I'm a proud owner of a b bender, that I happened to purchase from my uncle Billy Ray 20 years ago, the coolest thing is, it was installed and signed by Gene Parsons, still playing like a dream
I bought a b bender Tele. I was having trouble with it, I contacted Gene, he said send him mine and a hundred dollars and he’d set it up like it’s supposed to be. Now, that’s class.
@@suzesunshine1 Clarence was the genius musician and Gene channeled Clarence's genius. Please don't ever put Parsons over Clarence. I have enormous respect for Gene's talent but Clarence White was otherworldly genius. Now you've been schooled.
@@robertnisonoff3907 It takes two to tango. Would Clarence be a wonder without Gene? Most definitely. Likewise, Gene's ingenuity would have had him at the top even without Clarence. We are blessed that the two knew each other and played to one another's strengths.
Watching this video gave me a flashback to a conversation I had decades ago with pedal steel guitarist Winnie Winston out at the Philadelphia folk festival, as he explained to me how he designed and built his pedal steel that he played, and I remember looking at the care and the craftsmanship of that wonderful instrument. I can see every bit of that care and craftsmanship in Gene's B Bender. Now I'm gonna have to track down Marty Stewart and take a look at Clarence's guitar... and the B Bender in it.
This guy is a genius, not only for his work on the string bender BUT also for being part of the Byrds. Love their music and the sound of the jangling guitars is fantastic and I still play their music now. Great video by the way, thank you.
It works great. Tune the pull once and you are all set. No crapping around or tuning problems. I have three of these originals and they all work flawlessly.
Back in 68 I went to Pasadena to see the Byrds, and it must have been shortly after they finished Sweetheart of the Rodeo. They didn't look like the Byrds I was expecting, and they did a lot of country. They had this guitar player who would move his guitar around and bend the strings like a pedal steel guitar. I couldn't for the life of me figure out how he did it. Over the years I saw a tele that had a thumb lever to bend a string but that didn't make sense. Of course later on I learned about Clarence White, and his string bender tele, which I believe is owned and used by Marty Stuart, so it's in great hands.
+cluxseltoot You should check out his wonderful 1973 solo album "Kindling". Beautiful record. His version of Little Feat's "Willin'" is just sublime. Made just after he stopped being the drummer for the Byrds.
this man is what east Tennessee guys call a 'cool sumbitch', in the most positive way. My pedal steel pro cousin was Bryan Adams who worked on pedal steels for Buddy Emmons.
I have a Parsons/Green bender on my 91 tele....they're a bit persnickety to adjust but they're fun to play around with. Some of the wildest b-bender stuff can be found on the Hellecasters records.
No you don’t because I do. You must have a 3, 7, or 8 because my dad and I own 1, 2, 4, 5, and my brother owns 6 and my sister owns 9 and we have for over 30 years. Send me pictures of the front and back with numbers and we will identify what you have. 10 and on are pretty unaccounted for and we have been looking for 10 for years. It’s a burnt cherry rosewood tele and was a lever throw you can switch to G and make a G Bender with it depending on the upward force of the neck bend, not working on downward bends. It was a one off prototype and we have been looking for decades for it and would pay handsomely for it. Send me shots of yours, if you have one of our missing teles, we will pay 5 figures off the bat for it.
It must be really satisfying to have been part of the Byrds and then also be the man who developed what has become the B-Bender device. He was part of two of modern popular guitar music's most recognizable and admired events.
Wow. Gene Parsons. Brilliant cat. There is a certain, oh, inevitability to what Clarence and Gene created...of course, it took Clarence White to visualize it and Gene Parson's to actualize it. Gene was a terrific drummer to boot. I saw him and Clarence with the Byrds opening for Santana back in, oh, 1971, at Muhlenberg College in Pennsylvania, and man, that was some powerhouse of a concert.
He's also a great singer and songwriter. Some of the best late Byrds material was written by Gene. When he uses the B bender while picking chords! Oh man, what a sweet sound.
How about the time u tried to convert me to the b-bender in Georgetown, DC whan I was playing and we played backstage....you knew I was the guy that dedicated the Nashville guitar book to Clarence...and we were cracking up that I only did it all with my fingers!!
A friend of mine owned a Tele that also had a G string bender. It had a strap that went from his left-most belt loop to a lever on the back of the neck at the body. To activate it, you pushed the guitar away from you.
Kind of makes you wonder how they can even call some of the shit you hear these days, "music"...... This man was part of the greatest music generation this world has ever known!
Spot on. Now younger folks are raving about how a PC games music 'slaps' when it's just a bunch of repetitive, angsty electronica. One day they will be praising a single note held on a synthesizer for an hour.
Gene Parson's mustache reminds me of the cartoon character in the Tom Terrific cartoon series once broadcast on the Captain Kangaroo Show during the 50s and 60s, before Bob Keeshen decided to switch his blue, big pocketed captain's coat for that terrible red blazer he donned during the 70s. One of Tom Terrific's foes, known as Isotope Feeney, had such a mustache or am I thinking of Crabby Appleton? I think the character was Isotope Feeney however. Gene Parson looks better today than he looked when he was a member of The Byrds.
Question: Can a B-Bender guitar be set up to lower instead of raise a note on the B string by spooling the bridge end of the string in the counter direction...? I'm thinking of setting up a Telecaster for slide playing in open 'G' tuning [D - G - D - G - B - D] and if I can have it so that by tugging on the strap lever the B string note goes flat (not sharp) by one semi-tone I will have my minor chord with my slider. I'd like to hear a definitive answer to that, please.
I had a Bigsby palm pedal years ago on my old Gibson. It had two pedals, one on G & B strings. You could set the pitch on both w/ a locking screw. Should be able to find one somewhere like Reverb.
