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"Shadow Harmony" in Coltrane's "Naima" 

Jeremy Siskind
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Pianist, educator, and generous philanthropist Jeremy Siskind discusses the idea of "shadow harmony," that pentatonic scales are actually holding together the diverse harmonies of various chords, and demonstrates how it works within Coltrane's "Naima." And, yes, he's wearing a hat.

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19 сен 2024

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Комментарии : 27   
@VALINOR24
@VALINOR24 9 месяцев назад
Naima is a beautiful piece. I'd appreciate a lesson on McCoy Tyner's "Contemplation."
@marcelloestemiele
@marcelloestemiele 9 месяцев назад
Shadow lands! Thank you once again for exploring modal harmonies and how to improvise on them
@jacobkuhlmann1616
@jacobkuhlmann1616 9 месяцев назад
Your line at 10:08 is quite spiffy! I love it! You've convinced me to play around in the shadow lands!
@JeremySiskind
@JeremySiskind 9 месяцев назад
Nice, Jacob!!!
@sylviacantumusicalideas2468
@sylviacantumusicalideas2468 6 месяцев назад
Shadow lands! Very interesting concept. 😊
@davidtighe6769
@davidtighe6769 9 месяцев назад
Great analysis! This piece is such a good lesson in composition. I've always thought of it as an abstracted ii-V-I with the B section being the ii and the A section being a V-I. I view the harmony differently than the lead sheet though, to my mind its a succession of parallel major 7th chords over the 2/5/1 pedal notes. The A section I view as Dbmaj7/Eb, Gbmaj7/Eb, Amaj7/Eb, Gmaj7/Eb to Abmaj7#11. The B section then Bmaj7/Bb, Abmaj7/Bb, Bmaj7/Bb, Abmaj7/Bb, Dmaj7/Bb, Bmaj7/Bb, Abmaj7/Bb to Emaj7/Bb. I think its a great lesson in how to build tension with parallel major 7th chords over a very extended ii-V-I, I'd never thought of the pentatonic scale and its relationship to the melody however so thats a revelation. Loving your channel and thanks for these great videos, best there is on RU-vid!
@janghijselen3651
@janghijselen3651 9 месяцев назад
Really interesting, once again. Here’s me thinking: it’s all vertical, but when you started playing (also on blues and rhythm changes), that’s when you start to hear Herbie, Kirkland, Wayne Shorter. They play these long melodic lines when the harmony is frantically changing. I’d love to see how you imply this over blues, rhythm changes and standards. Again, so very inspiring.
@JeremySiskind
@JeremySiskind 9 месяцев назад
Noted! Thanks for the comment, Jang!
@MIE_Jazz
@MIE_Jazz 9 месяцев назад
Great video Jeremy! Really interesting stuff!
@JeremySiskind
@JeremySiskind 9 месяцев назад
Thanks! I’m still thinking about it but hopefully it’s an interesting jumping off point!
@stelastic
@stelastic 9 месяцев назад
Great video I learned a lot !
@kenzeller6518
@kenzeller6518 9 месяцев назад
A glimmer of light has appeared in the "shadow lands". Hope you're selling loads of books, Jeremy. Cheers!
@wonder6789
@wonder6789 6 месяцев назад
Great video! I personally prefer the sound (and simplicity/coherence) of the Eb / Eb m version to that of the Ab / Ab m. ;-)
@humblemai2211
@humblemai2211 9 месяцев назад
😂😂 love you always 😅😅
@jimnugent6202
@jimnugent6202 9 месяцев назад
Shadowlands!
@larry4589
@larry4589 9 месяцев назад
Great ideas thanks! I'm not a pianist but I think I think Bmajor7/Eb Amajor7/Eb to Ab major 7 in bars 3 and 4 or something like that ....its a beautiful tune at any rate!
@larry4589
@larry4589 9 месяцев назад
or maybe B7/Eb A7/Eb
@SamuelCaiola
@SamuelCaiola 9 месяцев назад
Great teaching as always! I have a request…could you do a video on Chick Corea’s Humpty Dumpty? Thanks
@javilalima
@javilalima 9 месяцев назад
Shadow Lands
@JeremySiskind
@JeremySiskind 9 месяцев назад
Thanks for watching, brother!
@nilkilnilkil
@nilkilnilkil 9 месяцев назад
Is that what the stroke denotes? A pedal tone?
@JeremySiskind
@JeremySiskind 9 месяцев назад
The slash? That shows the bass note.
@alphaomega6062
@alphaomega6062 9 месяцев назад
Bad hair day?
@JeremySiskind
@JeremySiskind 9 месяцев назад
So bad!!!
@chodaldomination
@chodaldomination 9 месяцев назад
sjadüw lænds
@JeremySiskind
@JeremySiskind 9 месяцев назад
(I don’t know what this says, but thanks for watching/commenting)
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