In my review I stated I could not find any updates since the game's initial release. Since finishing the review, I have seen notes for past updates which I was unaware of at the time of recording. One of which talks about multiplayer support being postponed, another talks about potentially adding trading cards... Perhaps not the most pressing matters at hand. Also, I just noticed at 3:36 I said "D key" when I meant S key. Now I'm aware of this mistake it will annoy me for the rest of time.
You sir have a most exquisite taste in classical music. Only a real gentleman will relax to the beautiful works of a certain Edward Elgar, good choice.
Quite so young man! I struggle to comprehend how some supposed 'listeners' of classical attempt to pass off a certain Ludwig van Beethoven's works as by any means 'good'. Ludwig's music - although at first is laughable in the face of Tchaikovsky or Mozart - poses a threat to the integrity of the classical genre, and I for one, will NOT idly partake in the destruction of that what is central to the development of gentlemanliness by listening to his abhorrent attempt at "music". Beethoven's teeth clenching shrieks tend to the likes of disorderly rapscallions - Ryan Searle and his ilk. With great pleasure I invite Mr. Searle and willing colleagues to partake in a mass smartening, and teach them to truly enjoy the refined works of Mr. Elgar, Tchaikovsky, the likes. All of whom are integral to keeping the class in classical music, and saving true gentlemen from the misfortune of hearing Ludwig van "Nails on a Chalkboard" Beethoven's measly, embarrassing and despicable attempts to encapsulate the true exquisite divinity of the genre. As for Mr. Searle, his untidiness is just a mere reflection of Beethoven's music - by which I mean a manifestation of chaos. Although I doubt it would take as little as a haircut and a new wardrobe to fix the inherent malevolence that is integral to Ludwig's music. So the comparison is not to be drawn without the realisation of the finality (or ultimate goal) that Beethoven's drawl presents - genocidal action.
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