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Super 16mm Masterclass :: What is Super 16mm Film? - Indie Film Hustle 

Indie Film Hustle Podcast
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Get the IFH Podcast 👉indiefilmhustle.com/podcasts
To download the rest of the online course on Super 16mm Film goto: www.super16masterclass.com
Are you look for knowledge of how to shoot with actual film?
Do you want to learn how to wrk with celluloid?
Do you want to see how an Arri SR Super 16mm film camera work?
Do you want to learn how to prep a production that will be shooting Super 16mm film?
Do you want to Enroll NOW and start learn what it's like to be a FILMmaker? Let's get started?
Why the hell have you created an online Super 16mm Film Course? Because believe it our not there are a ton of television productions, feature films and indie films that are shooting on Super 16mm film. The need for education in the craft of shoot celluloid is great.
After getting many requests for this information instructors Alex Ferrari (Indie Film Hustle) and Egon Stephen Jr. (Cine VideoTech) decided to put together the DEFINITIVE Educational resource for anyone interested in shooting in Super 16mm film. Some of the productions that shooting film these days are:
• The Magnificent Seven
• Westworld
• The Girl on the Train
• The Walking Dead
• Jack Reacher
• Batman vs Superman
• Star Wars: The Force Awakens
• Spectre
• The Hateful Eight
• Jurassic World
• Wonder Woman
• American Horror Story
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And many more. Film is not dead, not by a long shot. In this masterclass you will learn:
• The History of Film
• 16mm vs Super 16mm
• History of 16mm Cameras: Old School
• History of Super 16mm Cameras: Arri SR Series
• Super 16mm Lenses: Choosing the Right One
• Camera Accessories: Pimping Out Your Camera Package
• Understanding Filmstocks
• Battle Planning: Shooting Film in the Real World
• How to Load a Film Magazine (Arri SR Series)
• Prepping Your Film for the Lab
You also have access to download a collection of camera forms, contracts, rental guides and more. If you are interested in shooting film this is course will set you on the way.
Whether you are a film student, producer, director or cinematographer you will have a strong grasp of what is needed to shoot Super 16mm Film in today's world.
Let's put the FILM back into FILMMAKING!
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Important information before you enroll:
In case you find the course useless, don't forget you are covered by a 30 day money back guarantee, full refund, no questions asked!
Once enrolled, you have unlimited, lifetime access to the course!
You will have instant and free access to any updates I'll add to the course.
I will give you my full support regarding any issues or suggestions related to the course.
Enroll NOW and turn your FILMmaking dream into a reality! Let's get started!
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About your instructors:
Egon Stephan Jr.
“Like father, like son” they always say, yet nowhere has this cliché been more true than when you apply it to the love of filmmaking shared between Egon and his father. Egon began his professional career at an early age, eventually running the camera rental department for his father at the ripe young age of sixteen!
After a six-year stint as the camera rental manager of CineVideoTech, he pursued his love for film in the field, running up an impressive list of credits. He worked his way up from technician to second assistant, second to first, first to operator, operator to second unit Director of Photography, second unit DP to Director of Photography on his first feature film, “Jungle Juice”, starring Christopher Walken, Morgan Fairchild, Robert Wagner and Rutger Hauer.
Shortly after this achievement, Egon’s father fell ill and his duty to continue the legacy his father had begun took precedence over his own successful career. He took over the helm at CineVideoTech in 2002 and has since been busy recreating the company that has launched so many successful careers into a vision of what is to come.
SEND STUFF TO:
Indie Film Hustle
c/o Alex Ferrari
531-A North Hollywood Way #257
Burbank, CA 91505

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16 окт 2016

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Комментарии : 9   
@darrenandtinasale1502
@darrenandtinasale1502 4 года назад
I worked with Barry Ackroyd (Hurt locker DOP) back in the early 90’s. learnt a lot from him, great guy.
@skinny8895
@skinny8895 7 лет назад
I haven't seen any of your recent videos but on this video each mic uses either my left or right earphone. Not sure if its because of the lavalier.
@shoreyponto
@shoreyponto 7 лет назад
keep these coming
@IndieFilmHustle
@IndieFilmHustle 7 лет назад
Thx u for listening! Check out: www.super16masterclass.com
@iKINDREAD
@iKINDREAD 4 года назад
What do you mean by 35mm glass on a super 16? Like just put a 35mm lens on the super 16?
@nonsoville
@nonsoville 4 года назад
no. there's 16, super 16, 35 and super 35. Those numbers refer to the film sizes. A 16mm camera will only work with 16mm film and 16mm lens types. The same goes for 35mm, only 35mm and super 35mm will work on a 35mm camera. What he meant is he used a lens from a 35mm camera and used it on a 16mm camera. That's why he said it gave the footage a special look and 28mm lens from a 35mm camera looked like a 50mm lens with distinct features. Hope this helps.
@into.the.wood.chipper.
@into.the.wood.chipper. 2 года назад
No optical sound track?!
@boschulte
@boschulte Месяц назад
wait, what... one million feet? how much does that cost?
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