Their pedals are just fine. Never seen anyone hype them up more than they deserve. I have seen some of the harder to get hold of ones go for more than new price on eBay, which while being mad, it goes to show they are well thought of. Their reverb pedal for instance is fantastic. They are for 2 types of people, those that maybe can’t afford the real thing and those that realise we’ve been getting ripped off for years by pedal makers!
@@NubsWithGuns there are several like their hi band flanger and blues overdrive that are getting hard to find; next time you want to use the Kool-Aid insult at least check to see if the other person is wrong before you make yourself sound like an idiot
@@NubsWithGuns Sometimes, no matter who makes them, a pedal takes off. Whether it be because they imitate perfectly at a small price or because they bring something new to the table. It happens. They disappear and reappear with a more gross price.
@@aidanknox2430you're the one who sounds like an idiot, those kind of people who can't deal with diferent opinions. Soo glad that you're not the presiden. Btw, visit a doctor or buy a new pair of ears, it will save you money in the future.
Stop being a pedal snob. I have some. Very pricey pedals and quite a few Berlinger pedals. All of my Berlinger are fine. Berlinger's analog pedals are good. The digital ones are hit and miss. Try using a noise gate dude.
I bought a few of them just to play around with at home. I was VERY surprised how good they were 🤷🏼♂️. Especially the tube screamer copy. I couldn’t tell the difference between it and the Ibanez tube screamer. The classic delay was really good too. I’ve always been a “ get what you pay for” kind of guy but the pedals performed way beyond what I expected for 20 bucks.
There is a very good review on the JHS pedals channel, about Behringer clones compared side by side with the originals they copied. Especially with the tube screamer the Behringer version sounds better than the Ibanez and all that for like under $20. There are also 2-3 pedals wher the Behringer clone puts i.e. Boss to shame. I mean it's a no brainer. OK, it's a clone. Kudos to the original designer. Fine, we get it! But please stop bashing Behringer. It's all in the sound and our ears. If you like what you hear then who's gonna tell me the Behringer is ...unusable like this werke moron.
the analogue behringer pedals are literal 1 for 1 copies. same circuit, same electronics, just different housing and knobs. cause the circuit and electronics inside of those pedals, can't be trademarked or copyrighted due to the circuits being so simple. with digital pedals, there's coding involved that is intelectual property of the original manufacturer, how beringer gets around that is by reverse engineering the code. they look how the original pedal behaves, and then write code for their reproduction pedal to mimic that behaviour. in the digital pedals, they get really close, but not quite the same. all the analogue stuff, is one for one though.
I own 3 Behringer pedals and they all sound outstanding (at least as good as the original inspiration). The only reason they aren’t on my live board is because I play very aggressive music and the plastic housing does not seem like it would last long getting literally “stomped” by myself or our wandering vocalist when he’s running across a stage. I’ve never had issues with “internal noise”. Gear is a lie.
Same here, no problem with noise, etc, or whatever, however you will be surprised how resistant the "plastic housing" is. It's ABS and it is also widely used in the airplane manufacturing business. Granted if you put them on fire eventually they will deform or even melt while the metal housing will not. But aren't we being a little pedantic here?! And at around $20 each I'd buy two of each if they sound right to me.
You first German huh? .... Bro. Lol. Just wait till you meet a German engineer machinist. Lmao. No love lost for Germans tho. It's the just that the kulture is very direkt and absolute. Totally, super fine kraftsman ship.
I have had so many peddles from so many manufactures some even from the 70's. I am not a peddle monster, I like my 100-watt Marshal and my 4 X 12 cabinet, maybe a delay and the heads reverb. However, I bought every Behringer peddle last month for between $20-25 each. I even bought their 12 peddle holding case, so maybe I spent $400.00. Out of all the peddles I think I had one that made noise, and two I didn't care for, so I sent them back. I am quite pleased with them, and I have been using them and changing positioning to see what sounds better and where. Personally, I think that you cannot go wrong for the money, and at 60 years old, I am more partial to the raw analog sound and even a little noise since I come from the days that music wasn't perfect. This guy up here, I don't know why he spent so much time crapping on a cheap product that does their job pretty well, when there is so many very expensive POS on the market he could talk about and save us a lot more money than a $20.00 peddle, or even a full box of them, with their peddle board, which is very nice by the way. P.S.-I just bought the Behringer 50-watt Amp Head, and I hate to say this especially to him, but I've been using it more than my Marshal, it sounds awesome and so cool looking!
