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The reason that the Don got upset with Sonny at the meeting with Sollozzo is because he showed his hand. Sonny showed that he was interested in the deal despite his Father saying no. This is a dangerous thing to do because it put the idea into Sollozzo's head that if he eliminates the Don, then perhaps Sonny would be willing to do business
Not just that. But the scene where Michael sets out his plan to kill Solozzo is itself worthy of an Oscar. One shot, the camera slowly moves in on Michael and the lighting is an example of ‘chiaroscuro’ (light and dark) worthy of any Renaissance painting. It’s the pivotal moment of the movie and done soooo well!
@@barmychap i like the one where he said to Fredo....''i love you and you are my brother but don't ever take sides with anyone against the family again.....ever''....that inhale of a smoke and that look plus taking into account what comes after just gives me chills..
Clemenza was Sonny's godfather. Sitting behind Carlo and delivering his slow and excruciating death was his honor to do. It also showed his unending loyalty to the Corleone family, despite their earlier differences.
Excuse me but I haven't read the book and don't remember what you're referring to. What were the earlier differences between Corleones and Clemenza? Anyone else is also very welcome to answer this and I'd appreciate it a lot if you did, thanks.
@@Juide80 Michael was making moves as Godfather, as Don Vito was semi-retired, to move the family to Nevada. The other Capo regimes (Clemenza, Tessio, possibly others, but those are the only ones I know) were leery of the moves Michael was making because Michael played everything close to the vest and no one besides his father knew what he was up to. So, Clemenza was complaining to Don Vito about Michael's moves. Vito asked Clemenza to trust Michael like he trusted him. After Michael made the move against the other Families, and the other Capos saw what Michael was capable of, the others fell in line.
Pete Clemenza and Vito Corleone were both immigrants from Sicily who grew up together in relative poverty in New York (Vito was sent to the USA at the age of 9 for his own safety after his whole family was killed in Sicily by the local Don over an insult.) That’s how far back they went. Clemenza was the small-time “wise guy” who introduced Vito to a life of crime by asking him to hide some guns for him, but Vito emerged as the dominant half of their “partnership” after killing Don Fanucci, an extortionist who preyed on local people and got Vito fired from his job when he had a young family to support. Vito went on to start a business importing olive oil from Italy at some point, which seems to have been legit but pretty soon became basically a front for his more lucrative activities. I think Mario Puzo’s book alluded to Vito and Clemenza’s past together, but this extra detail to their story was added as a “flashback” opening sequence to the movie sequel, Godfather II, with Robert De Niro playing the part of the young Vito.
Actually it's rather clunky with all the flashbacks that are jarringly different than the non-flashbacks. It's always an awkward way to tell story when one presents "prequel" out of sequence. But _The Godfather_ as a book was the main story and bestseller.
@@karlmortoniv2951 It works, but it would have helped to know the history of Vito "Corleone" before meeting him in "The Godfather". Flashbacks are a clunky way of dealing with backgrounds. But it was _The Godfather_" that was the book and bestseller, and that probably didn't include his history. It's certainly worth the effort.
Brando was only 9-15 years older than the actors playing his sons. He figured out the hair and makeup effects with Coppola, involving shoe polish in his hair and, at the time of screen tests, wads of cheese in his cheeks. For all his craziness, Brando really was a chameleon.
"Look how they massacred my boy." From a man who has seen and caused so much death and violence...to just transform into a weary, grieving father in that moment. Powerful acting by Brando--I didn't see the intimidating, fearsome Don Corleone when he pulled back that sheet; I saw a parent who lost his son.
This was Brando's comeback and the breakthrough roles for Robert Duvall, James Caan, Diane Keaton, Talia Shire, and Al Pacino. James Caan said, "The only drawback is that now every girl I go out with expects me to perform like Sonny Corelone."
Part 2, immediately! The last 20ish minutes are a masterclass in filmmaking - the whole movie is superb but from the baptism to that door closing on Kay; literal chills.
