He was my class mate in Loyola college Chennai than Madras in the year 1965-66. He and his brother L. Vaidyanathan used to play violin in college functions.
Me too, a Loyolite, 1948-51 Maths Hons, when the towering Fr Jerome D’Souza was its CEO(!). Nice to share the common links, however ‘ancient’ they may be.Do you agree?
I think world knows about him than our fellow country men. I use to hear about him in my childhood along with stories of Chembai and Palakkad Mani Iyyer. Then listening to him now through youtube. Thanks to this viral disease
Sir, your playing touches my heart and my eyes become wet. What a splendid performance. Even with Pandit Jasraj, while playing 'Sumeeran karlo' you have played equally with master and Smt. Kavitha. I always pray God to give you more and more strength to enchant bhakthas like me.
On your other videos, i noticed one in Dhaka, Bangladesh. *as a musician, i really cannot thank you enough for putting the scale notes in the description of the raag. All of the little details about other performers and such, is so much appreciated. Thanks for taking that time.* 😎💛
வேங்கடாசல நிலையம் வைகுண்ட புரவாசம் பங்கஜ நேத்ரம் பரம பவித்ரம் சங்க சக்ரதர சின்மய ரூபம் (வேங்கடாசல) வேங்கடாசலத்தில் (திருப்பதியில்) வீற்றிருப்பவன் வைகுண்டத்தில் வசிக்கிறான் தாமரை மலர் போன்ற அழகான கண்கள்; எவ்வித களங்கமுமில்லாத தூய்மையானவன் இரு கைகளிலும் சங்கு, சக்கரம் தரித்த அழகே வடிவானவன் (வேங்கடாசல) அம்புஜோத்பவ வினுதம் அகணித குண நாமம் தும்புரு நாரத கான வினோலம் (வேங்கடாசல) எப்பொழுதும் அவன் பேரை ஜபித்துக் கொண்டே இருக்கும் பிரம்மன்; கூடவே தம்புரா வைத்துக்கொண்டு பாடிக் கொண்டிருக்கும் நாரதர் (வேங்கடாசல) மகர குண்டலதர மதனகோபாலம் பக்த போஷக ஸ்ரீ புரந்தரவிட்டலம் (வேங்கடாசல) பளபளக்கும் குண்டலங்களை அணிந்திருக்கும் மதனகோபாலன் பக்தர்களை காக்கும் ஸ்ரீ புரந்தர விட்டலனே (வேங்கடாசல)
Ambujodbhavavinutam means one who is worshipped by Brahma 2)aganita Guna namam means one who has names full of innumerable kalyana gunams ..pl revise the Tamil trans .No offence is meantpl!
One gets the feeling that these harmonies and interplays of sound are both ancient and brand brand new and never heard before by any living ear. A thousand years and not a second have gone by since the heart heard this sound before. We have a word for this concept, it is Eternity.
MLV made this song her own in all her performances. I have not heard any one who could beat MLV performance till date. If any one have please send the vocal of any other singers. Sir it was long wait for me to get this performance . Brilliant is all I can Express as I am in tune with the divine listing to this performance. My sastanga Namaskarms to you Sir. My deepest gratitude to you for the upload. I am blessed.
Sindhu bhairavi asawari thaath ka sampurna rag hai, iske aaroh aur abroh main saaton surr istemal kiye jatay hain, rikhabb komal aur teevar dono lagaye jatay hain, madham vadi aur kharraj sumvadi hai aur ye din k doosray pehr ka rag hai . . . Dr L Subramaniam sb ne isme apna ang bhi dala hai jis ne iss rag ki grammar ko bigarh dia hai, Doctor Sb ko thora khayal kerna chahye tha. Innovation achi cheez hai lekin rag k ander rehtay hue
@@surajs3946 Lakshmi Narayanan and his three sons carried the south Indian style of their own. It was started by Baluswamy Dikshitar, Legendary brother. There are several families of unique styles like TN Krishnan, Lalgudi, MS GopalaKrishnan, Dwaram style. Chowdiah or Known as Mysore bhani Chanda shekhar, Many more. CURRENTLY RaGa sisters,out standing Vocalists and equally Violinist, Akkarai Sisters outstanding Vocalist and violinists, Ganesh and Kumaresh, MS. Kanyakumari and Miss Raghuraman, Nagaraj and Dr. Manjunath. There is no dearth Violinists in South Indian Music all world class one matching another. Some of them play the North Indian classical music but most of them are South aindiqn origin like Dr. Rajam, Mrs. Kala Ramanath, Mrs. Lakshmi Shankar, and now young girls like Nandini and Ragini Sisters. There is no dearth of talint. Every name mentioned leave behind many disciple and family members of excellent grade.
