ive no clue wtf is going on here but after watching the first two seasons of good omens in like two days, i think this healed me and also gave me more vocal stims
For the record, David Tennant was in four scenes in Goblet of fire. Harry's nightmare, at the quidditch world cup casting the dark mark, in the memory and finally when it's discovered that he was Moody.
@@onedaxster Here you go. I remember reading/listening? reading I think, NG saying he wrote it with DT in mind, but they didn't have the budget, so it was sidelined and brought out for Matt later. He offered to do a rewrite to fit the new doctor's persona, but it seems there were multiple rewrites and the whole thing became a tedious progress with no joy. I'll see if I can find the Neil piece. Anyway, here's the Wikipedia version: MS plays the voice of the house that traps the doctor and companions for the TARDIS. en.wikipedia.org/wiki/The_Doctor%27s_Wife#External_links "The Doctor's Wife" is the fourth episode of the sixth series of the British science fiction television series Doctor Who, which was broadcast on 14 May 2011 in the United Kingdom, and later the same day in the United States. It was written by Neil Gaiman and directed by Richard Clark. In the episode, an entity called the House (voiced by Michael Sheen) lures the alien time traveller the Doctor (Matt Smith) and his companions Amy Pond (Karen Gillan) and Rory Williams (Arthur Darvill) to an asteroid outside the universe, by sending a distress call to the Doctor's time machine, the TARDIS. The House removes the matrix of the TARDIS and places it in the body of a woman named Idris (Suranne Jones), who proceeds to help the Doctor prevent House from escaping its pocket universe with the TARDIS. "The Doctor's Wife" was originally intended to be produced as part of the previous series but was pushed back due to budget constraints. Gaiman revised the script many times, having to add and remove characters and events as production saw fit. The episode was filmed in the autumn of 2010 and featured a makeshift TARDIS control room which was the design from a winner of a contest on the children's programme Blue Peter. The episode was seen by 7.97 million viewers in the UK and was met with positive reviews from critics, with praise for Jones's performance. The episode won the 2011 Ray Bradbury Award for Outstanding Dramatic Presentation and the 2012 Hugo Award for Best Dramatic Presentation, Short Form. The Eleventh Doctor, Amy and Rory follow a distress call with the identification of the Time Lord with the name of the Corsair, to an asteroid outside the universe. After landing in a junkyard, the TARDIS shuts down and its matrix disappears. The asteroid, called House, removes the matrix, and places it in the body of a woman called Idris. The Doctor discovers the Corsair and hundreds of other Time Lords on the asteroid were murdered by House and that two inhabitants of the asteroid, Uncle and Auntie, are constructed from the body parts of Time Lords. Upon learning that the Doctor is the last Time Lord and that no more will ever arrive, House transfers its consciousness into the TARDIS to escape from the rift. Amy and Rory are trapped inside as the House-controlled TARDIS dematerialises. Uncle and Auntie are allowed to die. The Doctor learns that Idris contains the personality of the TARDIS's matrix and that they can talk to each other for the first time. With minutes before her body fails, Idris reveals that House had stranded many TARDISes before, and that its pocket universe is hours away from collapsing. The Doctor and Idris work together to construct a makeshift TARDIS from scraps, and then pursue House. Aboard the Doctor's TARDIS, House threatens to kill Amy and Rory. He plays with their senses as they try to flee through the corridors, and then sends an Ood called Nephew after them. Idris makes a psychic connection with Rory to give him directions to a secondary control room, where he and Amy are able to lower the TARDIS shields. This allows the Doctor to land the makeshift TARDIS in the secondary control room, which atomises Nephew. House deletes the secondary control room as he prepares to break through the rift to the main universe, which the Doctor anticipates. The TARDIS's safety protocols transfer them to the main control room, where the dying Idris releases the TARDIS's matrix back to the TARDIS, destroying House. A remnant of the TARDIS's matrix, in Idris' body, states that she will not be able to speak to the Doctor again but will be there for him. Idris's body then disappears as the TARDIS matrix is fully restored. During a dinner with incoming executive producer Steven Moffat, writer Neil Gaiman asked Moffat if he could write an episode. In an interview Gaiman stated "I came up with something that was one of those things where you thought that nobody's done that before."