@@spellerlittlewing If you are having any issues with your device, we'd be happy to help. Our Support team is standing by and has a less than 24hr response time. We also extended our warranty to 2 years and also offer options outside of the warranty.
I assume that if you buy two or three you can connect them together to get a wider range. If so, that's nice. A single board will always fit on the desk but sometimes you want a little more range.
It's strange 🤔....a commercial about a ....keyboard ?! RU-vid is showing me this commercial probably for the fifth time today 🤦♂️ And how many people are ready to spend 350€+ for such a thing ? And how many people need a keyboard like that one ? One of the strangest commercials ever. Now I am waiting for a trombone commercial 😂😂😂
how to compare the functions of the keys to the new Rise 2?? can someone please make a good comparison and explanation. now I feel unsure what to choose ... please help me understand when this one is enough and when one shall choose the larger Rise 2? am new to digital music but not to music! ... hope some creative mind can help me out understand what benefits thus small one got over the rise 2 for creating sound design and music
I don’t think it has anything more over the rise 2 in terms of sound design, and likely less as the rise 2 has a variety of modulation controls that the blocks are missing, otherwise it’s using the same 5d MPE engine in equator and equator 2 (with access to a couple of other MPE synths) The other question is are you going to be annoyed by the limits of 25 keys versus the rise 2s full size keyboard… the octave switch is there but it’s not the best option if you are playing across multiple octaves.
hmm, I see. this octave switch, how does that really work in practial terms if you were playing with others? is there a quick button so it will not interfere with your tempo while playing to gear up or down octaves so to speak?@@EricMcKearney
@@SimplicityForGood the Seabord Block original that I have has small round buttons built into the upper left and right corner of the keywave bed, sadly the down octave button was the first thing to go on mine (the first key and octave button no longer work at all) - practically not a big deal to swap octave up or down on the fly, it does not adjust tempo at all. You can also use the ROLI dashboard software to adjust octave within the synth itself. If you are using the ROLI plugins (studio, equator) within a DAW that supports Ableton Link you can use that to keep multiple devices in tempo, which will automatically feed the tempo to Equator or whatever MPE plugin you're using. I use Ableton Link to keep mulitple things in my studio in time, it does a decent job across multiple devices from different manufacturers (DJ decks from Denon, looping software on my ipad, MPC software and Komplete Kontrol keyboard are all kept in time with Ableton Link)
Why does this product use a 2.5mm port for the 2.5mm to MIDI out adaptor? Everyone else in the industry appears to be using a 3.5mm port and this makes it super easy to connect a keyboard like this to something like a nanobox lemondrop or another type of synth box that has a 3.5mm midi input with a simple 3.5mm male to 3.5mm male cable, something a lot of us in audio production probably already have a few in the cable draw. Please redesign to use 3.5mm midi output otherwise everyone who wants to use your gear will need to go through midi cables and adaptors on both ends which is bulky and inconvenient or have to try to seek out a 2.5mm to 3.5mm cable which is also inconvenient and rare like Unicorn doodoo.
lmao this has to be fake ffs xD 0:15 you hear a note that should be on a higher octave but the guy in video is just playing on just one octave :) ROLI would you care to explain that to me?