I tried a lot of analog delays with different amps and guitars. Then i tried the behringer vintage delay and i tried not to like it because that would insult my fancy expensive pedals. But i actualy love it. Its my favorite. Huge. Warm. No weird noises. No problem with the enclosure. Gigged with it a lot. Same for compressor/limmiter CL9 and the ultra vibrato witch actualy makes my 'bypassed' sound better. They dont have to be an exact copy. Just sounds better than the ones theyre moddeled after. And about tonesuck.. i have experienced tonesuck with the most expensive pedals. Who cares. Some of the Behringers are amazing. Realy.
I have to disagree, I bought ten peddles just to use at home. Every peddle is fine. I know they are plastic so I don't stamp on them. I have no noise from my peddles unless I use cheap guitars.
I 100% disagree. Your main point of noise never happens with several Behringer pedals I've had. They're crazy consistent. Think you're manifesting your problems. The Behringer fuzz is always on my board. Also, many people say they're worried about the plastic construction not being reliable with aggressive smashing but never anyone saying it actually was a problem. I stomp the shit out of mine and it doesn't break.
So much hate for different opinion of yours? And about what? Are you a Behringer employee?? No you are not. And red, Today you have better pedals did cheaper.
I don't agree. Bought two Behringer pedals this weekend and I'm impressed. Both work straight out the box and the price is incredible! Build quality is great. Just brilliant, entry level equipment! (I bought the Tube Screamer and Ultra Tremolo)
@@Safetysealed man, you don't have to smash them, just press with your foot; the sound is not any worse than many other Mxr, Boss or Ibanez... The only one brand that are less prone to failures is Boss... Ibanez, Maxon, Tc and Mxr are much likely to give problems like noise, broken switch or simply sound shitty for some reason.
While I respect your opinion (you seem like a thoughtful intelligent guy), you can't ignore the many responses you received below! I've actually collected nearly ALL of the Behringer pedals, 60 or so (there's one I can't find for the life of me), along with most of the Boss pedals they clone and am generally happy with the Behringers. I've set up stereo boards using a long chain of Behringers and it's been fine. I also own ALL of the Strymon line (not the V2's) and the Source Audio line, and other "biggies", so I'm not some newbie. I own over 300 pedals currently in my collection. I've been playing rock since the 70's. I'd buy my kid a set of Behringer pedals if he/she was starting out and I'm sure they'd be thrilled! I can't see them being used by the top rockers because there are obviously better options out there, but in a pinch…
So, this guy has his problems with these pedals, but the overwhelming response in the comments is that the pedals are good. I am very much the amateur guitarist, but the pedals have worked for me. The plastic cases seem quite sturdy. I haven't noticed the pots being hard to turn. I really like the Behringer reverb pedal. Some of his complaints seem rather nebulous. Sorry, I still think the pedals have quite a lot of bang for the buck.
I have no dog in this fight, but, just thought I'd point out that boutique, and major manufacturers buy bucket brigade wiring FROM Behringer, and Behringer likewise uses that wiring in their pedals. In other words, you can pay more for a more sturdy pedal (above plastic), but, as far as the analog pedals goes, these are, for the most part, dead on copies of their expensive counterparts. Digital pedals, not so much. I see no reason to pay more, unless you're a collector of pedals. I don't buy pedals, nor collect them, but, if I were to buy pedals, I'd go with spending the least I had to to get me where I want to be. Sorry. I've got better things to spend my money on than a name.
In summary, your message is: "Behringer clones do not have the same quality as the originals" And where is the news? Why did you need 19mins of video to say that?
I agree. I use the TO800, UC200 and the VD400. All are relatively noiseless and have held up to 3 years live stage use. Plastic or not, they work fine for me. I'll get more. My rig is loud too, Super Crush 100 head through 8x12.
Stop telling me what to do! lmao I love behringer and always have so tuff cookies I will buy what I want and tell my honest opinions on all of them. They are just as good as any pedal
These pedals are great..don't worry that they are plastic and all that stuff, if you're running over the pedals with a forklift, then you had a problem.
