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Shared System Tutorials | Part 24 | Phonogene Revived 

Cinematic Laboratory
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This episode is a special edition. If you don't own a Phonogene from an early Shared System, this video may not be of interest. Phonogene is discontinued and often replaced by a Morphagene to keep the system up to date. So it's pretty easy to find a used one for sale. Compared to the Morph, the PG is simple and very hands-on. There are no reels or complex button combo's. You have control over sample start, length and pitch, a record button and a splice button to make cuts in your sample. Samples are very short (2 secs) in the highest quality (88,2 kHz) but the resolution is very high and great for microsound exploration. PG is not designed to sound pretty, it has all the digital artefacts we usually don't want to hear like clicks, pops, digital distortion and aliasing. And that's exactly what makes it cool.
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12 сен 2024

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Комментарии : 9   
@Starthief
@Starthief 3 года назад
I like to create a few splices, use EOS to clock 0-Ctrl, use an 0-Ctrl channel for the Organize input and maybe the varispeed, and the other channel(s) for whatever else.
@noidsch2129
@noidsch2129 3 года назад
Wow great video! Fantastic ideas for using the Phonogene.
@rucasm
@rucasm 3 года назад
My first module. Still love it a lot!!
@piotr803
@piotr803 3 года назад
You seem to use X-Pan a lot. Would you say it's quite indispensable in your patching setup/method?
@CinematicLaboratory
@CinematicLaboratory 3 года назад
I personally feel it's a must have in the shared system because it's originally a mono design. XPAN opens up so many new possibilities and great stereo space with panning, send/return (with optomix/moddemix sum out), etc.
@geraldgoodiii6993
@geraldgoodiii6993 3 года назад
How the hell did u do figure out the EOS > input to use as a osc? Mind blown 🤯
@CinematicLaboratory
@CinematicLaboratory 3 года назад
I figured out with the Basimilus Iteritas Alter - and any triggered module - that you can feed it a squarewave, which is a stream of gates with variable pulse width. Then the BIA starts creating a tone instead of a beat. This is also how you turn math cycles into tones where EOR/EOC also produce two square waves at high speed. So when you turn the gene-size all the way CW, you see that EOS doesn't blink anymore. Then I just tried to patch it back to the input and record it with the original very short 'wavetable'. Messing around with settings during recording gets really weird wavetables with 'original material' between the EOS pulses so you get a really insane square wave with all kinds of textures in between. Tuning it with Rene can make it play melodies too.
@roccoharris
@roccoharris 3 года назад
this is some brilliant shizz. bravo!!
@CinematicLaboratory
@CinematicLaboratory 3 года назад
Thank you!
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