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The Band Insisted on Live Vocals in the Drum Room 

Creative Sound Lab
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15 мар 2022

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Комментарии : 34   
@davidkeller8084
@davidkeller8084 2 года назад
Really cool song, great recording technique and you are now on your way to a fantastic mix. Sounds great dude, love what you do and the ideas you inspire and the knowledge you impart. I need to check in more often!
@batmayn123
@batmayn123 2 года назад
your channel is a goldmine. thanks for all the great content!
@eweesplace
@eweesplace Год назад
One of the best experiments I've seen on this very difficult problem!
@andremaranhao1556
@andremaranhao1556 2 года назад
Fantastic results, great job! Thank you so much for sharing this.
@TheLeon1032
@TheLeon1032 2 года назад
just really amazing stuff man, thanks so much
@joelonsdale
@joelonsdale 2 года назад
Great video. Thinking on the fly and coming up with solutions whilst the band are running through numbers is critical (and stressful!) but you did it and babe up with a great solution.
@creativesoundlab
@creativesoundlab Год назад
Free Download for All 8 Years of CSL Downloads and PDF guides: www.creativesoundlab.tv/alldownloads
@chris_share
@chris_share 2 года назад
Great topic! I'm currently reading "Classical Recording: A Practical Guide in the Decca Tradition". In the classical world the goal is to capture a performance, so bleed is embraced more-or-less completely as is the sound of the room. Mics with good off-axis responses are a starting point. Physically positioning the performers and mics is also a huge part of the process. Cheers!
@Salantsoundstudios
@Salantsoundstudios 6 месяцев назад
Thanks for everything ryan! Always a true genius in our field!
@creativesoundlab
@creativesoundlab 3 месяца назад
Thanks man!
@ianparker5007
@ianparker5007 2 года назад
Brilliant!!
@lelandbobpalmer
@lelandbobpalmer 2 года назад
Only one minute in and I got a feeling this is gonna be good :)
@JayBeBerg
@JayBeBerg 2 года назад
A fresh perspective. I haven't been able to pull this off but I've been using dynamic mics that duck the drums whenever sang into, making the bleed and phase shift uneven.
@martinkorner8450
@martinkorner8450 2 года назад
Cool stuff! It's like automatic ducking of the room mics when the background vocals comes in.
@tommycato6368
@tommycato6368 2 года назад
Embrace the bleed rather than trying to separate and fail. My first thought was something figure 8 but it there are lots of factors involved, great results!
@AtTheSourceStudios
@AtTheSourceStudios 2 года назад
Have you tried that new waves plugin? Def be a job for that plugin lol might still be too much with live drums
@surgerywithoutknives2353
@surgerywithoutknives2353 2 года назад
Great stuff … Elvis and the Beatles did the same kind of thing , nice to see it being done
@perpetualgrimace
@perpetualgrimace 2 года назад
Cool technique!
@creativesoundlab
@creativesoundlab 2 года назад
Thanks James!
@ambiention
@ambiention 2 года назад
Small diaphragms sound better than large off-axis? Sounds like a testable hypothesis
@creativesoundlab
@creativesoundlab 2 года назад
That's a good question. But in general, yes. It's kinda like putting a LDC on toms. Then you try a SDC and realize the bleed is so much smoother.
@JuveriSetila
@JuveriSetila 2 года назад
U ever tried of having like SM58 as the drummers vocal mic, and having another SM58 near that other one placed so that there is only drums and as little vocals as possible, and then combining them and flipping the phase on the second 58? The closer the mics are to each others, the more perfect the destructive interference would be, but if u have them very close, u would get vocals on both mics and then they would cancel the vocals too
@compucat
@compucat 2 года назад
That’s a very oldschool technique (Wall of Sound-inspired). While in theory it’s a useful trick, in practice the system is nowhere near linear enough to achieve musically useful cancellation. Better to use a supercardioid or hypercardioid mic with optimal positioning - hence why Beta 56s are semi-commonly used ;)
@creativesoundlab
@creativesoundlab 2 года назад
Yeah I love the motivation behind this idea. I've tried stuff like that, and it's hard to get it to work. The Lewitt did that sort of thing, but it still was impossible to get the bleed out enough. So this time, I embraced the bleed.
@TylerFG
@TylerFG 2 года назад
Hey Ryan, the sign up sheet for the Montana multitracks still keeps giving me the multitracks to Bazooka Joe instead. Will you be able to fix this?
@creativesoundlab
@creativesoundlab 2 года назад
Oh yeah, what link are you following, the one in the description?
@TylerFG
@TylerFG 2 года назад
@@creativesoundlab Yeah, I am! Everytime I try to sign up, it just forwards me to the Bazooka Joe page and those are the multitracks I get in my email.
@Oldwhatsisname13
@Oldwhatsisname13 Год назад
Try a Heil pr31bw next time great rejection, depending on your pres ya might need a cloud or launcher
@BigHugeYES
@BigHugeYES Год назад
If nothing else works, there's always Izotope Music Rebalance.
@e.apollis2877
@e.apollis2877 2 года назад
if possible ask the drummer to play softer for less bleed and don't compress vox tracks, automate or use vocal rider as compression worsen and exaggerate the bleed, and use dynamic mics if possible for first choice.
@gyrran
@gyrran 2 года назад
I actually had an assignment in university tackling a take of a live drummer, who also happened to be the lead. dope ass band, and you can download all raw stems for free: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-1K5MSHW60Qk.html. found it especially difficult since he wasn't that loud, so i also ended up having to use the vocal mic as a part OH/room capture.
@curtisburns
@curtisburns 2 года назад
The Band recorded live all in one room with Levon singing and drumming all the time.
@creativesoundlab
@creativesoundlab 2 года назад
Thanks Curtis!
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