Maybe you just got unlucky and got some bad ones? I just put together a budget board made up of 6 behringer pedals (CL9, TO800, HD300, UV300, VD400 and DR600) and I don't have any signal noise issues from them.
I own around 30 Behringer pedals. They are awesome! It's so cool that us budget bedroom musicians don't have to pay $100+ for each pedal in 2023 from just a handful of companies charging an arm and a leg for the same sounds. There are so many budget pedal makers to choose from and some are even in metal cases with graphics and true bypass.
@@5weating_8ullets The 60 cycle hum channel have lots of videos of what he called "afford-a-board"pedals and they cover most of the brands that are affordable. I would check out those videos for starters. If you are a bedroom player like myself just look on youtube for demos and reviews and just buy what sounds good. The great thing with affordable pedals is that they are typically clones or slightly modified versions of tried and true circuits or sounds and if they end up not being great then you are only out $30. However it is worth mentioning that I have packed up my Behringer pedals and am using a used Line 6 Pod HD Pro X with the HD Fully Loaded model pack and it basically replaced all of my pedals into one incredible sounding box for a mere $300 on ebay + $100 for the model pack which is well worth the money. That unit is like nearly 10 years old and it just sounds amazing still. I'm amazed that amp modeling is so good now.
I have to politely disagree... The alternative 'cheap' Donner pedals you speak about can not be purchased down here in the never-never outback unless I am prepared to spend more on postage than the pedal price (because it has to come from the US). - Donner Micro Equalizer, 5 band EQ - AU $43 - postage = $52 for 1, $72 for 2, $92 for 3 etc ) 7-10 week delivery - Behringer EQ700, 7 band Bass EQ - AU $38 - Postage = $15 ( free postage for 2 or more ) 1 week delivery.. So, where you live affects the price. I just purchased 5 x Behringer pedals for use with my Synthesizers, so they fit my system at a perfect price. (total 5x for AU $190) I do DIY electronics & cases so I have no concerns about whether the case has gaps in the joins. What matters to me is that it gives me the sound I am after and at a price that I just cant ignore... Purity of sound is for the engineers and critics to argue over. I dont have time to critique noise, I've got music to make.. Rock on Mate. :) p.s. to hell with the "Brand Snobs".
Thanks for watching the vid and understanding my point and actually commenting with a real argument. If any of the Behringer pedals I purchased did not introduce a noise I would defo have kept and used some but that has not been my experience. I hope is also translated but I am not interested in brand names either, just something that works for me.
I have a behringer SF300 (super fuzz), i use it on studio, live and practice. I traveled with it. It's always on my pedalboard. Never, and i mean NEVER had an issue with it, not a noise, not a "click", nothing at all, in fact it did surprised me that, it sound really loud yet there's no noise coming from the massive gain the pedal has. It's DEAD silent. The thing with behringer, is just what it is: they have really great affordable clones of pedals that are either discontinued, or stupidly expensive. Why would i go buy a nux fuzz (for example) if i can buy an exact clone of a Boss Hyper Fuzz for less the price? Because are made of plastic? that's a lame excuse tbh.
The only negative thing I have to say about Behringer pedals is that they’ve stopped producing certain pedals like the Digital Delay and the Rotary Machine. The Vintage delay didn’t provide me with the results I wanted, so I tracked down the Digital Delay and it was EXACTLY what I was looking for. Behringer Digital Delay >>>> Behringer Analog Delay
Nothing wrong with any of the Behringer pedals. I've just started out and can't afford £100's of pounds on a single pedal. The Behringers sound as good as most of the pedals they are based on at a fraction of the price. As for the fact you stated that they're 'unusable' well that's not true...
!!! WTF Sounds like to me you are Comparing A Rolls Royce to a Volkswagen i have been using behringer Pedals for over 15 years all over the UK as Well as in Europe with my band and have found them reliable and have no complaints
I am glad you had that experience. This video is not about discouraging folks to use the pedals but to counter the encouragement of folks using them. Folks should buy what they want at the end of the day. I have used 4 (5) and they were all unusable. And I am not a brand snob, gear snob in any way.
