Te doy las gracias infinitas porque otros son egoístas y lo guardan para ellos vos demostrás que tenés mucho amor por esta música y la difundis sin egoísmos Un abrazo grande
A heartfelt thanks to the copyright owners for having removed the blockade of this video of mine all over the world, having thus understood its spirit and purpose.
You can do one thing, read up on what Louis Armstrong is for Jazz, reading what critics say about it, for example, Gunther Schuller in his book ''EARLY JAZZ''.
Born in 80 & Growing up in the 9thward(New Orleans) i would pass up louis armstrong park everyday nonchalantly. Not realizing i was born in a town where greats walk the same sidewalks i walked. Its a privilege to be born in a city where Mr. Armstrong,King Oliver,Jelly roll morton,Allen Toussaint,Mahilia Jackson,Professor Longhair,Sidney Bechet etc. Walked the same streets i walked on.
m,any thanks indeed for youur incredible contribution to the history oj jazz and especially Louis Armstrong. This comes from an old ( 82 ) french-speaking Swiss jazz fan living in South America since over 30 years and basically a modern jazz fan . However I really appreciate ALL JAZZ from its very beginning .It has been MY music since I was 15 !
Thank you very much for your attention and for the comment. Jazz lives, as it is usually said. See: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-eOSeQLMhoAc.html .
As a former music teacher and trumpet player, thank you so much, this collection is amazing. The sound is quite clear. I have heard a lot of these on vinyl collections I had. But this is really cool. Pay attention to an authentic New Orleans Band called Tuba Skinny on You Tube. You'll love that group. Authentic is the word here.
The best of Louis Armstrong, and the best jazz ever, in five or six years. Thank Edison there was recording for this river of great sound, when it could have been instead a lost mere legend forever, like hearing Homer sing, whoever he was. Thank you Carlo, for this carefully selected loving curation. Should humans survive the climate crisis and the nuclear weapons age, , these recordings will last forever, showing that there was in Chicago in the 1920s. a genius from New Orleans who almost single-handedly invented a great horn soloist's art form, and is rivaled in it only by Charlie Parker. .
Divan Sacmo iz mladih dana i ritam to je divni doba zivo ta, sve je razlucito od sada, kad sa i ja bila mlada, uvek sam vole la dzezz, bluz, bubap, I uostalom sveeeeee!!! Pozz Nadag
Dear listener, I've lost your comment, so the tune around 01:08:01 is ''Struttin' With Some Barbacue (L. Armstrong-L. Hardin) -Rec. Chicago Nov. 9, 1927'' by Hot Five - 01:06:40. I apologize. Many thanks.
Thank you for this monumental labor of love! It's true I have a few quibbles - why did you put the Hot Seven sessions of 1927 in between the two groups by the second Hot Five (the one with Earl "Fatha" Hines and Zutty Singleton" from 1928, and why aren't there any examples of Armstrong's superb accompaniments to blues singers (he recorded with Alberta Hunter, Ma Rainey, Bessie Smith, Chippie Hill and many others during this period). But otherwise this is an excellent post and a truly worthy tribute to the genius of Louis Armstrong. Wherever you are, Satchmo, thank you for all the glory and joy you brought to the world and the incredible music you left behind. And as an American it was fascinating to see the cover art and labels for the Italian reissues of this music in longer and more complete compilations than the ones we U.S. buyers got.
If you click the button and read the description of the video, you will notice that the tunes have been sorted chronologically by day / month / year and by the name of the recording band , not by personnel. Regarding the ''examples of Armstrong's superb accompaniments to blues singers'', I didn't put because the video already had a long duration, there would be no way to report the data in the space that RU-vid makes available for the description of the videos, I don't have the related discs. Thank you very much for your comment.
Here I like to point out a Creole cornet player from New Orleans, interesting and little known by most: Ernest Coycault (see video ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AvOt9X0-fO0.html).
Why did the discographers bother to seperate Armstrong from Chambers, even though they were both trumpeters? It would have been easier for them to write "Louis Armstrong, Elmer Chambers, trumpets;" as so.
Personnel at 06:30 shows the 3 trumpeters all together and the photo at 10:23 according to the location in the photo, about the discographers I think they did it to clarify that Louis was the first trumpet.
@@simonetticarlo150 that doesn't have much logic behind it. If that were the case they wouldn't seperated so far, and just "armstrong, 1st trumpet; Elmer Chambers, 2nd trumpet", like other famous discographies have done: a way that makes sense.
@@CPorter On the fact that it doesn't make sense I agree, I just tried to put myself in their shoes and give an explanation of their behavior from their point of view.
@@simonetticarlo150 I get you. I'm "studying" you could say to become a discographer myself, so I see these all the time, but this is the first thing that's truly stumped me.
@@simonetticarlo150 Do you know what song plays around 1:08:01 ? Really loving it, but can't really afford to manually count for 5 minutes through all the songs that play between 33 minutes and 1 hour 35 minutes.
Lol. Now the early heart of jazz. Not the pop or Motown stuff which isn't jazz, but that content provider, Dr. Sax Love is a faker and knows few people know what real jazz is. Ask yourself if his content sounds like this real jazz or even a modern version of this. It doesn't if you know what you're listening to.
All tunes cannot be put in and so I thought ''Texas Moaner Blues '' more representative of Bechet (cl. and sop. in this tune) than Louis. It is clear that everyone can disagree.
THE EVOLUTION I am talking about is limited to this period and can be perceived by listening to his recordings up to 1928 in chronological order (video). and it does not refer to the evolution of his entire professional career and I do not claim that Armstrong evolved from this period. There is no doubt that the first Armstrong is great, it is a period unto itself, it is the favorite by the Traditionalists, I am one of those. Simplifying a lot, it can be said that The Change from 1929-1931 took place both because he wanted to give vent to his enormous talent, leaving, except for some recordings with Luis Russell Orchestra, the tunes, style, musicians (those of His Hot Five) of New Orleans for songs , big orchestras, more complex arrangements, suitable musicians so that his solos could have the right prominence and length, both for the commercial influence exerted on him by his manager Joe Glaser.
