The Honest Cinematography of Greig Fraser & Dune Part Two

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Analyzing the top down lighting in Dune 2 by Director of Photography Greig Fraser and Director Denis Villeneuve. | Low Light Cinematography |
Easy Cinematic Lighting Setup | Cinematic Video Shooting Tips | Cinematography Breakdown | Light & Shadow | How to Use a Light Meter | How to Use EL Zone | Exposing Cinema Cameras | Follow the Eyes
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#cinematography #filmmaking #lighting
CHAPTERS:
00:00 - Intro
01:08 - EL Zone
02:06 - The Challenge
05:57 - Composition
09:48 - Special Offer
14:13 - Identify the Source
16:06 - Hollywood Polish
17:36 - Geometry
18:19 - Reflections
20:14 - Hollywood "Dark"
The Cinematography of DUNE PART 2 | Greig Fraser and the Cinematography of Dune: Part Two | How Cinematographers Set Their Exposure | trailer | Film Essay | Technical | Gear | Camera Gear | 35mm | Director | DP | Camera | Lens | ARRI | Panavision | Film School | MasterClass | Hollywood Filmmaking | Crew | Film Gear | Lighting | Film Lighting | Light | SONY | Explainer | Exposure | Exposing | How To | Expose | Video Exposure | False Color | Waveform | Exposing for the Highlights | Exposure Tools |
ART HAS NO PERFECT FORMULA | Think For Yourself!

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3 июл 2024

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Комментарии : 39

@mattbondcomposer 27 дней назад

Great job man. Thanks for making such a detailed breakdown and analysis. Love your channel

@JustinPhillip 27 дней назад

Thank you 🙏🏼

@oleberek 23 дня назад

Great, thank you Justin. Think I would love to see a second video which connects this info to the power of Cine EI. Think this is what a lot of people might miss in recreating dark appearing looks? 😉

@Jmob4life 28 дней назад

I loved this video. I’m an illustrator/via dev artist with 10 years experience who pivoted into film/production/editing. The trend I see is that people in film respect theater and photography. Tho a lot of people seem to be unaware of what an illustrator is and how it encapsulates all of photography and fundamentals of acting/lighting/set design/costume design/abstraction in design… you name it. It’s a sad thing to experience that most people I’ve met on sets are unaware of this. People on set say they draw from photography for video. Just wish they knew that the photographers steal from the illustrators and artists. 😅😂

@mattbondcomposer 22 дня назад

It’s a less straightforward path, isn’t it? I’m a music producer and composer who is pivoting into filmmaking and direction, and I can feel a similar disconnection between audio and visual mediums from some people I meet, but all of our influences and experience are very similar. We just have to find the right people to work with who have good energy and understand 🙂

@DoublewideCinema 27 дней назад

Thanks I always learn a lot from you… And I appreciate your style😎

@JustinPhillip 27 дней назад

Awesome! Thank you 🙏🏼

@donaldgibson1642 26 дней назад

Best one yet, at least for me. Great work

@AndreCostaco 26 дней назад

I think its important to note that a lot of sensors from cameras we shoot with will not be properly exposed if exposed at those low EL Zone levels of -2 - -5. Dosnt mean it can't be pushed down to these levels in post. But shooting at those levels and then trying to grade it will be really hard on a lot of cameras, like the fx6 for example.

@JustinPhillip 25 дней назад

Fair. Not all cameras have the amazing dynamic range of the ARRI Alexa 😏

@clintclarkson1325 19 дней назад

It is very possible with the Pocket 6K's, I love to expose just like this and it is super easy to make fine adjustments in the grade with my Pocket 6K's. Think of using ISO not for gain but for determining where you want to set up how many stops above and below middle grey. Your camera manual should show you how many stops above and below for each ISO.

@Ed_Scott 27 дней назад

Appreciate the effort you put in to this. A lot of good info because I definitely fall into the trap of trying to expose everything perfectly. But you’re correct, there is no formula…it’s art. I need to do a better job and treat it as such.

@JustinPhillip 27 дней назад

Keep going!

@BlaineWestropp1 27 дней назад

Love this video

@Cinegavo 27 дней назад

true true

@JustinPhillip 27 дней назад

Thank you!

