02:38 and 09:09 This is why nakariakov is the best in history. He always sing a song to most beautiful way in every moment. He is not just musician or player. A real artist. INCREDIBLE
909 was exactly where my heart skipped a beat. That articulation is almost like he travelled forward in time by a few milliseconds and played it back into the present. Truly amazing players
Kirill Soldatov, obviouosly a killer player in his own right, and a famous Russian soloist, who certainly should be named in the title! Shame on Stalker200867 - but thanks for the music!
I have been working developing the fluegelhorn fter 40 years of playing the trumpet. WOW! Both of these artists make the technique seems so easy! Really rich sound, clean fingering, fabulous coordination. Anyone know what make the horn is that Kakariakov or Soldatov uses? It's clear that the horn made it all possible..! Ha, ha! Just joking. Awesome talent!
those are 4 valve flugels. As you may or may not know, the 4th valve drops the range by a perfect 4th tone. That helps to play the piece in the tenor range that it was intended for cellos. The larger bells and larger bores also helps to facilitate those low tones.
@@jamesfraser4173 I play a 154 (170mm bell) only three valves here they play the 156, these are not more difficult to play, Antoine Courtois flugals are not the easiest anyway they take a lot of air but intonation is very good and sound for me the best; all beautiful instruments. These guys here however make everyone I know sound very amateur. They also make a 155 for a more Jazz / mixed band sound.
Also allows you to fill in the gap between the low F# and the pedal C on a normal 3 valve one, which Nakariakov uses to great effect when playing transcriptions of cello concertos etc.
Frage mich, wieso der andere sehr sehr gute Flügelhornist nicht auch im Header auftaucht. Sergei spielt zumindest nicht alleine. Na, ist wohl Klickzahlen geschuldet. Finde den zweiten Herrn am Flügel auch herausragend...
Sorry but they sound nowhere near. I love their sound as a french horn player (especially their wide bore models are great) myself but that's something compleatly different.
Posture, mouthpiece position, pinky in the ring, fingertips... all the things you get hung up on as a young musician, usually because of teachers that only know what they were taught.. and none of which really matters. Sometimes we lose track of the end goal; beautiful music.
