Yeah you got it right! I only liked this track alongside String Theory and Nitrous Mafia. Rest are meh. No special ideas in this EP by Jesse. Execution is spot on though.🙌🏻
@@navdeepsengh The thing i loved the most is the beginning of the second drop on "Melt ur brain", the pre-drop and then just the meaty sound without the high pitched stuff it was pure fire. I miss the Wooked on Tronics kind of subtronics, tho i still love what he does nevertheless and he kinda did sth in that style in Point Breeze. Gyroscope and Death Wish are still n1 for me
Qctually disperser spaming is the formula what subtronics did in the video as well it literally makes the basic lazery flavor of the sound without any manual lfo filter or pitch automations just spam 5-10 dispersers on anything and u have a sick base
i dont think that should be a measure for geniusness its easy to make transform sounds into whatever if you know some production basics, (like yeah you pitch it down, put a steep lowpass and you can get a sub - tell me something new) what its really hard is to come up with clever ways to *recontextualize* samples without having the vsts do heavy lifting
I'm starting to see that with the right post chain you can resample any sound into a bass; clearly disperser is a very powerful plugin. I have been using Mphase instead, gonna have to try this method out.
nah bro I feel you. I last bought a pc in like 2016, its done me well but now that i am using serum and massivex a lot Im looking into upgrading at the end of the month
and what is a disperser ? does it comes with Live 10 ? cause I don'T have it in Live 9, but maybe I got something similar, I just don't have any clue on what this plugin is.
I am not sure but, is it really a thing to put 10 OTT's or 10 Dispersers on a sound in a row!?? I always feel like it fucks every sound into useless noise, how does he get those sounds out of such a chain? wtf
@@ShepherdFord different genres outside your generic beats you upload exist. mans just trying to show people some ways you can completely flip a sound.
Why would it matter how you get the end result as long as it's the intended result? Your argument is like someone sampling a kick and saying "why not use a synth to make that same kick?" Because it doesn't matter. Policing how someone gets a sound is a waste of time.
@@LeGGy420 actually i haven’t listened to the radio in 20 yrs. I just know what trash is when i hear. What are u 13 yrs old and just discovered sound design?
@@freshestveggies6476 physical modeling is up there. Granular stuff is generally pretty cool. I like when multiple parts of a song interact like using the kick to trigger an envelope follower modulation on a synth. I like growls a lot. Also modal synthesis is up there too. Slapping a bunch of OTT’s on a track and resampling is just thoughtless to me.