That scene with the dead horse under the bed sheets is so masterful on so many levels. It tells Woltz so many things. It lets Woltz know that they will go after his most prized assets, that they can get to him at any time, even in his own bed surrounded by his own private security. That level of threat and malice is on a whole different level.
The kitty was a stray on the set that Brando fed and took care of and was an improv by Brando. The cat purred so loudly they had to edit it out 😄 Also, the Godfather’s death scene was a total improv by Brando. Also, GREAT sauce recipe by Clemenza!!
I've seen various comments about the cat being in the film, and they vary sufficiently that they can't be reconciled. Most say the cat happened to be on the set, and that Brando took it into his lap. This goes beyond that to saying that Brando fed the cat, blah, blah, blah. When does the hyping by making shit up cease?
The cat in the opening scene was a stray that wandered onto the set. It jumped up on Marlo Brando during the scene and he stayed in character. The cat even though unscripted added an element to the character of Don Corleone, he is a loving and gentle family man, but ruthless enemy. That was a real horse’s head, a producer bought a horse going to a rendering house and took the head.
guess where they got that idea? from the evil mastermind mr. blofeld of the james bond film series. for some odd reason stroking a cat became a sign of PURE EVIL and evil intent. mike myers paid homage to this in his 90s "austin powers" films. i seriously doubt that was a real horses head in that scene. would you appear in a movie scene in bed with a REAL severed horses head? neither would i and neither would John Marley, the actor in the scene. furthermore it would violate hollywood's animal protection laws. the producers probably said it was real in post release promotion of the film to add a little more controversy. BUT, it was a real horse in bed with Lee Terri in "airplane." no animals were harmed in the making of that film.
@@holddowna There is a lot of subtext to this movie, some of it is cleared up by re-watching, it's a movie that has to be watched carefully, reading the book also helps. One good thing about it is that they had open casting calls and accepted people that they thought would work well in a given role even if they didn't have SAG cards. Because the Godfather worked out so well Coppola has made it a habit to have open casting.
Luca Brasi was the only man the Don was afraid of. He has a really sick background. Also the "actor" who played him was a boxing champ. When he is shown rehearsing his lines, this was real. when he meets the Godfather at the wedding, he flubs his lines. They kept it in the final cut because it fit his character.
He was a scary guy. But he was also a big fan of Marlon Brando, so he was already star struck a nervous. Supposedly (take with a pinch of salt) Marlon Brando, as a joke, wrote something like "asshole" or something on that order on his forehead to relax Montana. Ironically, it just made him flub his lines even more from trying not to laugh.
@@keithmays8076 Marlon Brandon on this film must have been a lot of fun to work with. There's the story that in the scene where the ambulance attendants are carrying him up the stairs from the hospital he packed a bunch of bricks under the sheets to make it heavier.
The baby baptized at the end was Sofia Coppola, Francis' daughter (and future film director). The movie is so well crafted and stunningly photographed. Amazing film. Thanks for reacting!
@@11DNA11 she is not as bad as people say, its become an idiotic thing. Part 3 is not that bad either. Im gonna assume 90 % of kids today saying the third is terrible have never watched it
Amazing how Pacino's countenance changes without any use of special angles or makeup. He turns from a soft, sweet, unprepossessing young man to something icy, dark and foreboding, and it's all in how he projects himself. He deserved the Oscar that Brando won.
I absolutely loved how you clocked each stage of Michael's transformation - the clothes, the posture - and then your comment about how he had a "whole other being inside him". amazing to consider they shot out of sequence - and still Pacino was so on point with every single step of that transformation. Can't wait for you to see Godfather II!
@@holddowna If you watch that scene again where he offers to kill the police captain - and everyone around him, Tom, Sonny - are surprised that little baby Michael is suddenly a part of the plan - what I love so much about that scene is the way Michael is sitting in his father's chair, like a throne - his arms on the arms of the chair, his posture so king-like, his legs crossed, totally still, it's Shakespearean - and nobody notices (at first). Michael has alREADY transformed and nobody notices. They're in a flurry around him, and he's already ready, he's already a king - and nobody has clocked it yet. it's so SUBTLE.