@@KrachWerke I had a noisy overdrive using a power supply, went away using 9V batt. DC is cleaner, I suspect their AC to DC circuits bite, no filter. Drop a batt and see if it helps. It will serve to find root cause and give you a tech reason to explain why not to use.
I'm not "challenging" you, but I've watched about 20-25 videos and in 90% of them, the host didn't really "hype" the pedals per se, rather just gave an honest account of what was what, with the conclusion most often being that some of them are really good, some of them suck, and just pointed out the differences in them in build quality vs. the others. My experience so far has been great with the OD300 and the T808, they sound great and the build quality is fine as long as you don't go out of your way to abuse them. I did add little nuts to the input/output jacks, just for extra stability and durability, which cost me all of 50 cents.
So I am happy to be challenged because obviously what I post are my opinions only, fair enough I do only try to form an opinion once I know a bit about something but still... mistakes can be made. Also, I am happy if folks post good experiences with these pedals because it means they are happy with their product and haven't wasted their money. I unfortunately have not had that luxury :-)
Never had a problem, never had any weird noise, never had any wonky knobs. The analogue ones are bang on copies and you literally can't tell the difference, the digitals are a bit different though. Made me laugh when you mentioned the wonky knobs, I had a boss pedal that I lost all the knobs on, they fell off in transit from rehearsal and had to be replaced. For whatever reason you have a beef with Behringer, god knows why
Anybody saying they aren’t good are contrarians. I have multiple boutique pedals, choruses, reverbs, delays, you name it-along with some behringer. most of the behringer pedals especially the analog ones sound just like the real ones they are mimicking. The reverb pedals sound decent, quite different than the ones they’re imitating but anyone who says they don’t sound good are just gear collectors who aren’t actually using their gear to make music.
Behringer pedals are good enough to do the job they're designed for. For the price, they're fantastic. I strongly disagree with some of your points here: build quality is definitely not luxurious but it's not bad enough to say you shouldn't buy it, treat your pedals right and it'll be fine; and the "internal noise" thing. Behringer pedals are not inherently noisy. This is just wrong. There's nothing on a circuit that would consistently generate noise in the way he describes, and often the Behringer circuits are exactly the same as the pedal they're a clone of. However, I will conceed that due to the plastic enclosure rather than metal, they are sensitive to EMF from the top and sides. But again, unless you're beaming EMF radiation straight into the pedal, specifically from the top and sides (whereas usually the only EMF around pedals should be the power supply on the underside of a board), you'll be fine. Now I run a very cluttered home studio, so I have several sources of EMF around my pedalboard, enough to introduce a slight hum that was annoying enough for me, but this was easily fixable by taking an hour and covering the whole inside housing with copper foil tape and grounding it to a convenient internal grounding clip on the PCB, a process that requires no skill, is extremely easy, and very cheap on money and time. So sure, I can understand if you have a poorly organized workspace you'll be using it in and are too cheap to invest a few bucks and an hour of your time (still cheaper than buying original btw) if you don't want to buy a Behringer, but otherwise, you'd be a fool not to get what you can Behringer. EDIT: Forgot to address tone suck. I own several Behringer pedals and have experienced no issues with the buffers at all. By nature, buffers are going to fuck with your tone a bit but in my experience, the Behringer buffers have been exactly the same as Boss buffers, namely because that's what the circuit was. In fact, a Boss pedal has been far worse than anything Behringer to the point where I immediately took it back to the store after buying it, and that was the Boss NS-2. Not only was the whole high end completely decimated beyond what could reasonably be eq'ed out by both the buffer and the effect, but it also has this weird swelling effect at the attack of everything that goes through it that makes the pedal infuriating to listen to and completely unusable for recording. So yeah, all in all, care about the circuits more than the superficial things, and don't let prejudice fuck with your hearing
Basically saying they're not good without showing examples is not credible. People, watch reviews with sound examples so you can make an actual, informed decision.
Sorry you had bad experience but my friends had em to bits and apart from case there identical especially the tube screamer he had a broken tube screamer put electrics in and worked as good as the rhythm guitarists so they are identical same as the chorus and eq pedal all electric elements were same chips same boards
The cheap TC electronic pedals would be a better alternative to the plastic Behringhers. TC electronic pedals are true bypass and has solid metal enclosures.
