Talking about Luisa Miller (Met 1979)-Domingo/Scotto/Milnes 

More conductors as Levine please! Who really unserstand and feel how operatic voices work, the dramaturgy, how to help the entire ensamble to grow in the search of the "ideal"... because each singer is different and each performance is different! Opera = TEAM-WORK! BRAVI TUTTI !

They should also invite James Morris and Bonaldo Giaiotti.

You can tell from this clip just how much James Levine loves his job. :)

I've never seen this interview before, but I saw this team together many times: Luisa, Tosca, Otello. Great artists.

Its so interesting to hear them talk about things that would never occur to most of us non-singers. Milnes is great at this.

Splendidi e amati artisti che ho avuto la fortuna di ammirare dal vivo all Arena di Verona ma mi si consenta un omaggio particolare all unico che non ho potuto mai ammirare dal vivo e cioè al mitico JIMMY LEVINE maestro sublime UNICO DIFENSORE DEL LA VERDIANO.

I love them all. They know a lot about opera and singing and they all care. Very little ego- enhancing remarks. It's mostly : here is a problem. How do we solve it?

It bothers me how everyone seems to interupt Milnes everytime he gives insight. He even seems frustrated at 9:07-08.

that was a decade when the MET really was a great opera company. but today?...

They are all so damn young looking.. (but then, it was 40 years ago- and I was even younger, then, too! LOL)

Listen to those masterclass artist will make you smarter with their knowledge and experience

Thooose were the daze, baby! (sigh)

I don't know why, but I get the feeling that they don't like the interviewer very much.

9:07

Renata Scotto and James Levine both seem to be the most exasperated by the questions asked.

Malonu žiūrėti į menininkų būrį,nes daug ko nesuprantu!

The english of Renata Scotto is terrible