@@sheilaomalley4055 The line that everyone misses that marks the exact moment that Michael "joins" the family: in the hospital, waiting for the assassins to come, Michael says to the Don: "I'm with you now, Pop. I'm with you."
I'm a 55 y/o guy whose seen 1, 2 & 3 100's of times, owned them on vcr tape and DVD and whenever you run across it on TV, your watching it whatever part it's at. In our teens, my friends & I knew 1 & 2 by heart and still throw quotes around to this day. I work with peeps upwards of 30 years younger and they have no interest in checking it out. It was cool to check out your reaction. Your sincerity for this masterpiece showed! 2 will blow you away even more!
There is some hope friend🙂 I'm 30, first time I watched this movie I was 12😄 Still my favourite movie of all time❤ Have you played the video game? It's a bit old now PS2 era, but it explores certain things from the book the movie does not🙂
@@gak9319 Yo the video game was so freaking cool. I was so excited about it when it came out. I must have been like 15. This movie has been my favorite since I can remember. My fathers favorite movie, handed down to me. And I will hand it down to my son someday.
You're supposed to think that, that there's this big change in Michael.. but I don't think they pulled that off. Michael is not convincing for me as a nice, innocent - type guy at the start. He always seems like he has that in him, imo.
I definitely and passionately agree. The movie is about 3 hours long and there is not one single second that I would edit out. In fact, 3 hours and I want more. How many movies have we all seen that were half this long and you wished they had edited down?
@@DannyCosmossome things you learn to appreciate with time, its an acquired taste sort of thing. These movies may seem slow paced because of how story driven they are, everything is given time and effort to set in place, everything thought out and carried out meticulously. There is nothing wrong with not liking something that is universally loved but this movie is incredible. The story the acting, directing everything is top notch and it holds up incredibly to this day. Thats why this movie is so beloved, its just a good fucking movie
I recall vividly purchasing the book "The Godfather" in 1969. Once I arrived home and began reading It captivated my attention so completely that I could not put it down. I bought the book on a Friday evening, and read it through the night, or until around 5:00 AM Saturday. I finished reading it Sunday evening. I own all of the Godfather trilogy DVD's. Francis Coppola wrote a masterpiece that has stood the test of time.
The book(s) we’re written by Mario Puzo, then adapted for the films. But you’re right on, they were amazing to read. And the movies, with the exception of the third, redefined film. I’m not convinced that any movies should ever be rated above the Godfather. And Part Two belongs in any top ten list, possibly top five!
@@raremage This little exchange is getting sad. First it's Coppola, then it's Zarick. Both of you are wrong. The author is MARIO Puzo. Who the heck is Zarick?
@@booboo8577 Zarick is apparently what autocorrect t puts in there when you mis-type Mario on a mobile device. Fixed. And thanks, I would never have noticed.
@@raremageso true, The first Godfather is my favorite movie ever. It’s just a masterpiece in filmmaking. I was 9 years old when I saw it in the theater. It shocked the hell out of me, but also fascinated me. Became a huge Pacino fan after it. I like Parts of Godfather II, I prefer the parts with Deniro as a young Don Corleone. My 3 favorite movies of all time 1) The Godfather 2) Godfather II 3) Goodfellas I know all three are mafia movies, but they just happened to be my 3 favorite of all time, just legendary movies.
Really nice how you recognized the qualities of this old masterpiece, from a time when filmmakers didn't just rely on CGI and special effects, but producing such classics was a kind of art, not to mention the exceptional acting. The third part of the trilogy is a controversial one, I think it's solid, even if it can't keep up with its predecessors, but you shouldn't miss the sequel to this one, and I can guarantee you right now that it won't be inferior to its predecessor in any way.
Love that scene of Mike being in the church, witnessing a baptism, with a newborn child. The most innocent kind of human. And then him, lying through his teeth during an oath before the congregation, taking on the guilt of one of the worst of sins imaginable. The contrast is so strong.
Not the place for this conversation, and when I first saw this I thought that was the worst sins imaginable that they were committing. But there are some worse committed among the newborn and toddlers. We now know. But at the time this movie was made yes, for sure, and it was…and still is…a striking contrast.