I don't entirely agree with this type of generalization. From my point of view, the Behringers are indeed low-cost copies that often sound less good (less "natural" to my ear), but there are sometimes very good surprises. I have several Tube screamer clones and the TO800 is ultimately my favorite (the one that best matches what I expect from a tube screamer). I bought a used Maxon 808 to replace it. It is undeniably better but it is not super obvious either .... so that in the end I always have the behringer - which does the job very well - on my pedalboard. I also recently buy a SF300 which I took for fun (I've never been too attracted to fuzz) given all the praise I've heard about it. Well what a surprise! Playing this pedal on crunched amp is really crazy. Last example, a friend of mine who plays bass in a metal band uses a Behringer distortion pedal (normally for guitar) which he activates on certain tracks. He likes this one because it gives a dirty sound that matches the vibe of these tracks well.
I have a couple Behringer pedals, their EQ pedal and their octave pedal. The octave pedal was an impulse purchase and I don’t use it much, but it does what it’s meant to and does it quite well. No unwanted noise or volume drop or anything like that. Their eq pedal has stayed on my board since I got it, and I am not one to keep a pedal on my board that gives me any issues. I’ve retired at least 3 pedals that used to be favorites of mine by other companies that introduced unwanted noise or signal issues or created volume drops and had no qualms with buying more expensive pedals that worked better to replace those. I have had none of the issue ls described in this video with my Behringer eq pedal. Maybe it comes down to quality control issues. That said, I don’t see myself spending more for a different eq pedal any time soon as long as this one keeps doing the job as well as it does without unwanted side effects. I don’t think the “hype” with Behringer is undeserved at all, I think Behringer has a good track record going and you can’t argue with with the dedicated following they have and how long their success with pedals has continued. Everyone is entitled to their own opinion, but the vast majority of people using their pedals with nothing to gain from giving positive or negative reviews seem to enjoy them and find them to work just fine. But cheap pedals have come a long way and there certainly are other options these days, so Behringer is certainly not the only company offering quality pedals at affordable prices and it may pay off to try a few different pedals until you find the one you prefer.
They get the job done and I think they're great, never had a problem with it, never had noise, the only thing I wouldn't do is stopping on it at regular base, I put them in a switcher
I respect your thoughts but i'm sorry, i really don't get your point. They have their place in the world, they have a market, many people are happy with them, many people can't afford different and last but not least you don't have to buy them if you don't like them. As i see it everybody wins ;)
I only have one Behringer pedal. It's the Ultra Chorus, a clone of the Boss Super Chorus. They sound exactly the same, side by side comparison with knobs on the same spot, and they are undistinguible.
I had a Behringer Chorus that was noisy when bypassed, like you described. The effect itself was fantastic, but because of the constant swooshing sound when bypassed made it unusable. Off my board it went.
I realize this is 2 years old but I have experience with two Behringer pedals - the chorus pedal and the noise gate pedal. I find the chorus pedal to be quite good and I use it in my Marshall’s effects loop. The noise gate was purchased as a cheap alternative to my BOSS NS-2, and I find it to be inferior. It’s ok maybe as a spare if someone at a gig needs one, but that’s about it.
The beauty of aluminium pedal cases is that as long as they are shielded properly they are essentially Faraday cages. I don't know how the Beringer pedals are shielded, but plastic cases surely make them more vulnerable to rfi/emi. If there is some flex in the plastic cases perhaps there can be stress on the components (not least the pcb). That said, I've seen plastic Behringer pedals on pro pedalboards, so I guess I'll have to buy a couple and see for myself.
I just play guitar, for all I care I get them, plug them, and most importantly; play the heck out of them!🎛🎸🤘🤘 got 5 so far and they cut the mustard pretty darn well 👍👍
I haven't taken them apart, but I think they can coat the plastic with cheap graphite paint in the same manner as when you shield the pickups when you build a strat.
Haha Behringer pedals sound absolutely fine! Its just the pedals build quality. Not a quality issue on performance. Get a behringer pedal and put its circuit board in a metal frame. Done!
