Тёмный

Tala Madani and Ottessa Moshfegh in Conversation 

The Museum of Contemporary Art
Подписаться 207 тыс.
Просмотров 3,7 тыс.
50% 1

Join Ottessa Moshfegh, celebrated author of Lapvona (2022) and My Year of Rest and Relaxation (2018), and artist Tala Madani in the galleries of Tala Madani: Biscuits, her first North American survey, as they engage in a wide-ranging conversation about pushing boundaries, dark comedy, abject subject matter, and the creative process.
Tala Madani (b. 1981, Tehran, Iran, lives and works in Los Angeles) makes paintings and animations whose indelible images bring together wide-ranging modes of critique, prompting reflections on gender, idealistic notions of childhood and family, political authority, and who and what gets represented in the art historical canon. In Madani’s work, slapstick humor is inseparable from violence and creation is synonymous with destruction, revealing a complex vision of contemporary power imbalances of all kinds. Her work is held in the collections of major museums worldwide and has been the subject of numerous solo and group exhibitions, including recent solo exhibitions at KM21, The Hague, Netherlands (2022), and Start Museum, Shanghai (2020). Madani earned a BFA from Oregon State University in 2004 and an MFA from Yale University School of Art in 2006. She was awarded the Smithsonian American Art Museum’s James Dicke Contemporary Artist Prize in 2020.
Ottessa Moshfegh is a novelist and screenwriter from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation, Death in Her Hands, and Lapvona, her next three novels, were New York Times bestsellers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Pasadena.
Tala Madani: Biscuits is organized by Rebecca Lowery, Associate Curator, The Museum of Contemporary Art, Los Angeles, and Ali Subotnick, Guest Curator through the MOCA Ahmanson Curatorial Fellowship, with Paula Kroll, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles.
Admission to Tala Madani: Biscuits is free courtesy of Carolyn Clark Powers.
Lead support is provided by The Aileen Getty Foundation and The Andy Warhol Foundation for the Visual Arts.
Major support is provided by the Ahmanson Foundation through the Ahmanson Curatorial Fellowship and Hästens
Additional support is provided by Pasadena Art Alliance and Visionary Women.
Catalogue support is provided by 303 Gallery, New York; Pilar Corrias; David Kordansky Gallery; The Katherine S. Marmor Award; and The Dorothea and Leo Rabkin Foundation.
Exhibitions at MOCA are supported by the MOCA Fund for Exhibitions with generous funding provided by Earl and Shirley Greif Foundation.
The Cultural Partner for this exhibition is Farhang Foundation
This exhibition is carbon calculated. The museum reduced greenhouse gas emissions through planning efforts and balanced the remaining emissions through Strategic Climate Fund donations. Support provided by the MOCA Environmental Council.

Опубликовано:

 

17 янв 2023

Поделиться:

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист
Посмотреть позже
Комментарии : 14   
@kimackerman1141
@kimackerman1141 3 месяца назад
So enjoyed your talk at U of Guelph this week. Now I am watching. All your stuff.
@nathansnook
@nathansnook Год назад
"I paint because I have no words." Really interesting conversation about art, the artist, what stops us, makes us hesitate, draws us, repels us, and how we go through with all of it.
@gapjin-art
@gapjin-art Год назад
좋은 인터뷰 유익했습니다. 감사합니다 좋은 시간 이었습니다
@albertoballocca
@albertoballocca 10 месяцев назад
Great Tala, so inspiring talking. Thank you! 🔥🔥
@vincentmanginelli5576
@vincentmanginelli5576 Год назад
lapnova
@maxkretschmer9910
@maxkretschmer9910 Год назад
lapnova
@o_o-lj1ym
@o_o-lj1ym Год назад
Lapovna
@user-mf1rz9mn3l
@user-mf1rz9mn3l Год назад
Besides, Tala Madani is Iranian but clearly from the upper class of the country, she went to Yale, and by the way, her art is terrible, it’s the primary example of someone who puts no effort and has no talent creating a poor excuse of a painting and later claiming that if you don’t like it, it’s because you’re ignorant and don’t get it.
@rhyst124
@rhyst124 Год назад
that is most contemporary art, in all fields: music, writing. I'm currently being taught on my MFA writing programme by a man who had the privilege of growing up incredibly wealthy - though his debut novel was published by a lesser known press, to his astonishment, and being that it didn't do well, he blamed it on consumerism and was instead invited to teach us though he spends the hour talking about how he wasn't longlisted for the booker prize.
@ayodeledavid3034
@ayodeledavid3034 5 месяцев назад
@@rhyst124i genuinely don’t understand people who talk like this we are in 2024, what do you expect people to be making renaissance art on this age, people who genuinely hate other people expressions of art are sad cause while some have never tried to paint or draw in their life they find it easier to hate on people work, it might look easy to you but you never did it you were on the side of the screen hating instead of making something like what do you want everyone should be making the same thing so that it can serve your hypothetical standards😂
@rhyst124
@rhyst124 5 месяцев назад
@@ayodeledavid3034 In the space of seven months (since my reply) I became a published writer post MFA graduation. So, I hardly did nothing myself but hate on someone else - but ok, I'll let you think you wrote something substantial ;)
@ayodeledavid3034
@ayodeledavid3034 5 месяцев назад
@@rhyst124 Becoming a published writer dosent even mean you could right, i dont get why people use degrees or school they went to hide behind too then give a substantial opinion
@rhyst124
@rhyst124 5 месяцев назад
@@ayodeledavid3034 I'm not hiding behind nothing. I had my opinion, BUT I didn't sit and hate (as you put it) without backing up what I originally said, I went out and did better. Also - you contradicted the OP by what you just wrote... which is exactly that the woman has done... she hid behind her wealth.
Далее
An Evening with Ottessa Moshfegh
1:04:37
Просмотров 26 тыс.
Exhibition talk: Tala Madani and Mark Leckey
55:04
Просмотров 2,7 тыс.
Ottessa Moshfegh on Lapvona with John Waters
47:23
Просмотров 20 тыс.
Tala Madani in "Los Angeles" - Season 8 | Art21
11:25
Climate Conversations: Fluid States
3:44:49
Project 6: Art History Video: Painters Painting
1:56:50
Просмотров 186 тыс.
Ottessa Moshfegh Discusses "Lapvona"
58:37
Просмотров 5 тыс.
Artist Talk: Rashid Johnson
52:54
Просмотров 15 тыс.