Sonny made the fatal mistake by opening his big trap at the Sollozzo meeting, and that set the whole rest of the film in motion, including his own demise, ultimately. And FUN FACT; Paulie was apparently a very good bodyguard before he turned traitor, so Fredo (Vito's second oldest son) filling in for him was SUPPOSED to be his father's bodyguard, but proved inept. GREAT reaction, young lady! Bravo!
I never made that connection, but I think you're spot on. Sonny letting Sollozzo know that hey was all in had it been up to him WAS a critical mistake. So Sollozzo thinks all he has to do is get rid of the Don - he's slipping already (according to Bruno). Sonny would then be in charge. He already muscled Tom Hagen to smooth things over. Wow. So we get evidence of what Vito meant by telling Sonny to never let anyone outside of the family know what you're thinking. It's a "tell" and ultimately a backdoor. Brilliant! Such a powerful nuance, but this movie is full of powerful nuances. Thanks for the insight!
As I mentioned in another thread, the hit was on as soon as the Don said no to sollazzo narcotics deal. Sonny could've sat there as a choir boy or opened his trap, it didn't make a bit of difference.
📌You can tell the director really prepped for each scene, especially the big ones because the shots endure the test of time. The closing of the door on Kay, the focus on the guns on the assassins, the zooming on Michael's plan, the baptism scene. A lot of movies today have a very bland use of the camera, to the point that they all look the same. I love directors that have a distinct style.
"the zooming on Michael's plan, the baptism scene." I think thats the part that hits you in the feels on wrapping up the move, cutting the movie too. I wouldnt say its perfect, but they were splicing film to do cuts like that back then I think. The Intermix of the church/baptism scenes with Michael renouncing satan and the violence he had orchestrated. Chilling
Coppola always kept a copy of the book, and book of his notes that detailed his ideas, how he wanted to shot a scene, dialogue, everything. In the making he mentions it and shows the book. To your comment he was prepared and he was a huge fan of Puzo book even worked with him turning his treatment into a screenplay
Mario Puzo, the author of The Godfather books was actually hired to write the script for the first two movies. He had zero prior experience in writing a screenplay. After winning two Oscars for both movies, he considered it a fluke and decided to buy a book on how to properly write screenplays. The first step in the book he purchased said "Study Godfather 1 & 2."
What a fantastic reaction to such a wonderful movie Hold Down A!! You were so invested and such smart insightful comments throughout. On top of which was your great line which must surely be unique in the history of Godfather reactions: "and it's frikin' Christmas". 🤣 And YES I could see you as a member of the Corleone family.
"Johnny Fontane" is a stand in for Frank Sinatra. Similar story happened with Sinatra. He used his "connections" to get a role in a movie (From Here to Eternity)
Mario Puzo, the author of the novel, and Coppola collaborated on the screenplay. Reading the novel, and comparing it with the film, you realize that Coppola knew what to leave out of the film (Lucy Mancini's gynecological problems, for example). Coppola shot a lot of footage which didn't make it into the film. Later in the 1970s he edited the first two films together in chronological order, and added some of the extra footage for TV's "The Godfather Saga".
@@edtheman28 It's a wobbly subject, comparing books to movies. Movies will almost invariably get the short end of the stick because there's only so much that you can cram into a feature-length film (unless you want to pull a Harry Potter and release your installments in multiple parts, but even then there's still going to be things that simply have to be left out), whereas with a book the only time constraint is the reader's attention span.
Growing up in an Italian household this was on a constant loop every weekend when I was a kid. My uncle actually tried out for the part of one of the guards but he wasn't able to travel to Italy at the time. The book was really good as well.
I'm 70 now, and I first saw this in 1972, when I was 19, and I can't think of a better movie all these years later. Sometimes when it's on, I'll make spaghetti, using Clemenza's recipe! My baby brother is 65 now, and he still has a thing for Apallonia.
