 난 이후에 곡퀄리티가 좋아졌잖아요 이게 코나미가 문제가 있다고 보거든요 제 개인적인 생각입니다
코나미 문제가 아니고 이건 그냥 사볼 공모전 시스템 문제죠 사볼에 내는 곡들은 이렇게 하면 공모전에 뽑히겠구나 하고 쓴다고 카메리아가 직접 그랬으니 ㅇㅇ 애초에 투덱이나 디댤에 낸 최근 카메리아 곡들 보면 퀄리티가 나쁘지않아서.. 사실 외주들이 코나미 손절하는 것도 외주들이 나름 음악내는게 밥줄이고 이름 알리는 기회인데 외면할리는 없고 그냥 코나미가 혼자 삐져서 안불러주는게 정설이기도 하고..
![[SDVX] { eXLIPXe } (MXM 20)](/img/logo.svg){kind=logo}
