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Stuart Dryburgh on THE PIANO (Jane Campion, 1993) 

Cinematographers on cinematography
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Cinematographer Stuart Dryburgh, ASC, NZCS discusses the visual appearance of The Piano and working relationship with Jane Campion. The interview was conducted in 2021.
For educational purposes. Non-commercial purposes.

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23 апр 2022

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Комментарии : 6   
@65g4
@65g4 Год назад
Jane is one of my favourite directors i love her films
@briceweber9903
@briceweber9903 2 года назад
Somebody knows the name of photographers who inspire visually the film ?
@KhaldyFathy
@KhaldyFathy 2 года назад
a name would be hard ! but the images of early colonial new zealand in the 19th century was an inspiration as he mentioned , the use of autochrome was important for the visuals
@iknotlkuikatl815
@iknotlkuikatl815 20 дней назад
The piano showed me, a male, the intricate and misterious of femininity. It was the achievement. At that moment I was taking genre studies at the University, and every scene of this film meant something deep, so deep that there were, and there are tiny details of the film that, I know, are not casual. Jane Campion, the jungle, and Holly Hunter were my teachers about people with uterus.
@bigbadlust4403
@bigbadlust4403 12 дней назад
Simp.
@iknotlkuikatl815
@iknotlkuikatl815 11 дней назад
@@bigbadlust4403 I don't think so. Feminism in the 90's, was almost the opposite of what it is now. Now feminists embrace the LGBTQ+ movement and renounces to their uterus. Homosexuals were considered MEN, and we, males, had the responsibility to embrace them since they have XY cromosomes: Homosexuals belong to the masculine universe.
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