I have seen 14 reactions to this amazing movie, and I think yours may be the best. I saw this movie in the theater when it first came out in the early 70's. It is my favorite movie because it set the bar so high for action, suspense, brilliant acting, storyline and musical score.
The baby in the baptism scene at the end is Sofia Coppola. The then infant daughter of director Francic Ford Coppola. At age 19, she stars as Michael's daughter, Mary in Godfather part III. (1991).
It makes me happy to watch a reactor who can truly appreciate this flawless masterpiece. A lot of people do this in 2 parts but your edits and commentary were spot on in 54 minutes. Thank you for your effort here and I look forward to your take on part 2 which is at least as good.
Part 1 is boring af but kinda watchable at best. But part 2 is the most boring mess I’ve ever seen in my life. No way you actually enjoy that snooze fest
The scene with Vito (Marlon Brando) dying in the garden with the kid was totally improved and shot in one take with multiple cameras. That is why the kid was terrified when he put the oranges in his mouth. Even at the end of the scene the innocence of the child kept spraying him, even when he lied dead on the ground. "Simply a Masterpiece".
@@bloodymarvelous4790 You put the asterisk on the wrong side. It goes on the left when the word is misspelled. It goes on the right when it is a wrong word.
I love watching this movie with first timers. The way you reacted, watching you go through the wtf moments. Your facial expressions. There are so many nuances to the movie that you catch the more times that you watch it again and again. For example, at the end when Michael walks out of the church after the baptism, the guy wasn’t telling him what had happened during the day. He was telling him that the calls being made to Barzini were coming from Carlo’s house. That was the moment that he knew that Carlo set up Sonny. Loved watching you watch the movie can’t wait for you to watch part 2. Some say it’s better than the first.
I am a filmmaker and I love your reactions. its good to see a younger generation appreciate the classics. You HAVE to do Godfather Pt 2 . Your observations are on point. IDK if you have a film background, but it feels like it. (with you referencing Shots, framing, camera movement). Keep it up. you just earned a new Subscriber!
The story behind Johnny Fontaine, it's the story of how Frank Sinatra got into the music business . Also the story behind Luca Brasi in the book is horrifying.
He threw a baby into a furnace! His own! Btw, I have been told by my father that his mother told him that there was a real Luca Brasi who really did throw his baby into a furnace!
As has been mentioned, Cinematographer Gordon Willis was primarily responsible for the look of The Godfather Films, composition, use of lighting and processing, being largely what he is known for (he worked with other directors, but also filmed a number of Woody Allen films). Yours was a grand appreciative take on The Godfather, hopefully you will do all three. A Milestone and Landmark in filmmaking and The New Hollywood, making use of the new sensibility and opening up what was to come after. Great Reaction! :)
The cat in the opening scene was not scripted. The cat was a stray they found on the lot and decided to add to the scene. The guy who played Luca Brasi was actually a real life enforcer and bodyguard for the mob. The scene where you see him practicing what to say to don Corleone was actually the actor trying to rehearse because he was nervous to work with Brando. In the scene he actually messes up the lines but they left it in because it was more consistent with the character.
This is a masterpiece. I once read “The Godfather” is how the mafia wants you to think it is… “Goodfellas” is how it really is. If you haven’t seen it yet. I’d love to see you react to “Goodfellas”.
Michael Franzese said on his youtube channel, Godfather movie literally changed how mafia guys dressed. They started wearing expensive clothes and dressing like businessmen after.
Good catch on Brando's age make-up. A lot of modern audiences don't realize Brando was only 47 years old when he filmed The Godfather. A testament to his performance, and to the make-up department! There's a great before and after photo of Brando with and without his Godfather makeup.
Yes! Makeup by legendary makeup artist Dick Smith - at the time famous for turning Dustin Hoffman into a 121 year-old man in Little Big Man and for turning Linda Blair into a pea-soup spewing demon child in The Exorcist (Smith also aged Max Von Sydow who played The Exorcist.).
Thank you for sharing your experience of this movie. I get a lot of pleasure watching a movie i respect with someone who is seeing it for the first time. I'm 77.
