J'adore les musiciens russes surtout les cordes et ça me fait plaisir d'entendre de plus j'adore le bugle que je joues depuis ma jeunesse .C'est extra d'autant plus que ce sont des bugles français courtois ou couesnon.Pour moi c'est un instrument majeur malheureusement peu joué actuellement .Heureusement nakariakov l'a remisà l'honneur;Moi et mon frère nous étions les caids du bugle dans le nord de la france
Виртуозно и безупречно! Сергей Накаряков - подлинная мировая звезда универсальый трубач, молодец! А Кирилл Солдатиков тоже молодец, достойный виртуоз и открытие для меня! Причём вторым голосом интервалы играть сложнее! Браво обоим!
Браво! Легко, органично. Молодцы! Первый раз слышу Кирилла на флюгельгорне, приятное впечатление, наверно для трубача сложно играть в этом тембре и в этом нюансе. Мое восхищение.
I've never seen flugelhorn in a classical setting. Look out horn players! This was amazing not just by the flugelhorns but the entire orchestra. Well done!!
Such fine playing. Your musicianship is superb...both of you. Such sensitivity to the musical line and blow of the flugel, could pass for horn if not watching. Great pitch, note lengths, style, dynamics, and nuance. Bravo! So nice also to hear/see new adaptations being brought into the trumpet literature on the other end of the range of our spectrum.
I always played the French Horn, but felt a natural attraction to the Flugel Horn and I did end up playing it for Jazz in high school. The Flugel is so dark and mellow and this performance just shows how versatile of an instrument it really is. BRAVO!
Сыграно изящно и классно! Браво! Но скажите мне. Это произведение Михаеля или Йозефа Гайдна?. И все таки звучание волторны ближе по тембру к этому концерту. Или я не прав?
Peter Jeon - thank you for that - obviously you know your instruments - and I don't !! ... at least you made a constructive comment ... unlike some others, when I haven't got things exactly correct on YT .. they become derogatory ... even abusive ... thank you again for the info"
Очень понравилось , но в конце я не понял и хотел бы узнать , почему исполнители после окончания уходят за кулисами , потом опять возвращаются , потом опять уходят а потом опять возвращаются? буду очень благодарен если объясните мне :)
www.a-courtois.com/artist/sergei-nakariakov/ I believe Sergei plays a custom built Courtois with a baritone / trombone bell. I want one so bad. Excellent sound / playing by both here.
These are Flughs in Eb (same as 'tenor or alto horn' in brass band), in Soprano flugh shape, and of course, bigger. In italian traditional band are as 'Flicorno Contralto', both in vertical or horizontal shape
Not knowing this piece, I wouldn't say wrong notes because it sounded completely nice and musical. Maybe not the original notation from Haydn, but I would never have noticed from a performance standpoint.
No, not wrong. I have played this piece and when you play it it sounds strange sometimes and not others. It's also tricky to keep your lip buzzing fluidly here - not for these guys but for me!
