"The Faraway Nearby: Georgia O'Keeffe and the New Mexico Landscape" is a video piece created by composer and multimedia artist Nell Shaw Cohen. This piece features a chamber music score and footage of the New Mexico landscapes where painter O'Keeffe found inspiration.
To learn more about "The Faraway Nearby", visit www.thefaraway.org
Visit www.nellshawcohen.com/blog to read about the making of this video.
"The Faraway Nearby: Georgia O'Keeffe and the New Mexico Landscape" was funded in part by an Entrepreneurial Grant from New England Conservatory's Entrepreneurial Musicianship Department. The score, which was inspired by the paintings of Georgia O'Keeffe, was composed prior to the conception of this video. I filmed on location in New Mexico in June 2010, and edited and animated the video over the summer. The video received its premiere screening, with a live ensemble performing the music, in November 2010. I am seeking additional screenings (with live performances or pre-recorded score) and gallery installations for this piece.
I believe that painter Georgia O'Keeffe (1887--1986) achieved an important artistic ideal: to create new meanings, previously unrealized connections, and heightened ways of perceiving the world and filtering experience. I seek to do the same with "The Faraway Nearby": to offer new insight, new ways of experiencing the paintings of Georgia O'Keeffe, and her source material -- to bring you into her world as I imagine it.
"The Faraway Nearby" is about seeing. When I look at O'Keeffe's paintings of New Mexico, I am reminded of that remarkable landscape in a way that feels almost more immediate and more meaningful than the reality. I see the abstract shapes, colors, and compositional ideas that informed her interpretation of the visual world around her. I see the relationship to place that was immensely important to her, which she forged while hiking for endless hours through desert badlands. This piece is my attempt to create an immersive visual and musical experience that captures these qualities.
The video and music are closely coordinated in phrasing, development, and mood, and the structure of the music dictated my visual choices and pacing, both on a moment-to-moment basis and in larger formal concerns. Repetitions of the primary thematic section (heard at the beginning, middle and end of the piece) coincide with the image of Pedernal, "her mountain". Pedernal is seemingly ever-present in the video, much as it looms on the horizon at Ghost Ranch. Here it represents O'Keeffe's lasting presence, and her sense of spiritual ownership of the land. The musical atmosphere suggested to me by O'Keeffe's visual world is a personal intuitive response which, I hope, speaks for itself.
This is the latest project in my ongoing exploration of the work and artistic identities of visual artists, including two prior works relating to Georgia O'Keeffe, a string quartet based on paintings by Thomas Cole, and a song cycle on the poetry and sculpture of Michelangelo. I am currently developing a series of orchestral and choral pieces relating to the watercolors and journals of Charles Burchfield.
To hear my other music and learn more about my composing, visit nellshawcohen.com
To learn more about my video and multimedia work, visit nellmedia.com
-Nell Shaw Cohen
22 дек 2010