This was moving and adorable from begining to end! I re-lived the movie throygh your precious reactions! Best reaction video ever, hands down. By the way, i am obsessed with the Godfather, i have watched all three films, at least 15 times each. And, YES every single time something new is revealed to me! Best movie ever, period. Now, do part 2 ASAP!!!
As a cinephile I put the The Godfather in the top 4 of all time. An influential piece of art and a cultural touchstone. What's crazy is Coppola managed to make four masterpieces in a row during the 70s: The Godfather, The Conversation (1974), The Godfather II (1974) and Apocalypse Now (1979). I hope you'll watch the other, as well!
@@collinambriz8522 Frankly, that's a ridiculously tough (maybe even impossible) question to answer in my opinion. There are SO MANY masterpieces in different genres that achieve perfection in different aspects of filmmaking and storytelling. I could just randomly name dozens and dozens of movies that are considered among the greatest but it would be easier to answer your question on the basis of genre. So do you have any favourite genres which you prefer over the rest?
@@collinambriz8522 not the greatest but one of my absolute favourites that I love to reccomend and talk about is The lives of others from 2006. How about you?
I really can not wait to see your reactions for Part 2. Absolute master of a film. Really enjoy your videos and reactions of these movies. We need part 2 soon!
It says something for Michael's character that he regards Tessio's betrayal as being the "smart" move, in a way belittling Clemenza's loyalty to the family.
The Godfather is one of my all time favorite movies. I love all of the quotes in this movie. I would watch this movie with my Father and older brothers
I loved your reaction. Thank you! My favorite scene is when Michael is outside the hostpital with Enzo the baker and Enzo's hands are shaking and Michael reaches over and lights his cigarette. At that moment Michael knows he has what it takes to take care of things.
12:00, to be fair, Walz got off lightly from the Don. In a deleted scene, Hagen saw a child actress whom Wolz was celebrating her birthday coming out of Wolz's bedroom as Hagen was leaving Wolz's house. The Don called it an "infamia", a heinous crime that removes all social and legal protection from whoever commits it.
The character Johnny Fontaine (Al Martino) was based on Frank Sinatra. Sinatra got his start with the Tommy Dorsey orchestra. He got a movie part Anchors Away in 1945 but was under contract with Dorsey. Sinatra's godfather and Uncle Willie Moretti was a captain in the New York Mafia. Moretti broke the contract by shoving a gun in Dorsey's mouth and told him his brains or his signature would be on the contract. Fun fact about that scene.
The most ironic thing is, as much as Michael wanted to steer AWAY from the family business, he ended up being the best QUALIFIED to be Vito's successor.
Thanks for a great reaction to this timeless masterpiece. Coppola’s direction aligned so well with Mario Puzo’s story along with best acting ensemble in my opinion. Of many great scene, Robert Duvall when his voice breaks when he tells Don about Sonny’s death gets me every time.
So glad you left that brief clip in of Brando after he sends Johnny Fountaine out, and you can see how exasperating Don Corleone's life can be. Goes by so fast, but it never fails to bring a chuckle. This is how you humanize a character by showing and not telling. In retrospect it's insane that the studio didn't want either Brando or Pacino in this film.
I'm late to class as I recently found Ames' channel. I dig how she loves practical effects over CGI. Practical SFX are so great. Has anyone noticed that often the best movies are the most quotable? I so enjoy reactions to a line of dialogue "so this is where that quote is from!" The final scene in this film is recreated WONDERFULLY in the last scene, in the last episode of season 2 of "Marvels Luke Cage". Lastly, if you look at the top 5 movies on AFIs top 100 movies list, you could arguably throw all 5 titles in a hat and pick them out randomly from #5 to #1 and it would be an accurate list. Such great movies 👍
I'm glad you enjoyed this one! This is one of those (kind of like Citizen Kane, in a way) that gets so hyped up and hyped up by everyone that you tend to wonder, "Can it really be that good?" Yes. Yes, it can.
"Citizen Kane" is 'way overrated. There's always been something creepy about Orson Welles, and that seeps through the film but shouldn't. And see him in the splendid "A Man for All Seasons" (1966).