@simonanthonytrudeau7898 27 дней назад

You check EL zone on a color graded clip to judge how they exposed the shot? It would be nice to analyze that with the Log clips (to see the real exposure data)

@JustinPhillip 27 дней назад

For sure but where we gonna get that? For these purposes, it kind of helps to see the reality of the way it was intended to look. The DIT and team is definitely using the LUT on set as well, You really only need to map the color pipeline to Log when you’re exposing for Log. For educational purposes, i find it nice to see what the end result is in terms of exposure.

@simonanthonytrudeau7898 27 дней назад

@@JustinPhillip surely a nice thing to analyze! Great video man!

@AxTechs 26 дней назад

@@JustinPhillip sure you're using the lut on set, but to be able to use a light meter, and to communicate to your gaffer, you'll be basing your on set stops from the log, given the correct pipeline, every camera using EL Zone will have the same exact middle grey point and will match up perfectly to your spot meter. The most practical way of seeing the true (or as close as we can get) on set exposure, is by transforming the footage into an intermediate log curve that's accepted by EL Zone, and than check false colour via a "log" image. That way you'll see a more accurate representation of exposure. EL zone expects a log curve for it's input, so you're essentially looking at an images exposure as though it was transformed from log c 3 to rec 709 then graded and then brought from log c 3 (even though it's already rec 709) to rec 709, it's just a wrong/double transform. Sometimes what you can do is check out the VFX breakdowns of a project, as some of the breakdowns use arris k1s1 conversion and only add the show lut on the final pass. What I've done before is reverse engineered that lut into a reverse lut to bring the graded clip to as close a k1s1 as possible, and then converted to intermediate log to see what exposure might have looked like on set via EL Zone. Also because of this, when I don't have a DIT, I always have my show LUT in my monitor rather than out of sdi for that reason and ask that my assistants output log to my monitor from sdi 1and sdi 2 has the look on video village.

@ryanmargetts 24 дня назад

@@AxTechs For sure. I've found that (using SmallHD monitors at least) if you set your color pipeline to the correct log settings, you can still send your shooting LUT from camera to any/all sdi outputs and your EL zone will still be reading based on the log image. I've tested this to confirm. As long as your monitor's pipeline is in log, the EL Zone is accurate, regardless of the LUT being on or off.

@Cinegavo 27 дней назад

preach at the end

@holdmedear 24 дня назад

great job man! how do you get EL zone in da vinci ?

@lerecklessbadger2411 27 дней назад

Thanks for your hard work! I'm interested in getting into the EL Zone System. Would you recommend a 5-inch or a 7-inch SmallHD monitor? It's a tough decision... Also, does the EL Zone System ensure that the light falls on the right spot of the spectrum, making the advantages of a smaller compact monitor hard to ignore?

@JustinPhillip 27 дней назад

EL zone is the most accurate. For me i like 5” on camera and 7” off camera

@liampugh 26 дней назад

Not saying I disagree with any of what you say but getting creative and exposing the key way below middle grey is a big part of the reason modern audiences complain movies are too dark. That and the color grade. I’d be interested to know whether they exposed for that in camera or just tried to retain as much detail as possible on set and dialed in the look in post.

@JustinPhillip 26 дней назад

It is a little hard to say. Some in the comments argue it was all exposed “perfectly” on the day. But the white has turned grey, to me would make me think it was a tad under in camera. We need to remember the amazing dynamic range the ARRI cameras have. So going 1/2 to full stop under is not losing any detail.

@fakeillusion 26 дней назад

hay,man how you get sponsor? It see like too Small to get 0:02

@JustinPhillip 26 дней назад

🤷🏼‍♂️ 35 thousand subs too small to get sponsored?

@fakeillusion 26 дней назад

@@JustinPhillip man you get sponsor form 10k es

@Hotinri 27 дней назад

dope im in rhode island lol

@JustinPhillip 27 дней назад

Nice!!

@coin777 27 дней назад

3:50 You know they probably filmed it property exposed, and turned down the exposure in post?

@BlaineWestropp1 27 дней назад

Agreed.

@JustinPhillip 27 дней назад

And you know i talk about this later in the video…

@JustinPhillip 27 дней назад

But also probably not… -1 or -1/2 under is still “properly exposed”. You missed the point entirely, there is no “properly” it’s all subjective. Plus the fact that her pure white skin was now grey, yes definitely under-exposed in camera.