I hope she continues using that style in future songs cause she does it so well - it reminds me of the great Chester Bennington. Thinking about it he'd probably have loved Spiritbox 🥲
I saw them open for Underoath (meh) in Phoenix earlier this year. Wasn't even a 45 minute set IIRC, but it definitely had the best crowd response and - which I found both of these to be hilarious - ended with damn near everyone chanting "one more song", and once we realized there was truly no way to get an opening band back out for an encore, _almost half of the crowd left._
@@brandon3883 Saw that show in Cleveland, pretty sure half the audience was there just for Spiritbox and Bad Omens. Can't for the life of me understand why either one were openers, both should be headlining.
@Aedalas yeah, Bad Omens was great as well; I didn't know them but my son did, and they released TDoPoM the day after the show (iirc; it might have been the same day..?), so my wife, son, and I had the album on repeat for the long drive home the next day. That aside, I totally agree with you; would have been awesome if they both got to play full sets. Spiritbox is opening for Ghost near me (might have already happened) but the tickets were stupidly expensive so I had to pass. Hoping after that tour is over, they will finish and release a full album of the other songs Courtney said they had written along with the Rotoscope EP, then do a proper headlining tour. 🤞
Pretty easy when there's that amount of backing tracks. It's half karaoke. Sounds great, ya, but when you have support of 1 or 2 backing tracks...how much else is there?
Don’t get the hate the Metal Elitist are giving Spiritbox. Great groovy riffs, Courtney has great clean vocals and great screams. If you don’t like singing in metal then get out of metalcore simple as that. Not every band has to sound the same.
I think it's pushback from the people acting like this is the best thing since sliced bread. Like they are a good band with some killer songs, but there are criticisms. Like with this song, for as much as I do like it, It is a bit predictable. Some of the samples they use sound pretty fake. And for a progressive metal/metalcore/djent band, this track sounds about 10 years old.
@bill joseph Im not American and neither is Spiritbox. You're going to be amazed to find out that creating & playing music, and providing constructive criticism are two different things with two completely different skill sets.
i like her voice on albums but hearing it live everytime idk.. it seems like forced ( her screaming ) or am i imagining things. not meant as a hate comment or whatever , i appreciate her work or better said the bands work. Maybe someone get what i mean.
Reading the comments its always funny to me that women and sometimes lying men get butt hurt when a man notices a sexy woman. If i listen to this woman with out seeing her she is a great singer definately, if i see the video shes a sexy woman who is a great singer why do people think men cant notice beauty in a woman anymore? Plus in the world of metal sexy women are very scarce.
Courtney LaPlante represents women on Metal nowdays with justice, she is a hell of an entertainer💯🤟🤘 ''Sebastian Vettel on guitars'' was hilarious dude said below😁
I can’t get over how fucking brutal Courtney’s screams are. My god man. It’s so powerful! I love the one take version she did at the end. When she screams “Watching” and the “this could all be yours” you can fucking feel it!!
Her voice and the instrumentation combined makes it so mesmerising! Usually I’m not into women led, metal bands. They just don’t hit the mark for me, but this and jinjer does.
she sounds just like any other vocalist out there, nothing about her is *OUTSTANDING* stop overhyping these generic bands and generic sounding vocalists kid.
@@lifeisbeautiful7361then why the fuck are you on a Spirit box Live recording video on RU-vid, caring about other peoples' opinions? Sounds like you really dug deep to spend time talking about literally nothing
