I would like to see a video on expanding past the first A section , expanding your piece into a B section to a C section maybe even a D section and back to the end of a full piece.
... And me.... It's great to see this highly useful content, but not many places do you get to see the development of the theme. Would bé really helpful as I suspect quite a few of us have difficulties with this
Hello Marc, love your vids amd energy! If I could have a suggestion for another video, I would like to see your take on blending ethnic instruments including drums with an orchestra. Thanks! Take care
Can you do a video on how to compose an action scene with suspenseful pauses in the middle? (Like test drive from httyd) I have trouble with the little "in betweens" in a song
As someone else posted below, I would also really appreciate a video focusing on reverb and which reverbs (lengths and amounts) for different sections. Also, WHICH LIBRARY for the WOODWIND RUNS in this video? Game changer having pre-made runs!
Hi Mark, can you explain more about P.R.O music, copyright, and in general about registering songs when making a film, music for commercials, and things like that? thank you very much, and I really appreciate your work!
Dear Marc, as you asked for a good topic for next weeks video. Maybe this could be about reverb. From a small chamber to a big and huge one used in trailers. How to get the right reverb for the right topic, emotion, style. And also how to mix them properly without making it too cluttering and muddy. Keep it up! you are awesome!
I was really hearing the French horns come in the second half to support the melody and lift it, but that's just me. Haha but wonderful stuff. I always suffer converting piano sketches to full orchestrations so this was a wonderful video.
Marc, as weird as it sounds could you do a video on how to properly use Marcatos? Also, what about layering spicatto under legato for libraries that may not have it included (I have a lot of OT libraries). I struggle to understand Marcatos in context of using them in a composition.
Mare mega Marc, quantissim valor en a quests videos, no puc imaginar la qualitat d’estudiar amb tú i aprendre més de composicó. Lamentablement el dia té 24h i ara mateixa em dedique a tocar el violí de manera professional en orquestres i sempre viatjant, però m’agradaria profunditzar més en el teu món. Crec que seria de gran valor per a vosaltres poder interactuar amb un professional de corda per entendre millor sobre el funcionament de l’arc, el vibrato i les diferents possibilitats. Quan estiga en Espanya estaria encantat de quedar un dia o bé per videocridada. De totes maneres, quan torne pujaré més vídeos al meu canal de RU-vid sobre diferents tècniques d’arc amb fins didactics.
Hola Marc, estoy haciendo un template de orquesta y tengo una duda respecto a la reverb. Uso Altiverb7, que permite posicionar los altavoces en estéreo, ya sea de forma simétrica o individualmente, así como usar un solo altavoz (mono) y colocarlo donde quieras. Si hablamos por ejemplo del grupo de violines 1, ¿usarías 2 altavoces y los posicionarías un poco hacia la izquierda, o bien un sólo altavoz un poco a la izquierda? Gracias!
Marc, since I don’t read or write music notation, after creating orchestra masterpiece from my head to piano and computer like you did is there a way to have computer put it all on paper music sheet notes if I were to give it to real live orchestra to play it?
Will definitely do a more in depth video on that. In the meantime... this one may help :) ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-jmRL0n_eKMY.html&ab_channel=MarcJovani-CinematicComposing
Hello, I would like to ask you for advice, currently I have the section berlin strings bundle, cinematic studio strings, pacific strings, spitfire chamber, only strings. My question is, would it be worth buying the view strings to make layers? I look for feeling and romanticism in the strings.
...and can you mention how you use the midi console you have in front of you... sometimes you use 2 sliders for note pitch but one is always lower than the other, and today you use three sliders... why? Thanks.
How do you get the dynamics like that; I have seen it in so many videos; but don't know how. Example; I took my faders to assign them, but I assigned them to my playhead accidentally.... it's horrible. It's so horrible.
btw, I have for a DAW Logic Pro, and CSS. So, happy happy to see CSS here! Your strings sound so lovely! How do you work with the delay? Do you pre-set the delay before you start recording? (Especially the cello's...) or do you just let them naturally be a slight bit behind the piano, naturally, and touch nothing?
Some times. Some parts (ostinatos and things like this...)... But I don't quantize at a 100%... I usually quantize at 60% I don't generally quantize legatos and long notes...
Hola Marc me gustaría mucho ver éste video y muchos más de los que haces, en español para entenderlo a cabalidad, hablas muy rápido!! y nos cuesta trabajo entenderte y el traductor es una porquería. ojalá y puedas atender a tu público hispanoparlante gracias y saludos