I got a few as testers, much as you'd get a mini paint pot tester before you buy the full 5 litres. For instance I have an Ultravibrato to stand in while I save for a VB-2 Waza - it's fine. I'll probably pass it on to a friend once I'm done with it. I've stopped Gassing now that I have a Zoom Multistomp which I'd agree much more useful as a cheap, compact all in one unit. I generally regard them as stocking fillers for teenage guitarists starting out.
The problem with the majority of them is the plastic boxes! The circuits are exceptional! No argument there, but they are definitely not made to be on the road! So everyone giving this guy a hard time, take a hike!
I have 4 of them on my board. No problems. Sounds great. No noise. They have been there for 12 years on a gigging board. You mentioned Donner. I had their delay pedal. It lasted about a year and just quit working
Also he's completely wrong in what he's saying.. clueless. He's keeping a straight face but he's made this video just to try and get views/exposure. If JHS, Know your gear, Andertons actually say these pedals aren't that bad - professionals, yet this unknown bloke says they are rubbish.. hmm
They are at least great for experimenting... if you want to try things out and consider using a pedal more frequently and on stage you are still open to buy the real deal... They are still the cheapest option in alot of warehouses online and offline. But I agree; My digital Multieffects still get more used; recording and on stage...
There's a few misses in their range, but most of the ones I've had, such as the screamer and the chorus are oustanding, and I appreciate that they make nice pedals that kids and beginners can afford.
If something not like something else .Then it's something of it's own. so thats not a bad thing .I have Behringer vintage phaser and an ultra chorus that I am very happy with. I am in no way a gear snob and without Behringer my pedal board would be very sparce .
A noise gate has specific applications for specific conditions. When you need to use it for noisy pedals and noise in your chain that is better dealt with in another way... like not having noisy pedals.
@@KrachWerke i recommend the behringer noise reducer. it is a cheap way to reduce the noise that can be caused by adding pedals. its only like $25 so there is no reason not to buy it.
I bought 5 behringer pedals 12 YEARS ago. Two were rubbish; the rotary simulator and the bass synthesizer. The other 3 still live on my board. NONE of them inserts any more noise into the signal than there original counterpart. One is a copy of the echo park from line6 witch is discontinued but you can still buy new from behringer. Another, is the (maybe hyped) SF300 which, is nothing short of amazing, accurate and 20 times less expensive. Lastly, the third one is the refined version of the Boss ps5; yes this Chinese pedal outperforms it’s “Japanese” counterpart. For someone basically claiming all Behringer pedals suck but than praises there usb interface which have some of the ugliest pre-amps in the market; I must un-respectfully say to you sir, you are full of manure. RU-vid and hyping is basically the same thing, and you’re just playing that same old game.
I would recommend any of the Behringer pedals for anyone starting out. If you get the point where their downsides are actually hindering your playing or progresss then you are ready to invest in something a bit more specific and you're saving the pennies to get exactly what you want. You cannot seriously complain about the quality of the sound/electronics for the price. Do you think you average learner, or hobbyist is going to spend their cash on high quality hardware that costs at least £100+ per pedal or around £100 on three of four Behringer pedals? Most people can't tell the difference between the Behringer pedals and the pedal's they're copying. However, if you can tell the difference in how they sound whilst playing, then, as I mentioned, you probably already own the pedal you want. Let's not forget that a lot of your sound will also be defined by your guitar and amp.
It's more than 30 years that i am a digital rack mutieffect man, so since them were not so good sounding as today, even if other than cheap once, never had many stomp pedals, recently, for my curiosity, i wanted to try some of them without spend a lot of money, so Behringer gave me the chance, and i've found them good enough to taste stomps, even if i'll continue use my digital multieffects Zoom and old Roland
I TOTALLY DISAGREE..i have over 45 pedals from ALL makers, from £15 to £200 ..Behringer make some of the BEST sounding pedals around REGARDLESS of the price 🤷
Or move the microphone? Some people are noisy swallowers, this dude has great depth of analysis, but it's so challenging to listen to someone who is having such trouble with saliva!
