Stimming reviews the Elektron Model:Samples (Electronic Beats TV) 

NaturligFunktion definitely the most objective review - very good! Tells it like it is and shows what it's useful for.

true that. usually the pros are exaggerated while the downsides are limited to a timid footnote mentioned at the end of reviews, but these should have as much weight - if not more - on a fair analysis.

@@benmironmd j

i feel like the best reviews are not necessarily negative, but should focus on what something CANT do. for example you can watch a whole review about the digitakt and not know that it cant slice samples. for some people it may not matter but if it does, and you bought one, you are going to be very disappointed

Yeah. I subscribed solely bc you can tell dude is being honest about his reviews

Best feature yet

Yeah, I get the feeling he has confidence in the build of Elektron gear. Overall, Martin Stimming seems to make a point of not being too delicate when handling gear. I guess, if it's going to break, its better that it breaks in the studio than on stage. Chenk from Elektron claimed in one interview, that he had thrown the model:samples out the window, just to test the build quality. Apparently it didn't destroy the thing, but he didn't disclose how high up the window was. Edit: (Got curious and had too look it up.) Elektron HQ resides on the fifth floor, according to the adress info on their site.

Nope :-) There is a 1h + video coming soon. Ask The Producer: Stimming

underrated comment

The main question is: what do you need? For live stuff the dedicated knobs on Model:Samples are probably something really awesome. But for studio use I'd say: get the Digitakt. As you already mentioned, it has 8 midi-out channels and it also has 2 internal channels more than Model:Samples (personally the 6 track limit is the most handicapping thing in this device). DT is also built like a tank and has a direct sampling capability. I'm not saying Model:Samples is a bad device, but if you're already torn between choosing this and the DT, the price difference really isn't that big between them. And about the traditional Elektron workflow: DT actually was my first Elektron device and I was pretty much making new stuff with it in an hour, not kidding. But in the end of the day, it's your call. Like I said: think about what do you need. There is no worse feeling than buying wrong gear/plugin because you didn't have patience wait a bit longer and save more for the device/plugin you really wanted to buy.

@@MStimming You're right. In comparison to the other instruments in their range, it has a more immediate interface. But at this price point, the competition is tough. I've been fortunate to have owned or used a LOT of groovebox /hardware sequencer/ all in one devices since the late 90s on all sorts of jobs and situations. Elektron devices are unique and require a rethink (or even remix- pun intended) to your approach to writing and even performing . But the 'emotional connect' and subsequent musical payoff for me, just hasn't delivered as of yet. They're always brilliant on the spec sheets, with layer upon layer of options available, but in the real world, it looks like 'gizmoing' ( article : - www.shekhardhain.com/2013/06/washing-machine-syndrome-adding-value.html?m=0 ) I'm still an optimist regards tech development, as I spent years in I.T. & saw over time, how software and hardware have improved to form a much better marriage, with better U.I. on products overall. In effect, I think that in the cost rethinks (and reducing of features) necessary to produce devices that appeal to every level of consumer, the music hardware market has been affected too, just like every other industry. For example, the larger corporates have the pockets to spread the risks over a diverse range of EVERY kinds of product in the sector, and all the time, if absolutely necessary. By comparison, the smaller firm's with a handful of product, are constantly revamping o/s software, and trying to keep their inflows healthy via merchandising and even funding , both private and more public (e.g. patreon). I sympathise, as it's a tough gig. But it's also a choice. And in that regard, there's never been a greater time to get into music, as the variety of ways to go about it are incredibly varied and most importantly, fun.

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I hear that . the bass..

Great idea!

Really? I had no idea! Thanks, @@MStimming! I learned something!

you know, actually, the B is right where it should be in the German system, I think

He's just missing an H sticker ;)

I've got one and they're great. Tempted to get a second.

Originally he is from Gießen (Hessen)

lol is that a joke?

BIG PASTA well no idk if the beat at 15:59 is his or a factory default but it's awesome, I also just get a good vibe from this mans

minisoda yeah he’s a really great dude and he’s super well known in the electronic music world! :) I was just surprised since you are watching this particular review of this device that you had not heard of him. Check out his music it’s really good. The track “the origin” is really cool and was one of the first that got me listening to him. Peace!

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😬

as they intended