Beyonce, Michael Jackson, Kanye, JT, the list goes on and on, they all hustle and work their asses off to succeed. No different in the sync business, or any business. I don't know why people think there's a free ride anywhere, in any industry. We are music producers like you said, we PRODUCE a product, consistently. Thanks for all your priceless knowledge Jesse! It's helped me a lot!
Personally all the music libraries i have seen ask at their submission form up to 5 tracks. It makes sense to send only 3-5 tracks to a library i think because you're going to seem spammy if you send like 10-15 tracks. If you work for a library then it would be logical to send that many but if you're just starting then 3-5 tracks would be the sweet spot to give them an Idea.
So glad I found your channel. I produce acoustic guitar and Spanish guitar instrumental music, trying to work that niche. Will be diving deep into your videos man
I was just looking into a company that wants artists to opt out of their PRO/NRO affiliation to work with them. Have you ever heard of a company requiring this? Awesome content btw! New subscriber here ✋🏼
What about a "game show pack"? Rather than an album, what if you had a collection of stingers and pieces that all fit together for a tv show. Are those attractive?
fantastic advice, I have a couple of questions, does the exclusivity include music previously released on spoitify etc that is not being submitted to sync libraries and does the 10 tracks include different versions of the same track, ie different length versions, drumless versions etc? many thanks
No the exclusivity is only applied to the tracks you submit to the Library (they don't sign your entire catalogue unless you send it all to them). And the 10 tracks would EACH have their own alt-mixes (no leads, drum and bass only, etc.).