Yup spend 5x more for the same circuit. The analog pedals are sonic clones of high end pedals. You just telling people to spend more money for same circuit
I've had just as many issues on and off with my boutique pedals as I have any of my cheap ones. Their 808 clone is great, I use it over my $150 808 clone... somewhat to my dismay. It's a $30 dollar pedal, they're not meant to be pro-level gear, they're meant to be cheap effect pedals that sound like more expensive pedals and they are just that.
After buying trying a range Behringer guitar pedals, after JSH endowment, I can say the only pedal I'm impressed with is the Vintage Delay. The Chorus is unusable, the Heavy metal is unusable, The EQ is only good for cutting frequency not boosting, The compressor is terrible and mostly muddies the signal chain. Bar the Vintage Echo I will not use any of these in my signal chain.
I bought a Behringer Digital Reverb because it was cheaper than a Domino's meal. The circuitry is the same as more expensive pedals, I think you've got a problem with plastic mate. Take care.
ha ha ha... I never thought of it that way, but yes. A couple of pizzas or another Behringer pedal? hmm, I think I shall go and get that Bass Overdrive pedal I have been eyeing off... :)
I sold mine today. The only good reverb was the plate. The mix is useless after the mid position you get just wet signal after that. Behringer digitals copies are not that great. Legally they can't copy the algorithms.
@@ot4kon At 15, with a Woolco guitar and amp that only had 'echo' on it, any form of reverb would have been a wet dream. I don't know what an algorithem is, legally, Chinese Les Paul's are illegal, if you try and sell them on. Working class background. Mate.
@@ericcrawford9827 behringer products are legal. They are able to clone analog design legally because most analog pedals are just manufacturer implementations of the electronics. No one owns the building blocks of electronics. But with digital. Imagine a mini computer inside doing sound manipulation. And you can copyright a computer program. So they need to develop their own implementations without using any code from boss. That's why their digital clones are more like Homages rather than direct copies.
@@ot4kon I've got four amps, all with 'built in' digital reverb. Buying the Behringer DR600 was mainly because I wanted more immediate control of the effects. I'm a lazy bastard. I've got Donner pedals, because they're cheap. Being pedantic about effect pedals is a luxury. The amps have chromatic tuners and all the basic chorus/flanger/delay effects. I had a Marshall with spring reverb aound 1980, before RU-vid existed. Before a lot of things existed. People knock Zoom products, people knock Line 6 products. People knock any products concerning guitars, my Ukrainian's better. 😉
The OD300 is a great pedal. I get tones and a playing response from them that I don't get from my other pedals. My other favorite pedals are some of my earthqaukers.
If you don't like Behringer pedals, then don't buy them. That easy. Actually I have a several of them and had no issues with them, my superfuzz had been on my board since 2018 and got some wild tours. No issues, the plastic casing is surprisingly sturdy and long lasting. We even tried our bassplayers Boss Hyper Fuzz compared against my Behringer Super Fuzz. It is not similar. It is the same. Exactly. I will continue to buy many of Behringer pedals I can for probably a price of a hamburger on the used market. And when people tell me compliments about my guitar sound, I always say to them they are rare boutique pedals. 💁♂️
If you want to talk about tone sucks, and lags - you are talking digital multi-fx pedals. I would much rather have 5 analog behringer clones rather than one modelled effects pedal
I don’t agerat all. I have the vintage phaser and it sound way more expensive than it is. I also have the EQ pedal that i use as a clean boost and it sounds great. I’ve gigged with these pedals and they preformed just as good as my more expensive pedals. I havn’t noticed any tone sucking. The worst budget friendly pedals iv’e bought was from Tomsline, they where dissapointing.
Folks, this is a competitor of Behringer. I have a Behringer Overdrive, an Ibanez TS 808 and a Vertex Overdrive. Yes the Behringer isn't the same build quality of the Ibanez or Vertex but it's fine.
Uhmm sir you are wrong. They are what they are good working pedals in hard plastic... I use them in the recording studio . Most pedalmakers buy there components from Behringer ,..JHS is one of them..
To prove your point, what you should do is set up some fair blind AB tests where you have to identify the pedals correctly without seeing them. Then you can prove that you can hear the internal noise etc above the Boss counterparts. That would be interesting. Otherwise, it's pretty much established that people hear with their eyes and that's most likely what's going on here. There are channels which have set up these AB tests and people can't pick the expensive pedal.