@@DannyCosmos "A Man for All Seasons" -- which you've not seen -- is splendid. It is not centered around Orson Welles' character, and his performance in that is fine.
This was great! Thank you! I highly, HIGHLY recommend reacting to The Sopranos. It's an incredible & revolutionary show with absolutely fantastic dialogue, acting, directing, etc. I'd say The Sopranos is the best written show of the last 30 years, at least.
Beginning: the undertaker meets with the godfather and cries about his daughter being assaulted. Later: the godfather meets with the undertaker and cries about his son being murdered. Brilliant.
Brando was 47. He had a lot of makeup on. But look at the scene of the meeting of the Five Families. Don Corleone puts his hand over his heart and says, "I swear on the souls of my grandchildren....". If you look at his hand, it's the hand of a young man. No makeup.
Excellent commentary. Very insightful and always on-point. Much appreciated. Brando was only 47 or so when he played this iconic role, which he fought hard to get. No one in power envisioned him in that part. Pacino and John Cazale (brother Fredo) worked on-stage together. Pacino was a longshot for his role as well, and Cazale was discovered while Pacino was being scouted by Coppola. John Cazale's brief film career began with this movie. He appeared in 5 films (three with Pacino, including two "Godfathers" and "Dog Day Afternoon," and also in Coppola's great "The Conversation") and ALL five were Best Picture Oscar nominees. He died at age 42 shortly after making "The Deer Hunter." The baby in the baptism scene was director Coppola's daughter, future Oscar-winning director/wrier Sofia.
@@bloodymarvelous4790 Well, they weren't married but yes, she cared for him while they worked together on The Deer Hunter and shortly after until he passed. I believe she and De Niro helped cover the insurance that was required by the producers of the film so that Cazale could finish.
One of my favorite behind the scenes facts is that in the scene where the ambulance drivers are carrying his gurney up the stairs, Brando secretly put extra weights in it so that it would be difficult to carry him up the stairs.
Robert Ryan, who played the cop, had a stellar career playing bad guys. He was great, and he starred in The Concrete Jungle, and The Killing, Stanley Kubrick’s early film, and so many more.
The sequel is one of those rare instances where it possibly surpasses its predecessor. Considering how good part 1 is makes it all the more impressive. It’s a masterpiece as well.
My favorite film of all time, Every single scene has a purpose has a meaning, seen this movie over thirty times never get bored of it, I could talk to you for at least an hour dissecting this movie lol (but i wont) haha everytime you watch it you always pick up on something new you missed before, suttle details here and there, the way Francis Ford Coppola decided on how to film certain shots is perfection 🙏
In the Wedding scene, Michael is wearing a WW2 US Marine Corps officers uniform. The rank badges on his epaulettes are for a Captain. The ribbons above his left breast pocket indicate medals that he has been awarded: Top row L to R: Silver Star (3rd highest award for valor in combat), Navy And Marine Corps Commendation Medal (Highest award for non-combat life saving action with serious risk to own life), Purple Heart (wounded in combat), 2nd Row leftmost: Pacific Campaign medal with 2 stars indicating repeat awards (meaning that he was involved in 3 separate Pacific Island Battles). As a 2nd Lieutenant and 1st Lieutenant he would have commanded a 40- to 50-man Platoon, and as a Captain he would have commanded a 200-man Company of 4 platoons.
“Take the cannoli” was improvised! I believe Mike was waiting for the train to be closer so that the shot wouldn’t be too loud. The video game was awesome! You start out as a soldier and your first job is to lead the weirdo who did the horse to the bedroom without getting caught, plant the gun in the restaurant! It’s a great game.
The real life baby used in the baptism scene was Sophia Coppola; the very same person who plays Michael's daughter in the third film. That's a good reference for how much time passed between the making of those two movies.
i love this! i really loved i think her first film, "the virgin suicides" one of my favourite books growing up. and i think i knew that but forgot! thanks so much
This was the best reaction to one of my favorite films that I've ever seen. Amazing perspectives and I loved how you pointed out the directing details that seem small yet play such a major part in the themes of this iconic film! Can't wait for your next reaction!
