Witnessed him live in Millenium Park in Chicago where l worked. I was so glad l worked that day! Beautiful experience. The young folks were worried if he could 'walk'. He was a little slow but his playing was strong, beautiful! Love him. He's also still with us. ❤
have you listened to the soprano (and even tenor) rollins on ''SAIS'' from the ''Horn Culture'' album? I mean, it's a shame. He plays out of tune, out of rhythm, with an absolutely disgusting sound. It is a lack of respect towards himself, the other musicians and the listener. No normally built musician would have agreed to let this recording be released. The problem with Rollins is that EVERYTHING IS LIKE THIS after 1966. Listen to his music since then! A narcissistic self-indulgence encouraged by the fans and the environment that has placed him on a throne since 1956 and his (very average) album ''saxophone colossus''. You have to be arrogant enough to glorify yourself as the ''saxophone colossus'' at 26 years old. Only Rollins plays on this totally unjustified notoriety. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RRsWhwSMXJI.html&ab_channel=Rhythmandlife
A fascinating personality. He is a more a sage than a musician. he can be a spiritual guru as well. His admitting being a thoughtfull philosopher is inspiring to spiritual searchers.
4:00----Heard a live recording once where his sax was on fire, and he just stopped in the middle and tried to breathe, shivering all over as he said, "Ohhh, god-damn!" Like a man possessed by just too much voltage...
I was a supporter at a World Athletics event recently; I am Irish. Can I just that the Japanese athletes were by far the nicest of all the athletes. The kids of the world could learn a lot by imitating these peoples.
I just listened to a 10h French podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001!!!). A torture, but I'm like that, I dive into an artist and I listen to everything, or almost. To have my own opinion. My opinion of Rollins is that he seems very overrated to me. First of all as a player, he does not seem to me better than Johnny Griffin, Sonny Stitt, Roland Kirk, Phil Woods, Lateef, Pharoah Sanders, Hank Mobley... but enjoys a much greater notoriety... and unjustified in my opinion. Ok he plays well, but not better in my opinion than the musicians above. At the level of the composition, he did not compose anything, everyone knows that his hit ''St Thomas'' is a Caribbean folklore already recorded by Randy Weston in 1955 under the title ''Fire Down There''. His ''Tenor Madness'' is a composition by Kenny Clarke published in 1947 under the title ''Rue Chaptal''. His other compositions from the 50s... well, Oleo, Airegin etc... it can in no way be compared to the compositions of Trane, Bird, Monk or Shorter... Moreover, his playing and his sound are terribly degraded after 1966 (36 years). Something happened on that bridge, he lost his mind. He seems to have been traumatized by the arrival of Ornette, Trane, Ayler... In the 60s he tried to be freer than Ayler, more calypso/blues than Ornette, and more mystical than Trane, but without succeeding because so superficial... Then in the 70s/80s he tried his hand at funk, disco... with really ridiculous and corny results... Did he want to be funkier than James Brown himself? More disco than Chic and Nile Rodgers? Also, on the radio show, they say he was paid today's $300,000 for himself to record the Nucleus album (listen to the result!!!!), and that for his concerts, his Financial claims were unrealistic, only big festivals could afford it. He played with the Stones but didn't want to tour with them because, according to Mike Jagger himself, he wanted too much money! I am not making anything up here. On ''SAIS'' from the ''Horn Culture'' album, one example among many, just picking up a random piece between 1966 and 2001....It's a shame. He plays out of tune, out of rhythm, with an absolutely disgusting sound. It is a lack of respect towards himself, the other musicians and the listener. No normally constituted musician would have agreed to let this recording be released. The problem with Rollins is that EVERYTHING IS LIKE THIS after 1966. He even said himself that he was high on marijuana when he recorded his solo album ''Soloscope'' at the Museum of Modern Art. from NYC...Also listen to the result, it's ridiculous and disrespectful towards the listeners...In a blindfold test published in downbeat in 2006, he doesn't recognize ANY saxophonist, even taking James Carter for Don Byas! Totally mind-blowing and revealing! In conclusion Sonny Rollins is for me the archetype of a narcissistic complacency encouraged by the fans and the milieu which has placed him on a throne since 1956 and his (very average) album ''saxophone colossus''. You have to be quite arrogant to glorify yourself as a ''saxophone colossus'' at 26 years old when BIRD had just died the previous year.