[7] The episode was originally titled "The House of Nothing"[8] before Gaiman sat down to write it, but that was changed to "Bigger on the Inside".[9] This title remained until about six weeks before the episode aired, but the crew was beginning to worry that "Bigger on the Inside" would give away the surprise that Idris was the TARDIS, so it was changed.[9] "The Doctor's Wife" was also a fake title attached to the 1984 serial The Caves of Androzani; then-producer John Nathan-Turner had changed the title to that on his planning board in an attempt to weed out a suspected leak in his office.[9] Gaiman suggested they make an episode which centres on the TARDIS itself, which was not done before for the entire series since it began in 1963. The original plan focused on the idea of the Doctor being pursued by an enemy inside the TARDIS, but went through several subsequent changes; Gaiman changed the plan to focus on the companion due to the Doctor's knowledge of his ship making it too easy for him to escape his enemy, made the TARDIS the threat rather than just a specific alien to avoid making it a simple 'cat-and-mouse' game, and then included the idea of Idris to account for what happened to the TARDIS's mind during this attack. The central idea was a "what if" scenario to see what would happen if the Doctor and the TARDIS got to talk together. Moffat liked the idea of featuring the TARDIS as a woman, believing this to be the "ultimate love story" for the Doctor.[10] Gaiman began writing the episode before Matt Smith was even cast as the Eleventh Doctor; Gaiman had envisioned David Tennant's performance in the first draft, knowing Smith would play the Doctor differently. Despite this he had no issue writing the dialogue. The episode was originally slated for the eleventh episode of the fifth series. However, it was delayed to the sixth series because of budget issues; the eleventh episode would be replaced with "The Lodger".[7] Even so, Gaiman was forced to operate with less money than he would have liked; for instance, he had to scrap a scene set in the TARDIS' swimming pool,[11] and instead of being able to use a monster of his own design he had to use an Ood.[12] The move to the sixth series also meant Gaiman had to include Rory, who had ceased to exist in the original slot in the fifth series. With Rory included, Gaiman had to "reshape" much of the second half of the episode, featuring Amy being on the run in the TARDIS. In the original draft where Amy was the only companion, Gaiman added a "heartbreaking monologue" by the character, further stating "you get to see what it's like to be the companion from the companion's point of view, and she got to talk about essentially in that version how sad it is, in some ways. One day something will happen to her, she'll get married, she'll get eaten by monsters, she'll die, she'll get sick of this, but he'll go on forever."[7] At a certain point, Gaiman became tired of rewriting drafts and asked Steven Moffat for help. Moffat wrote in what Gaiman called "several of [the episode's] best lines" and rapidly rewrote several scenes when budget problems harmed filming locations.[13] And here's the BBC link - www.bbc.co.uk/programmes/b011884d
1:38 Jesus Ty 2:10 smart kimono 5:49 steven 12:32 you from the future 13:10 Ken Jeong imitating 13:57 dreams 15:06 elephants 16:27 in a mood 18:18 credits 19:55 Kate Blanchet, oh saucy
Oh my goodness now that I'm aware of this series' existance I will need to watch all of it to cope with GO S2 because this had be absolutely dying at times
My fav quote as it’s so relatable NOT THERE D: is that wine? Bit early isn’t it M: what time did you have to get up this morning? D: uuummm about/around 8 M: I woke up at FIVE for the dawn. It’s 6pm now and I’m 3 hours ahead of you!
14:14 I had to look it up, there's one that fits, written in 2015, but like it's not even about David, it's about Christopher Eccleston (ninth doctor) Edit: after i did that i realised that this is scripted and also "just what the doctor ordered" is a common phrase as well
I imagine like this happend between David and Neil gaiman and micheal David: Neil…I wanna chose a full name for Crowley Neil: ah ofcourse! Next day David: hey Micheal. I have a name for crowleyy Micheal: oh god no.. David: Anthony.. Micheal: again with the A?! David: Crowley is also before sheen~~ Micheal: fuck off
That's debatable David and Michael I'm just sitting here watching this debating on whether or not I should change the channel or sit here and continue to listen to you to act like schoolboys
i tried looking for the fanfiction mentioned at 14:10 but i found this cute tenrose fic about rose having her period and jt was so adorable 🥺🥺 like the doctor bought chocolates and a hot water bottle and everything 🥺🥺🥺