Yes, a truly stunning movie.. such rich story telling, cinematography, and, of course performances...the violence is just part of the story- just endemic to these lives...it was appreciated as a masterpiece when it was first released, and remains so to this day...very enjoyable watching you appreciate it. 🤗
The rarely mentioned highlights of this film are the magnificent facial expressions of the characters. Kay's naive expression during the Bandleader story. Jack Woltz's pure shock and horror in his bloody bed The evil smile of Sollozzo and the sadistic stare of Bruno Tattaglia during Luca Brasi's slaying. Michael's extreme anxiety right before he kills Sollozzo and McClusky Michael and Apollonia's mutual thunderbolt of love at first sight Vito's total sadness and surrender after Tom tells him about Sonny's death Michael's evil stare during the Baptism Michael's lifeless look as he walks away from Tessio's departure Carlo Rizzi's look of pure terror when Michael calls him out
“Withnail & I” (1987) sits somewhere on IMDb’s best 100 comedies, very funny, but also very poignant, tackles really serious issues especially for the time the film was released.
I agree with you about Diane Keaton. It seems sometimes she's overlooked because the other actors around her in this film are all so great, and perhaps more charismatic, but Keaton's subtle yet strong performance is like a glue that holds everything together. If/when you watch Part 2, you'll discover even more from her, and it's astounding. She was easily one of the best actresses of that era.
Your reaction to this masterpiece is one of the best, most insightful, most intelligent reactions I've seen for any movie or TV show. If not the best. And your edits were fantastic and superbly thought out. Looking forward to your Godfather II reaction now.
How is it possible to have NEVER seen such quality film? It's incredible how, there are practically scores of people online doing these such viewings. I saw the Godfather with my aunt (who was 13 at the time), in the theatre. I read the book some years later, for continuity purposes.
The character of Luca Bratzi(sp) was played by an actual mobster who was sent to observe filming and was very nervous. The scene of him rehearsing his lines was real because he had no acting experience.
It was also shot after the initial meeting of Don Vito and Luca to help with explaining why he flubbed the line without using the fairly legitimate excuse of "the dude isn't a trained actor, he can't be expected to be able to be perfect when he's sharing screen time with Marlon Fucking Brando".
What I enjoyed most about watching this video was the fact that you are intelligent and actually seemed to follow the plot. So many reactors get confused early on and never seem to recover. But you were there pretty much right from the start.
This is by far my absolute favorite movie of all time. I can (and have) watched it countless times. It's a movie you'll never get bored with, that you can watch a million times and still be thrilled and sucked into the story each and every time. The mind blowing thing about it is that it was almost never made. I mean, VERY close to being completely abandoned. Paramount studios wanted to fire Coppola. They didn't want Pacino in the lead role. There were budget constraints and constant arguing between the heads of the studio and Francis and his production crew. Even the REAL mafia got involved - Russel Bufalino, a mob boss in the Luciano crime family out of Pennsylvania, who was covered so brilliantly by Joe Pesci in the movie The Irishman that came out in 2019, was actually involved directly with Coppola and threatened him if they used the term "mafia" at all in the movie. So they relied on the word "family", and Bufalino and his crew actually had a private viewing of the film before Coppola released it to the public to make sure they were happy with it. They were extremely happy - the crew would whoop and holler in the violent scenes, especially the horse's head scene.
In the book, Carlo was on borrowed time since Sonny's death. After he was gunned down, Tom calls Carlo and basically tells him that he is going to be a loving, supportive, faithful husband to Connie OR ELSE.
Vito Corleone had a lot of enforcers, Luca Brasi was special. Movie does not go into any detail about Luca like the book did, but Luca was loyal without question to Don Corleone above anything else. He was also brutally savage and a remorseless killer. In the book it was said...well written...that Luca Brasi was the only man Vito Corleone ever feared. Don Corleone made a big strategic error when he sent Luca undercover. Everyone knew how fiercely loyal Luca was to Vito so the plan never would have worked