One of the absolute first "test shortfilms" I've watched that actually also had gorgeous cinematography. And I've been watching "test short films" for more than 10 years now.
Great to hear thank you! I think this would be the perfect fit. You will get a cinema camera with great professional features for a reasonable price. :)
Thank you Kelvin. Maybe I'll release a tutorial in the future. I tried to replicate a Kodak Color Negative with a lot of analogue aesthetics like grain, smooth highlight rolloff and halation. Filmconvert was very handy for a part of the grade. ;)
Compared to other cameras I’m looking into, at this price I could buy the camera and a high dollar lens maybe even another accessory for the same price I’d only get the body. I’m still on edge but this is probably the best choice for me.
Thanks man! Honestly I think the second base-ISO at 800 is enough for most scenarios. I filmed at f4 on APS-C at ISO 800 and it was okay - quite on the edge but enough. 😎👍🏻
@@stekrenn Hello, I've got the A7III but i'm looking for 10bits and 4k120. In low light condition (weddings, concert's backstage etc...), is the FX30 can compete with a7III (FF)? thanks a lot !
Der Lichtstab um die Innenseite des Autos zu beleuchten ist von Yongnuon, noch lieber für so etwas verwende ich Astera Tubes - aber die hat man halt nicht immer verfügbar. ;)
In my opinion that totally depends on the lenses you are using and of course the grading, you can adjust the Log 422 10Bit a lot. ;) Watch my Vimeo-Upload with a different grade - it's much more "cinematic": vimeo.com/756659825
Hello, if you have FX30, can you try to use external flash in photo mode, works it or not? ) I saw FX30 have hot shoe with central contact. Thanks for advanced
I really pushed it in the low light situations over 2nd base ISO 800 and it was usable despite it was extremely dark in some situation and I’ve used only a lens with an aperture of F4. ✌🏻
@@stekrenn I'm really struggling between the fx3 and the fx30, I despise grain when I don't want it, do you think it's avoidable in run and gun situations with the fx30 in EI Cine with F1.8 or should I just go for the fx3?
It’s kind of an abstract story with the theme „where the dream begins and the reality starts“. I choose specific shots to test the cameras capabilities. ;)
I think it is impossible to judge the DR off of a graded image - you really need to do a test using ungraded s-log 3 and a calibrated chart. This has a very filmic look to my eyes...
@@user-ob7cj9dh8g clearly one can choose to crush blacks and blow- out highlights as an aesthetic grading choice- so this footage cannot be used to judge DR. There is some spectacularly clean FX30 footage out there- check it out…
Great to hear. I’ve used only a star-filter to get interesting flares. Added grain with Filmconvert Plugin and experimented with a film-like grading. :)